This thesis details the maintenance of Polish identities through acts of memory: the (re)production, transmission and reception of Polish cultural practices. The (re)productions and transmissions of Polish identity formations, and the acts of remembrance, are multifarious by nature, and I have examined them in two distinctly different settings ?? in public spheres in Poland, and in the private realms of Australian Polish diaspora. In this thesis, these research settings have been conceptualised as the conduits through which Polish identities are maintained. Polish identity is theorised using a constructivist approach; Polish identities are therefore positioned historically and geographically. Their performances are fluid: they move through time and across spaces. The active maintenance of Polish identity developed as a result of foreign occupations. The partitioning of Poland by the Austro-Hungarian, Prussian and Russian Empires lasted 123 years. From 1795 to 1918 the Polish nation was expunged. Following a brief period of independence between World War I (WWI) and World War II (WWII), Poland was again occupied by Nazi and Soviet regimes during WWII (1939-1945). The Soviet occupation continued after WWII with the Soviet-supported Polish government that lasted until 1989. Under occupation ?? particularly during WWII ?? Poland suffered events that have been indelibly imprinted within Polish cultural memory. The macabre nature of this era included the incursion of hegemonic regimes on political and everyday social life, as well as the atrocities for which it is well known. An important outcome of these occupations has been the division of discourses of Polishness, and their remembrances, into distinctly public and private spheres. These periods of foreign occupation brought various attempts to suppress and eliminate Polishness: the cultures and identifications of Polish people. Suppression particularly occurred in public spheres through the prohibition of the Polish language, and by investing the public memory landscape with ideologies that represented the new regimes. By repressing public commemorations of Polish cultural narratives, a new history was written at the expense of the Polish experience. There have been two primary responses to these repressions of Polishness. These responses initially developed during the partitioned period to ensure that Polish language and cultural practices were maintained. First, a narrative and tradition of resistance emerged in reaction to the Russian, Prussian and Austrian partitions. It was enacted through military participation in insurrections and through the production of patriotic Romantic Era cultural artefacts, both of which strengthened linkages to the Polish Catholic faith. Second, Polish cultural practices and language were safeguarded in the private spheres of home. It was in private settings, in Poland and within the diaspora in Australia, that memories and experiences of occupation were passed on and through generations. In Poland, such narratives were often maintained in resistance to those imposed by foreign occupiers and because of the inability to commemorate events of Poland??s macabre past in public. In Australia, identity maintenance has occurred to resist the dissolution of Polishness in a diasporic and multicultural environment. This thesis demonstrates the utility of studying cultural memories as a means of understanding how identity maintenance can occur in the face of adversities, such as the multiple foreign occupations that occurred in Poland, and in diaspora. Moreover, it exemplifies the diverse paths of identity maintenance in different contexts. This thesis shows that despite the distinctive character of both Polish public and private spheres, Polish identities have been informed, shaped and maintained through culturally-enacted memory (re)production. This process is exhibited in the present ?? in Poland and through the diaspora ?? and it occurred despite the repressive aims of various foreign occupiers.

Thesis (Ph. D.)--University of Oregon, 2007. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 174-176). Also available for download via the World Wide Web; free to University of Oregon users.

Thesis (M.A.)--University of Toronto, 2005. / Includes bibliographical references (leaves 118-123).

Thesis (Ph. D.)--University of Toronto, 2005. / Source: Dissertation Abstracts International, Volume: 66-10, Section: A, page: 3662. Includes bibliographical references (p. 241-256).

Thesis (Ph.D.) -- University of Western Sydney, Hawkesbury, 2000. / "A thesis presented to the University of Western Sydney, Hawkesbury, in partial fulfilment of the requirements for the degree of Doctor of Philosophy". Bibliography : leaves 188-199.

Thesis (M.A.) (Honours) -- University of Western Sydney, 2001.

Thesis (Ph.D.)--University of Adelaide, Dept. of English, 2003. / Includes bibliographical references (leaves 313-325).

Thesis (M.A.)--Baylor University, 2008. / Includes bibliographical references (p. 67-70).

Thesis (M.V.A.)--University of Sydney, 2008. / "Printmedia"--T.p. Submitted in fulfilment of the requirements for the degree of Master of Visual Arts to the Sydney College of the Arts. Degree awarded 2008; thesis submitted 2007. Includes bibliographical references. Also available in print form.

Thesis (M. A.)--University of Canterbury, 2008. / Typescript (photocopy). Includes bibliographical references (p. 221-235). Also available via the World Wide Web.