Thesis--PlanB (M.S.)--University of Wisconsin--Stout, 2002. / Includes bibliographical references.

Xwulmuxw Slhunlheni (Indigenous Women) have, since time immemorial, played critical leadership roles in Indigenous communities. However, with the imposition of racist/sexist colonial policies, indigenous women’s roles were systematically displaced. As a result of these policies, which formalized colonial governance systems, the vital informal leadership roles the Xwulmuxw Slhunlheni play rarely get recognized. This dissertation strives to honour (or stand up) the women in our communities who continue to embrace their important roles as givers of life and carriers of culture. Through storytelling as a methodology, new ways of Indigenous women’s leadership are revealed. I interviewed thirteen women from various Hul’qumi’num communities on Vancouver Island and the Mainland, asking them to share their thoughts on leadership. What emerged from the interviews was the importance of living our cultural and traditional teachings. This central theme emphasized the importance of keeping the past, present and future connected. Every one of the women discussed the importance of our teachings and the necessity to bring those forward for the future generations. What emerged was a model that I have coined Sacred Cycle, a model that focuses on living our values. More importantly, the Sacred Cycle can be used as a valuable tool to resolve governance problems and as a tool of decolonization. / Graduate

Thesis (M.A.)--University of Toronto, 2007. / Source: Masters Abstracts International, Volume: 45-06, page: 2980.

This research focuses on deepening our understanding about Indigenous women’s participation in contemporary Australian society by exploring their experiences in employment, careers, education and leadership. Since the purpose of this study is to explore how university education Indigenous women understand and make sense of it of their career journeys, the epistemological framework of the research is constructionism using an interpretivist approach. The particular interprevetivist perspective used is symbolic interactionism, but the research has also been guided philosophically by the Indigenous worldview and emerging Indigenous research methodologies which assert the right of Indigenous people to research in their own way. The methodology adopted is a case study approach in keeping with the aim of the study. Data was collected by in-depth interviews to build the women’s stories, focus groups, and researcher’s journal. Throughout the study, there was a strong emphasis on observing ethical guidelines for research on and with Indigenous people. The research design aimed to honour cultural dimensions such as Indigenous knowledge, ways of knowing and culturally appropriate data gathering techniques. The study found that Indigenous women are deeply committed to their personal and professional growth. However there are enormous barriers, both personal and institutional, to their success. Vestiges of colonialism such as racism, sexism, socio-economic and educational disadvantage remain entrenched in contemporary Australian society. Despite these obstacles, Indigenous women through their strength, resilience and determination, strive to make better lives for themselves, their families and communities. Their stories are significant in that they offer important insights into how Indigenous women can be supported on their career journeys.

This thesis works towards deconstructing stereotypical images of Indigenous women that frequent the pages of popular literature. It calls attention to the ideological foundation of Euro-Canadian literature, which is informed by a White-christian-patriarchy. That literature, as an institution of the Euro-Canadian nation, propagates images of Indigenous women as Indian princesses, squaw drudges, suffering helpless victims, tawny temptresses, and loose squaws. Consequently, Euro-Canadian literature imprisons us in images that foster both racist and sexist stereotypes and that encourage violence against us. Margaret Laurence's short story "The Loons" and William Patrick Kinsella's "Linda Star" provide illuminating examples of some of those images. While these writers do not represent all non-Indigenous people who write about Indigenous women, both of these writers are extremely popular Canadian writers whose stories are often read in elementary schools, high schools, and universities. At the centre of this thesis is Maria Campbell's semi-autobiographical <u>Halfbreed</u>. Campbell's Halfbreed significantly challenges Euro-Canadian literature's White-christian-patriarchal ideology by contextualizing the narrative in an Indigenous-gynocratic ideology. Her book destabilized White-Euro-Canadian liberals' complacency when, as an indigenous woman, Campbell named Euro-Canadians oppressors and identified Euro-Canadian power structures that illegally, unjustly, and intolerably imposed on her people's way of life. This thesis concludes that Campbell's <u>Halfbreed</u> encouraged many Indigenous people to appropriate the White-Euro-Canadian colonizer's English language to write ourselves out of oppression by re-claiming our self--which is ideologically rooted in autochthonous and gynocratic cultures.

This thesis works towards deconstructing stereotypical images of Indigenous women that frequent the pages of popular literature. It calls attention to the ideological foundation of Euro-Canadian literature, which is informed by a White-christian-patriarchy. That literature, as an institution of the Euro-Canadian nation, propagates images of Indigenous women as Indian princesses, squaw drudges, suffering helpless victims, tawny temptresses, and loose squaws. Consequently, Euro-Canadian literature imprisons us in images that foster both racist and sexist stereotypes and that encourage violence against us. Margaret Laurence's short story "The Loons" and William Patrick Kinsella's "Linda Star" provide illuminating examples of some of those images. While these writers do not represent all non-Indigenous people who write about Indigenous women, both of these writers are extremely popular Canadian writers whose stories are often read in elementary schools, high schools, and universities. At the centre of this thesis is Maria Campbell's semi-autobiographical <u>Halfbreed</u>. Campbell's Halfbreed significantly challenges Euro-Canadian literature's White-christian-patriarchal ideology by contextualizing the narrative in an Indigenous-gynocratic ideology. Her book destabilized White-Euro-Canadian liberals' complacency when, as an indigenous woman, Campbell named Euro-Canadians oppressors and identified Euro-Canadian power structures that illegally, unjustly, and intolerably imposed on her people's way of life. This thesis concludes that Campbell's <u>Halfbreed</u> encouraged many Indigenous people to appropriate the White-Euro-Canadian colonizer's English language to write ourselves out of oppression by re-claiming our self--which is ideologically rooted in autochthonous and gynocratic cultures.

This thesis works towards deconstructing stereotypical images of Indigenous women that frequent the pages of popular literature. It calls attention to the ideological foundation of Euro-Canadian literature, which is informed by a White-christian-patriarchy. That literature, as an institution of the Euro-Canadian nation, propagates images of Indigenous women as Indian princesses, squaw drudges, suffering helpless victims, tawny temptresses, and loose squaws. Consequently, Euro-Canadian literature imprisons us in images that foster both racist and sexist stereotypes and that encourage violence against us. Margaret Laurence's short story "The Loons" and William Patrick Kinsella's "Linda Star" provide illuminating examples of some of those images. While these writers do not represent all non-Indigenous people who write about Indigenous women, both of these writers are extremely popular Canadian writers whose stories are often read in elementary schools, high schools, and universities. At the centre of this thesis is Maria Campbell's semi-autobiographical Halfbreed. Campbell's Halfbreed significantly challenges Euro-Canadian literature's White-christian-patriarchal ideology by contextualizing the narrative in an Indigenous-gynocratic ideology. Her book destabilized White-Euro-Canadian liberals' complacency when, as an indigenous woman, Campbell named Euro-Canadians oppressors and identified Euro-Canadian power structures that illegally, unjustly, and intolerably imposed on her people's way of life. This thesis concludes that Campbell's Halfbreed encouraged many Indigenous people to appropriate the White-Euro-Canadian colonizer's English language to write ourselves out of oppression by re-claiming our self--which is ideologically rooted in autochthonous and gynocratic cultures.

Indigenous women who are single parents and who have had involvement with social services such as child welfare or social assistance have had to be strong and courageous to maneuver through these large institutions. Over the course of this research, I examined the concept of strength by asking the question “how do Indigenous women perceive their own strengths". This research is grounded in Indigenous methodologies through the worldview that all things are interconnected, all people and things have a soul, and that we have a physical effect on our surroundings as our surroundings affect us. The focus of my research interest is to gain a better understanding of Indigenous women’s strengths through their own lived knowledge and by contextualizing it within the experiences of oppression that they have had as a result of colonization. I undertake a literature review as well as field research to address my research question. For my field research I ask one simple question with probes to better understand their view of the strengths they possess: “Tell me your life story beginning with your earliest memories”. I use the research methodology of storytelling. Storytelling is another form of narrative methodology. Storytelling is about sharing stories from the past and present. To hear stories from the past is vital to our understanding of who we are as Indigenous people as this is how we learn where we come from and who we are. Storytelling is essential to re-claiming our histories. Data was collected from three Indigenous women who I interviewed twice. Two themes emerged from analyzing the data. One theme was oppressions and within the theme of oppressions emerged: assimilation, loss of traditional gender roles in the family, financial systemic oppression, physical and sexual abuses, and addictions. The second theme was strengths. The themes that emerged within strengths were: women being active and having agency, women as protectors of family and community, reconnecting with Spirit – Soul work, and women as keepers of tradition. Indigenous women’s voices and their experiences must continue to be researched and included in today’s education. / Graduate / 0452 / 0453 / 0740 / dfklaws@gmail.com

Understood sociologically, denial is best conceptualized as a social practice. As a phenomenon, social denial refers to patterned behaviour where actors both know and do not-know about uncomfortable truths (Cohen, 2001). Put simply, social denial is a socially reproduced blindness in the face of traumatic events and processes. In opposition to social denial is a different social practice, bearing witness. Bearing witness is engaged when society’s actors give voice to those who would otherwise be silent. Drawing on theoretical frameworks from Stanley Cohen’s work States of Denial and Fujiko Kurasawa’s work Global Justice, this thesis aims to critically reflect and explore the registers and mechanisms of both social denial and bearing witness. The exploration of social denial is sociologically relevant, and generally important, as a means for understanding the role it plays in society, and to further understanding what social denial is and how it works. The better actors understand an issue the more capable they are of addressing it. This thesis conducts a media frame analysis of selected published articles from the National Post and the Globe and Mail that speak to the issue of MMIWG. This analysis reveals social denial through the frames “culpable victim”, “poster child”, and “the extra”; and bearing witness through the frame of the “honourable victim”. The analysis and research of this thesis reveal how social denial covers up the relevance of colonialism with respect to MMIWG. Furthermore, it suggests that social denial acts to both camouflage the gritty details underlying MMIWG and erase the identities of MMIWG.

Cervical cancer is a major public health problem in developing countries. In Guyana, factors associated with increasing cervical cancer cases among Indigenous Amerindian women (IAW), Afro- women (AGW), and Indo-Guyanese women (IGW) have not been fully examined. In this comparative cross-sectional study, 5,800 cervical cancer cases were selected from Guyanese women age 13 and above for ethnicity (Indigenous Amerindian, Afro- and Indo Guyanese women), geographical region, marital status, and year and stage at diagnosis. Secondary data from Guyana Cancer Registry for the 2000-2012 study periods were analyzed using chi-square test, multinomial logistic regression, poisson regression, and relative risk. Geographical region was a strong predictor of cervical cancer cases for all three ethnic groups (p < 0.05). The relative risk for cervical cancer for IAW in Regions 2 (RR = 1.2) and 6 (RR = 1.07) was greater than for IAW in Region 4, the reference group for the study period. Comparatively, the relative risk for cervical cancer for AGW in Region 4 was greater than AGW in all other regions except Region 3 (RR = 1.05). Additionally, the relative risk for cervical cancer for IGW in Region 3 (RR = 1.03) was greater than that of IGW in all other regions. Single IAW (1.05) have a higher risk of getting cervical cancer than their married counterparts as compared to AGW (0.96) and IGW (1.00). Implications for social change include development of tailored programs which utilize a socio-ecological model to address cervical cancer issues at the individual, interpersonal, cultural, and community levels. Future research should focus on understanding the epidemiology of cervical cancer and the social factors among the ethnic groups of women.