Originally presented as the author's thesis, Brussels. / Bibliography: p. 377-381.

Originally presented as the author's thesis, Brussels. / Bibliography: p. 377-381.

The overall objective of this research is to analyze the environmental ethics useful tool for the improvement of sustainable development, proposed by Ignacy Sachs. Therefore, the specific objectives are: a) to understand the sustainable development model proposed by Ignacy Sachs; b) to think of the bioethics related to environmental issues, based on José Roque Junges, (Bio) ética ambiental; c) to analyze the environmental ethics as reflection of ethical bases tool for advancing sustainable development, proposed by Sachs, based in José Roberto Goldim, Bioética: origens e complexidade, Marie-Helène Parizeau and Paul Ricoeur (from his contributions to the Dicionário de Ética e Filosofia Moral, by Monique Canto-Sperber). The search problem is: what are the contributions of environmental bioethics for the improvement of the sustainable development model proposed by Ignacy Sachs. Thus, the hypothesis to be tested is that Bioethics contributes to the advancement of Environmental sustainable development, insofar as it is able to determine an ethical reflection and interdisciplinary practice support a debate driven by ecological dimensions, environmental, social, economic, political, cultural and territorial. This is a fundamental nature or theoretical, bibliographical, exploratory and qualitative approach, which uses the hypothetical-deductive approach method, the method of historical procedure and the bibliographic data collection procedure. The technique of the research is the analysis of content. The relevance of this research is in contributing to the improvement of the sustainable development model proposed by Ignacy Sachs, to the extent that extends the discussion about the ethical bases mentioned by the author. The contribution is also reflected in an instrument able to establish levels of reflections on the ethical bases necessary to the construction of the environmental debate, to the confronting the dilemma between environmental protection and economic development, advancing in the knowledge of the areas of bioethics and Environmental Sciences and establishing future research grants. / O objetivo geral desta pesquisa é analisar a bioética ambiental como instrumento útil para o aperfeiçoamento do desenvolvimento sustentável, proposto por Ignacy Sachs. Os objetivos específicos são: a) compreender o modelo de desenvolvimento sustentável proposto por Ignacy Sachs; b) pensar a bioética relacionada com as questões ambientais, com base em José Roque Junges, (Bio) ética ambiental; c) analisar a bioética ambiental enquanto ferramenta de reflexão das bases éticas para o avanço do desenvolvimento sustentável, proposto por Sachs, com base em José Roberto Goldim, Bioética: origens e complexidade, Marie-Helène Parizeau e Paul Ricoeur (a partir de suas contribuições ao Dicionário de Ética e Filosofia Moral, de Monique Canto-Sperber. O problema da pesquisa é: quais os aportes da bioética ambiental para o aperfeiçoamento do modelo de desenvolvimento sustentável proposto por Ignacy Sachs? A hipótese a ser testada é de que a Bioética Ambiental contribui para o avanço do desenvolvimento sustentável, na medida em que é capaz de determinar uma reflexão ética interdisciplinar e prática que fundamente um debate orientado pelas dimensões ecológica, ambiental, social, econômica, política, territorial e cultural. Trata-se de uma pesquisa de natureza fundamental ou teórica, exploratória e bibliográfica, de abordagem qualitativa, que utiliza o método de abordagem hipotético-dedutivo, o método de procedimento histórico e o procedimento bibliográfico de coleta de dados. A técnica da pesquisa é a análise de conteúdo. A relevância desta pesquisa reside na contribuição para o aperfeiçoamento do modelo de desenvolvimento sustentável proposto por Ignacy Sachs, na medida em que amplia a discussão sobre as bases éticas mencionadas pelo autor. A contribuição também se reflete na apresentação de um instrumento apto a estabelecer níveis de reflexões acerca das bases éticas necessárias para a construção do debate ambiental, com vistas ao enfrentamento do dilema entre desenvolvimento econômico e proteção ambiental, avançando no conhecimento das áreas da Bioética e das Ciências Ambientais e estabelecendo subsídios para pesquisas futuras.

The issue of the cultural relationships that have existed without doubt over the centuries between Central Europe, Eastern Europe and Western Europe also finds its reflection in, among other places, the correspondence of Ignacy Jan Paderewski, distinguished Polish pianist, composer and politician.

Ignacy Feliks , a Polish composer active in Warsaw, is best known for having been a colleague of Frederic Chopin while they were both composition students of Jozef Eisner. As an early nationalist composer, Dobrzynski is examined within the context of nineteenth-century Warsaw's musical culture and political situation. Dobrzynski early training was provided by his father, who was Kapelmeister at the Ilinski court in Romanow. The most important achievements of the career which followed Dobrzynskifs move to Warsaw in 1825 include second place in an 1835 Viennese contest with the Second Symphony, a German tour in I8I8, and the directorship of the Teatr Wielki in 1852. Cast in the late eighteenth-centurv style, Dobrzynski two symphonies were composed in 1829 and 1831. These works show knowledge of Beethoven's music and exhibit Dobrzynski's skill at orchestration. Symphony No. 2 in C minor, Op. 15, is the more important work because of national elements in each movement, as well as its success in a Viennese symphony contest in 1835. Although a precedent for national elements is seen in studying the development of the Polish symphony in the eighteenth and early nineteenth centuries, Dobrzynski's contribution shows an intensification of musical patriotism which was inspired by the November Insurrection of 1830-1831. An edition of the Second Symphony and a list of Dobrzynski's works are included in the dissertation.

Orientador: Mônica Muniz Pinto de Carvalho / Dissertação (mestrado) - Universidade Federal do ABC. Programa de Pós-Graduação em Planejamento e Gestão do Território, 2013

Thesis (Ph. D.)--University of Washington, 1999. / Vita. Includes bibliographical references (leaves 266-276).

Abstract The work outlines several key aspects of the theatrical avant garde - namely the work of Richard Foreman, Mary Overlie and Stanisław Ignacy Witkiewicz - in relation to the artistic development of the author over the past two years with detailed examples of practical work (The Water Hen, The Foreman Notebooks Workshop and Rotten Kid Dong Sells His Ma).

Dass 'die nationale Bedeutung oder Färbung eines musikalischen Phänomens [. . . ] zu einem nicht geringenTeil eine Sache der Auffassung und der Übereinkunft: der Rezeptionsweise'1 ist, wird an der polnischen Musikgeschichte besonders deutlich. Das außergewöhnliche politische Schicksal Polensim 19.Jahrhundert - das Verschwinden eines fast tausend Jahre alten Staates, die Aufteilung seinesTerritoriums unter drei fremden Mächten und das Andauern dieses Zustands über mehr als hundert Jahre, ausgerechnet in der Hochphase des Nationalgedankens - hatte zur Folge, dass den Künstlern bei der Wahrung der nationalen Identität eine führende Rolle geradezu aufgedrängt wurde.

Le corpus épique du 18e siècle en France, en Angleterre, en Pologne et au Danemark révèle trois types de survivance de l’épopée : (1) une survivance théorique dans la poétique spéculative (dont le modèle relativement incontesté est au 18e siècle l’Art poétique de Boileau), (2) l’épopée héroïque (comme la Henriade de Voltaire), toujours critiquée pour ses imperfections ; et (3) l’épopée comique (sur le modèle du Lutrin de Boileau), au succès bien plus unanime tant au 18e siècle qu’au regard de la postérité : The Rape of the Lock d’Alexander Pope, Peder Paars de Ludvig Holberg, Myszeis d’Ignacy Krasicki. L’épopée ne pourrait-elle ainsi survivre qu’au prix de sa dégradation de l’héroïque au comique ? Le poème héroïque serait-il donc tant étouffé par ses règles qu’il ne puisse exister dans la modernité qu’au prix d’un burlesque libérateur qui en relâche l’emprise ? Si, depuis la fin du 17e siècle, les échecs du genre épique sont régulièrement attribués à sa surthéorisation, il semble pourtant que l’héroïcomique se révèle au 18e siècle la forme par excellence de la régularité poétique. Loin d’être étouffé par ses règles, le genre épique tel que le conçoivent des théoriciens et des poètes inspirés par le classicisme français comme Alexander Pope, Ludvig Holberg, Charles Batteux, Ignacy Krasicki ou F. X. Dmochowski est à la fois régulier et vivant. L’efficacité du genre épique, qui englobe alors l’héroïcomique, dépend de son inscription dans un cadre formel « classique » qui se fonde largement sur les relectures de la Poétique d’Aristote au 18e siècle. Le reconstituer, c’est définir une « lisibilité classique » – c’est-à-dire un horizon d’attente esthétique et normatif dans lequel les règles ne sont pas des slogans, mais définissent réellement des pratiques poétiques signifiantes. La thèse explore, dans ses cinq parties, les implications de cette idée au niveau de la réception des textes épiques modernes (I), de la composition de l’ouverture épique conçue comme patrice du poème (II), des représentations de l’inspiration et du rôle du poète épique (III), de la fiction poétique (la « fable », IV) et de la textualité épique (diction et tableaux épiques, V). Les épopées anglaises, danoises ou polonaises étudiées témoignent ainsi des métamorphoses que connaît au 18e siècle le classicisme, européanisé et vivant – quand les ambitions refondatrices de Voltaire s’inscrivent en faux par rapport à une doctrine normative dont le poète français perçoit, moins que certains de ses contemporains, la productivité. / Considering an epic corpus from 18th-century France, England, Poland and Denmark, the epic genre can be said to exist in the 18th century in several forms. (1) As the theoretical object of speculative poetics (the main model of which is Boileau's Art Poétique). (2) As heroic epics, such as Voltaire's Henriade, which may enjoy success but are whose shortcomings are systematically pointed out by critics. (3) As comic epics (heavily influenced by Boileau's Lutrin), which achieve much greater success than their heroic counterparts both in the 18th century and today: Pope's Rape of the Lock, Ludvig Holberg's Peder Paars, Ignacy Krasicki's Myszeis. Can the epic genre then only survive through comic degradation? Is heroic poetry so smothered by speculative rules of art that it can only survive when burlesque subversion relaxes them?Whereas theoretical over-thinking has been, since the late 17th century, the go-to explanation for the many failures of early modern epic poetry, it seems that heroicomic poetry is actually a paragon of poetic regularity in the 18th century. Far from being asphyxiated by its rules, the epic genre as theorized and practiced by men of letters admirative of French neoclassicism such as Alexander Pope, Ludvig Holberg, Charles Batteux, Ignacy Krasicki or F. X. Dmochowski is both regular and very much alive. An epic is even more efficient the better it fits within a neoclassical framework heavily based on 18th-century reinterpretations of Aristotle's Poetics. To formulate this framework amounts to understanding "classical readability", a set of aesthetic and normative expectations within which poetic rules are not empty slogans but describe actual meaningful poetic techniques.This dissertation examines the implications of this idea with respect to the reception of early modern texts in the 18th century (I), how the opening lines of epic poems are seen to program the bulk of the work (II), the representation of the inspiration and social role of the epic poet (III), epic fiction (the "fable", IV), and the composition of the epic text itself (V). The aforementioned English, Danish and Polish epics are testaments to the transformations of neoclassical poetics and poetry through 18th-century Europe, whereas Voltaire's ambitious attempt at a reform of the neoclassical normative doctrine shows that, in contrast to some of his contemporaries, he failed to perceive its poetic conductivity.