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Certainty, assent and belief an introduction to the logical and semantical analysis of some epistemic and doxastic notions especially in the light of Jaakko Hintikka's epistemic logic and Cardinal John Henry Newman's discussion on certitude /Kirjavainen, Heikki. January 1978 (has links)
Thesis (doctoral)--University of Helsinki, 1978. / Corrected t.p. inserted. Includes bibliographical references (p. 195-204).
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Certainty, assent and belief an introduction to the logical and semantical analysis of some epistemic and doxastic notions especially in the light of Jaakko Hintikka's epistemic logic and Cardinal John Henry Newman's discussion on certitude /Kirjavainen, Heikki. January 1978 (has links)
Thesis (doctoral)--University of Helsinki, 1978. / Corrected t.p. inserted. Includes bibliographical references (p. 195-204).
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Certainty, assent and belief : an introduction to the logical and semantical analysis of some epistemic and doxastic notions, especially in the light of Jaakko Hintikka's epistemic logic and cardinal John Henry Newman's discussion on certitude /Kirjavainen, Heikki. January 1978 (has links)
Thèse : Théologie : Helsinki : 1978. / Bibliogr. pp. 195-204.
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Is The Metaphysical Status OfKaragoz, Umut 01 December 2005 (has links) (PDF)
The purpose of this study is to present the metaphysical status of &ldquo / language game&rdquo / in later Wittgensteinian philosophy of language and to deal with the revolutionary role of &ldquo / language-game&rdquo / by means of Hintikka&rsquo / s interpretation of later Wittgenstein. It is usual to divide Wittgenstein&rsquo / s work into the early and the later period. The early period is based upon the picture theory of meaning, according to which a sentence represents a state of affairs. On the other hand, the later period gives special emphasis on the actions of people and the role their linguistic activities.
The early period ignored factual or cognitive meaning since it relied on mirroring the structure of state of affairs by sentences. So, early period of Wittgenstein was concluded that &ldquo / whereof we can&rsquo / t speak, thereof we must be silent.&rdquo / This idea gives clues about metaphysics of early Wittgenstein. In this sense, language is treated in abstraction from activities of human beings.
In the later work, Wittgenstein emphasizes everyday usage of language in &ldquo / language-game&rdquo / as social activities of ordering, advising, measuring, and counting and so on. These different &ldquo / language-games&rdquo / make up &ldquo / form of life&rdquo / . &ldquo / Language game&rdquo / with other vital notions of later Wittgenstein, as &ldquo / form of life&rdquo / , &ldquo / agreement&rdquo / establishes language matrix. So, later period of Wittgenstein is a rejection of his early period. Actually, his treatment of philosophy and philosopher is different from his early period. In addition to this, later Wittgenstein mainly focuses on the principle of &ldquo / meaning=use&rdquo / which is called contextual theory of meaning. In his later period, Wittgenstein aims to bring back words from metaphysics to everyday usage. On the other hand, metaphysics still plays a role in his later period as his early period, although he altered his early philosophy of language. To sum up, the notion of &ldquo / language-game&rdquo / is conceptually/ ontologically prior to its rules. In this sense, Wittgenstein forms &ldquo / language-game&rdquo / as a model for the other social activities of human beings. Furthermore, &ldquo / language-game&rdquo / is regarded as a bridge between language and reality and it shows &ldquo / language-game&rdquo / s revolutionary role in later Wittgenstein.
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Structural Pitch Collections in Jaakko Mäntyjärvi's "Richte mich, Gott"Botha, Charlotte 12 1900 (has links)
‘Richte mich, Gott' exemplifies Jaakko Mäntyjärvi's pluralistic compositional approach through an interlaced organization of tonal and non-tonal pitch content. The development of ideas in the text of Psalm 43 and the concluding doxology is depicted across both layers of pitch organization and governed by specific structural pitch collections: (0145) and (0257). Moreover, the organic transformation of these structural pitch collections' intervallic content emerges as a fundamental means of progression throughout the work, in turn influencing the intervallic content of surrounding tonal material. This process of transformation and its relationship to the text is revealed through tonal and pitch-class analysis; a flexible approach to segmentation; and an exploration of two-way and three-way symmetry, and the disruption thereof, in pitch space and pitch-class space. An understanding of the interrelationship between pitch material from the tonal and non-tonal layers of pitch organization can aid singers, conductors, and analysts in the efficacy of their study, preparation, and performance of the psalm. The accompanying appendix of targeted choral warm-ups in this document offers choirs a practical method for studying, internalizing, and performing the non-tonal pitch content in the work.
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Le problème de la phénoménologie chez Wittgenstein : le débat Pears-HintikkaProvencher, Olivier 23 November 2018 (has links)
Dans le cadre de leur interprétation phénoménologique de la pensée de Wittgenstein, Jaakko et Merrill B. Hintikka ont proposé un argument concernant la nature des objets de l’ontologie du Tractatus Logico-Philosophicus. Selon eux, les objets du Tractatus sont identifiables aux objets de l’épistémologie russellienne, à savoir les sense-data. Cette identification des objets tractariens aux sense-data les conduit à avancer que le symbolisme développé par Wittgenstein dans le Tractatus est un langage phénoménologique, celui dont le philosophe parle dans ses Remarques philosophiques de 1929. Dans le présent mémoire, je montre qu’il existe de bonnes raisons de douter de la vérité de la thèse des Hintikka et défends que l’interprétation non empiriste du Tractatus proposée par David Pears est plus convaincante que leur lecture phénoménologique de la philosophie du premier Wittgenstein.
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