Directions, where my practical part of thesis lead me, is preset moment "now", its understanding in different disciplines and also empiric examination of collision between the time of inside quality and time, which has set independent scale into our world - chronological time. Motive for choosing such topic is mainly my own experience, but it is also reaction to contemporary tendencies in art scene, which (by my opinion) are turning away from present. The outcome of this interest is a video Uchopit okamžik/hold the moment ( 08'30 '' , 2016) filmed at studio keying screen accompanied by audio commentary. The second video Natáhnout okamžik/extend the moment ( 01'00 '', 2016) is a video recording of my own experience with time. I came out from my own experience and also resources and nonfiction of the phenomenological texts by authors such as Emmanuel Lévians or Jan Sokol.

This master’s thesis deals with the design of installation of floats for the M-4 Irbis airplane and it’s modification in aim to provide water level landing. Part of this thesis is selection of geometry of floats, weight analysis of the modified version and stress analysis of structural elements. The aim was to perform modification on a float plane which will have a minimal impact on the airframe and to meet the requirements of Certification Specification ASTM F2245 and CS-VLA. In conclusion, the hydrodynamic and aerodynamic characteristics including flight performance is determined. Final part is devoted to the design of the rudder for directional control of the floats.

Walk through a fictional dreamed space. Audiovisual installation combines surround sound and parallel text commentary. Using the imagination of sound illusion, projected text and absence of image, it aims to motivate the spactator's dreaming.

Video instalation which is focused on virtual space, in gnoseology context.

My diploma work is an installation, made from multiple instances of a device iniciating string resonance via electromagnetic field. These devices along with strings are placed on the wall in geometrical shape. Installation creates loop on multiple levels. Except the fact that installation have a circular shape, position of each string starts at the end of another string. Second, more inconspicious loops takes place in the electromagnetic device resonating the strings, that do that with feedback loop. Strings consist every step of chromatic scale, that repeats itself, just an octave higher. Amplification of the final sound of strings is done purely acoustically, with help of the wall on wich the piece is installed. This piece is in its nature concerned with spirituality in music, not necessarily in sense of evoking a spiritual experience, but rather demonstrating metaphors and parallels, that exists between physical aspects of tonal music and different religious ideas. The symmetrical shape of installation refer to religious and occult visuality, built f.e. in cabal on Fibonacci numbers, that is present not only in nature ( for example, the veins of the leaves grow by these numbers), but also in tonal music system (ancient philosophers were working with this concept, see Plato's Music of the Spheres). Strings in this piece produce drone sound, that is naturally evoking spirituality (most visible in buddhist monk meditation). This sound in the piece demonstrates immutability and constancy, the fact that all the chromatic tones are playing demonstrates wholeness (this fact may produce interesting resonances emerging between chromatic steps), so to speak, the unchangeable laws of physics, or to put it in religious lingo, the god law. The symbol of loop also refers to religion, like the eternal return of the same, the periodicity of history. Strings can be viewed as astrophysical symbol. Everything stated is nothing but my recourse, that should not ultimately determine the perception of the piece by viewer. The goal of the work is to offer experience without need to be put into context

This master's thesis is focused on a development of tool for simple installation and configuration of information system for project management. This piece of work consists of four chapters. First part implies a technology study, used for making project home websites. The second chapter gives an analysis of requirements for an information system. There is a suggestion of implementation of analyzed system in the third chapter. The fourth chapter deals with implementation details of developed system.

This diploma thesis Insight brings philosophical reflection on photographic media in the form of installation with video-projection in space. Issues over problems of photographic media (locked doubles, stopped time, framed imprint of reality, real raw depiction) are opening by using story about creation of picture of a rabbit on the moon in the style of open metaphors in a white room. Through this myth photographic medium gets the concrete form - in the form of symbolic environment with objets and signs. The whole work is free personification of photograph in whose inside the audience may find themselves.

ABSTRACT This Master’s work deals with plumbing system in the kindergarten. The theoretical part focuses on the use of greywater as service water. The thesis includes the design of several variants with their assessment. The project for construction is also part of thesis

My thesis titled Attributes of corporeality is a continuation of my thinking on the topic of identity. Now I approach identity as a category, not as an identity that belongs to a particular person. I consider the question of how is identity shaped in a postmodern, globalized world and how is it related to corporeality. My answer is based on the reality I know, on the current state of society. However, the intention of my work is above all to express my idea, which is rather a utopian scenario than anything else.

Submitted graduation theses offer different views of questions relating to an object (thing) in the "object art". The foundation of the "object art" brought a "new" role of an object. It does mean that the border of an art types are no more close, as well as life and art are now transparent. We can find qualitative changes in a various ways of treatment of an object. I saw these changes in according to four basic criteria: meaning, material, form and function. Another centre line of the text are overlaps of fine art and applied art, which detects common tendences in both spheres.