This handbook of English Renaissance literature will serve as a reference for both students and scholars, introducing recent debates and developments in early modern studies. Using new theoretical perspectives and methodological tools, the volume offers exemplary close readings of canonical and less well-known texts from all significant genres between c. 1480 and 1660. Its systematic chapters address questions about editing Renaissance texts, the role of translation, theatre and drama, life-writing, science, travel and migration, and women as writers, readers and patrons. The book will be of particular interest to those wishing to expand their knowledge of the early modern period beyond Shakespeare.

Excerpt: Multiple new syntheses appeared on the medieval or early modern periods.

Language is a form of human expression. It is the way people communicate with one another to express thoughts, ideas, decisions, desires and essentially to relay information successfully. There are numerous types of language, perhaps the most common of which are the written and spoken languages. Other forms include sign language, Braille and even primitive smoke signals. The term language comes via French, from the Latin word lingua meaning tongue. Even today, the spoken language is often referred to as tongue. It is not known exactly when language began or even how it began, although a common theory is that it began as an imitation of natural sounds of animals such as grunts, groans, whistles and barks. What is known, however, is that language changes everyday as it is influenced by human and historical changes. Words that exist in our vocabulary today did not exist for example a hundred years ago. Nor, perhaps, will they exist a hundred years from now. This is the same for all languages around the world, including the Italian language. Since the beginning of Italian history, Italians have spoken innumerable varieties of language. Discussions concerning these countless varieties could continue incessantly; and for this reason it is important to outline immediately the aim of this discussion. Throughout the ensuing chapters, all information gathered and analysed, has been done in order to achieve one aim: to discuss the existence of a standard Italian language in Australia as well as various dialects and regional varieties, and to analyse its promotion since Italian immigration to Australia. There is an immense wealth of information about Italian and English languages and so it is my objective not to be lost in general discussion but rather to adhere to my main aim as closely as possible / Master of Arts in Interpreting and Translation

This essay came about as a result of the desire to study and collect the guitar music of Franco Margola. Franco Margola composed over 450 works for guitar, most of which are unpublished and virtually all of which are unknown to most guitarists. This essay focuses on Margola's chamber works with guitar, which include some of his best compositions. The study contains historical background information, an ample biography, as well as an overview of the currently published works for solo guitar. The main portion of the essay consists of an outline and an annotated catalog of all of Margola's chamber works with guitar, including the unedited works. The purpose of this project is to promote Margola's guitar music by providing current information on its quality, availability, condition, length, and difficulty level.

What does it mean to be Italian American in Atlanta? While Italian Americans have lived in urban concentrations in parts of the United States for over a century, members of this ethnic group have been living in Atlanta only in small numbers and for a few decades. Considering theories of ethnicity and performance, this study investigates aspects of Italian American ethnicity in Atlanta. The thesis provides an ethnographic insight into what it means to be an Italian American in Atlanta.

Inaug.-Diss.--Munich. / Vita. Includes bibliographical references.

Thesis--University of Michigan. / Vol. 2 contains the author's transcription of 24 madrigals for 4-8 voices into modern notation in score. Includes bibliographical references.

Inaug.-dissertation--Marburg. / Lebenslauf. "Literatur": 4th prelim. leaf.

Thesis--University of Michigan. / Vol. 2 contains the author's transcription of 44 of De Rore's madrigals into modern notation in score. Includes bibliographical references.

Diss.--Freiburg im Breisgau. / Bibliography: p. 331-339.