This dissertation From Radioart to Musical Theatre aims at showing connections between seemingly different fields ? mainly sound-drama radioart, which in German is called Hörspiel, and musical theatre. In my dissertation, I try to define the characteristics as well as structural principles of text, space, sound, voice, acting, music and body in these transdisciplinary forms and genres, which have never retained any kind of purity in the traditional sense.In the analytical and introductory historical part of my dissertation, various seemingly different areas were introduced and discussed. These areas were musical or sound theatre in its general as well as specific form and its interrelation with sound installations, performance, radioart in form of Hörspiel, musical composition and sound art. In the following chapters, I used examples of several pivotal personalities from the German speaking area skilled in musical composition as well as directing and dramatics to present for instance the influence of musical structure on composition and other performing activities or the relationship of dramatic or literary model to its scenographic adaptation. The whole issue of relationships of disparate art forms is being showed on the examples of several artists ? directing composers who create these links thanks to their activity in various fields, as they intertwine musical and performing worlds on the level of structure, motifs and dramatics. The creators of such heterogeneous artworks using the strategy of the so-called negative dramatics are inherently split personalities - Heiner Goebbels, Helmut Oehring, Olga Neuwirth and Andreas Ammer. Goebbels as well as Oehring, Neuwirth and Ammer are able to make use of their experience with musical composition and/or work for the radio in the creation of musical performances in the way that they let particular composition techniques and staging be freely influenced by the knowledge of other media. Besides the above mentioned group of artists, I mention also other significant authors from the 20th and 21st century, who dealt with radioart, musical composition, collage and montage, performance and musical theatre - Bertolt Brecht, Dziga Vertov, Emil František Burian, Walter Ruttmann, John Cage, Karlheinz Stockhausen, Dieter Schnebel, Georg Katzer, Friedrich Schenker, FM Einheit či Laurie Anderson and Georges Aperghis. Without the influence of the last fifty year-history of radioart, musical theatre would certainly not be such an important form of alternative theatre and performing art as such. Especially nowadays, when thanks to the emancipation and stressing of sound at the expense of acting a new stage language is being created within musical theatre, and the form itself transforms into yet little analysed field of the so-called postspectacular or mechanical theatre without actors.

Diploma thesis deals with the problems of system installations. The system installation is presented as an installation, where the light switch does not serve for interrupt a power circuit, but it serves as a sensor, which directs the status change of actuator, that makes the own manipulation with a power circuit. In the first chapter the diploma thesis presents the history of the system installation development depending on the demand for the system regulation in buildings centrally and complexly. There are also summarize advantages and disadvantages of installations, which are used in these days. In the second chapter, the system installations are devided into centralized and decentralized systems. The centralized systems are constructionally simpler as well the communication, but the whole system is more inclinable to fail. The decentralized systems are more complicated, more expensive, but more reliable and they have also potentiality to extand. Two decentralized systems, nowadays the most used, are further presented – KNX and LonWorks. They are used especially for the administration buildings control. Then the diploma thesis presents both some systems, which are used abroad, and the situation at the Czech market, whereas there is described the system INELS, which is made by Elko ep. Limited Company. The goal of the thesis, which is mentioned in the third chapter, is to present the system installations, design a panel with this installation including the panel´s handmade, and then on this panel demonstrate the panel´s using for education in laboratory practices. The fourth chapter discusses the author´s characterization of the panel´s concept – there is described the graphical concept of the panel, used units and their integrations. By all of used units their functions on the panel are described. In the last but one chapter, there are mentioned the practical applications, which the panel serves, and there are also described the concepts of laboratory tasks for education of the fundamental configuration and possibilities of the system installation INELS. The chapter also engage in the configuration of the system for the panel, which presents control elements in one room via the system installation INELS. This configuration serves for the presentation of the educational panel. The conclusion is dedicated to the summary of the mentioned problems.

This diploma thesis deals reconstruction of sanitation installations in an apartment building in Brno. It is a multi-storey building which is intended mainly for living. The theoretical part deals individual ways of preparation hot water in the apartment buildings. The experimental part deals measurement consumption hot water in the apartment building. Calculating and design part contains a proposal of sewerage system, piping system and linking up of the object on present engineering systems. The diploma thesis also focuses on possible options and re-quested specifics. The diploma thesis was arranged in accordance with present-day valid norms and regulations.

In the beginning of my thesis, I reckon with terms of installation and videoinstallation from a theoretical point of view. After establishing their meaning, I work with them in the context of my works. The centre of my thesis is my project called "232 712 steps" and its motive of voyage. My art project contains three main aspects which are experience, documentation and installation and which I explore with my own subjective perspective, but also contextualize with other works of art. Through my didactic part, I work with the term of projection and ways of recording it, each time with different perspectives. Key words: voyage, experience, documentation, photography, installation, space, gallery space, spectator

Master's thesis called Not too well-known painter reacts on art of regional painter Jaromír Martiník. It is an exhibition of the work of this painter. Thanks to the intervention of author of this exhibition brings up his work into unusual context of artist from Beskydy, who is influenced by oriental philosophy.

Diploma thesis entitled Do you know what a fish will do when it runs up a hill? concerns the topic of industrial fishing. Formally, it is an installation that contains two parts. The first part is an oval object on which are attached mechanical fish, which form a moving flock. Using engines, they interact with each other and the viewer accompanied by the song. The second part includes three separate mechanical fish, which create a direct dialogue with the viewer. The installation is located in a white cube. The result is to give the impression that the fish are alive and, with the help of a human voice, get closer to the viewer. Title Do you know what a fish does when it runs up a hill? based on a child's joke. This sentence is characteristic of the topic, in that it is all nonsense. The fish do not run, do not move on land and do not even talk. An attempt at this joke to humanize fish is quickly over when you know the answer. Just clapping tells us how foreign this different world is.

The diploma thesis entitled Transparency of Voice and Light presents an audiovisual installation, the theme of which is individual reflection of the environment through the creation of fictional stories. In his work, the author also deals with the possibility of overlaps with own previous works and with the creation of a thematic interconnection. The installation links a set of subjective fictional narratives. The installation is scenographic in nature and represents a platform for telling personal statements and ideas.

This thesis deals with contemporary art movement called post internet, its forms and its presentation within the gallery spaces. The emphasis is based on a complex description of its topics, mailny the problems of its presentation, the corporate aestetics, the radical identification and the post human body. The third chapter describes the transfer of the art from the internet into the gallery spaces and its methods. The last part of this text is then devoted to the Czech post internet art scene and to the negative impact of the internet on the sociaty and the art.

The thesis deals with photographic work of conceptual artist Ivan Kafka and questions regarding the thin line between technical documentation and its artistic quality. It focuses primarily on issues related to the documentation of art and presentation of  installa-tion records. Issues accompanying photographic documentation of art are presented using examples of specific works by Ivan Kafka and his approach from a technical and artistic point of view. The text is built around thematic interviews with the author Ivan Kafka, art photographer Martin Polák and art historian Pavlina Morgan. The purpose of  these interviews was to present a specification of Kafka's documentary approach  from different perspectives and point to the exceptional, as well as problematic aspects of his photographic work. Individual subject areas are developed considering the problematic questions concerning documentation of photography.

The Diploma thesis introduces the luminars as the creative objects importing the light into our homes and effecting our mood. The objects are modeled of the slurry combined with glass. These are determined to the installation on the table, floor, wall and ceiling. For the shape I was inspired by MICROCOSM = a world of unicellular living being, before all by the protozoans. It is a world full of bizar structures and shapes. The simplicity and expediency of the protozoans offers the inexhaustible amount of ideas. Each of the objects has got its adumbrating image in some of the protozoans. Teir shapes, determination of kind, conditions, in which they live, were determinating the luminars´ visage. Although the inspiring source is stating them the individual luminars presents original, solitary objects.