Tesis para optar al grado de Magíster en Finanzas / El objetivo de este estudio es realizar una valoración económica de la empresa Ripley Corp S.A. Para esto se utilizará una de las metodologías más robustas y precisas existente dentro de los diversos grupos de métodos de valoración de empresas pre sentes en la literatura, conocida como: Método de Flujo de Caja Descontado (DCF por sus siglas en inglés - Discounted Cash Flow). Este método, conceptualmente más utilizado, permite efectuar valoraciones de empresas mediante la construcción y proyección de flujos d ebido a que está directamente relacionado con la utilidad y el crecimiento del negocio evaluado . El proceso para realizar una correcta valoración se basó , principalmente, en el análisis detallado de todas aquellas variables que podrían incidir en el compor tamie nto de los flujos futuros de la compañía . Para esto , se utilizó una detallada descripción de la empresa e industria a la que Ripley Corp pertenece. Centrando el análisis en el posicionamiento de la compañía dentro la industria del r etail , analizando sus principales comparables, rubros y negocios. Luego se realizó un estudio desde la óptica financiera, mediante el análisis de las operaciones , inversio nes, financiamiento y estructura de deuda de la empresa , junto con un análisis de las dos empresas comparables seleccionadas para este estudio : Falabella e Hites. En esta misma línea y para poder realizar una comparación apropiada, se estudió la situación financiera de estas dos empresas, detectando tanto sus fortalezas como debilidades. La ventana de t iempo utilizada para la elaboración de la valoración fue desde el año 2009 hasta el 30 de septiembre del año 2013. El primer paso realizado en el estudio, con sideró estimar la estructura de capital de la empresa , utilizando las estructuras de c apital históricas disponibles desde el año 2009 en adelante . Luego utilizando el promedio ponderado del costo de capital WACC ( Weighted Average Cost of Capital) , se estimó el costo de capital ( k 0 ) de Ripley Corp. Para la elaboración de la valoración se llevaron a cabo proyecciones de ingresos, costos, gastos, etc., es decir, todas aquellas variables necesarias para proyectar un estado de resultados. Luego de esto, se incorporaron distintos ajustes al estado de resultados, convirtiéndolo en un flujo d e c aja libre, el cual nos permitió obtener el valor de la empresa y por ende, el precio de su acción. Al 30 de septiembre del 2013 , mediante el método de flujo de cajas descontadas se obtuvo un precio por acción para Ripley Corp de $487,20

Reconstrucción de la biografía del escritor desde su nacimiento, continuando con su infancia y juventud, sus estudios de magisterio, su actividad periodística al frente de "El Liberal", donde emprende una serie de campañas para conseguir mejoras para Murcia como una universidad, abastecimiento de aguas, un conservatorio, guarnición de artillería, y otras. Noticia de su amistad con el poeta malagueño Salvador Rueda y de su actuación política como concejal del Ayuntamiento de Murcia. Tras su fallecimiento, diversos testimonios de sus contemporáneos acerca de su personalidad. Estudio de su obra, comenzando por la lírica, de la que se realiza un análisis temático y estilístico. En el campo de la narrativa, análisis de sus relatos breves y de sus novelas Caín y Las caracolas. Finalmente, un breve comentario sobre su producción teatral, muy inferior al resto de su obra, y una clasificación antológica de sus artículos periodísticos. / Reconstruction of the biography of the writer since his birth, continuing with his childhood and youth, his teaching education, his journalist activity in “El liberal”, where he embarks on several campaigns for improving the city of Murcia in some aspects such as a university, water supply, a conservatory, a garrison artillery, and other ones. Information about his political action as city councilor in Murcia, and his friendship with Salvador Rueda (poet from Málaga, Spain). After his death, several testimonies from contemporaries about his personality. Study of his work, starting from the poetry, with a thematic and stylistic analysis. In narrative, analysis of his short stories, and his novels “Caín” and “Las caracolas”. Finally, a short comment of his work, and a retrospective classification of his journalistic articles

Esta dissertação tem por objetivo central demonstrar, por meio da análise da discografia do compositor e intérprete chileno Víctor Jara, e, mais especificamente, de seu disco La Población, que a subjugação dos movimentos populares, já no imediato pós-golpe civilmilitar chileno de 11 de setembro de 1973, foi tão ou mais importante do que a dos canais propriamente políticos, explicitados na Unidad Popular e no governo de Salvador Allende. Decorrente deste problema geral, verificam-se os mecanismos de Terror de Estado adotados na primeira fase da ditadura chilena (11 de setembro a 31 de dezembro de 1973), apontando seus desdobramentos no marco legal e institucional e atentando para os efeitos de tais medidas na desestruturação dos movimentos populares de então. A partir disso é possível apreender o antagonismo existente entre a visão de mundo que se impôs no Chile a partir do golpe de Estado e a vida e obra deste artista, concluindo que sua execução no Estadio Chile insere-se nos mecanismos centrados no terror como “exemplo” aos setores que apoiavam ou se identificavam com o governo da Unidad Popular. / The aim of this work is to demonstrate, through analysis of the discography of the composer and singer Víctor Jara, Chile, particularly the disc La Población, that the subjugation of popular movements, since the immediate post-coup Chilean civil-military September 11, 1973, was equally or more important than the proper political channels as detailed in the Unidad Popular, and the government of Salvador Allende. Resulting from this general problem, there are the mechanisms of State Terror adopted in the first phase of the Chilean dictatorship (September 11 to December 31, 1973), pointing to its consequences on the legal and institutional framework and paying attention to the effects of such measures on disruption of people's movements. From this we can understand the antagonism between the world idea that prevailed in Chile after the coup and the life and work of Victor Jara, Suggesting that his execution at the Estadio Chile is part of the terror mechanisms as "an example" to the sectors that supported or identified with the government of the Unidad Popular.

Esta dissertação tem por objetivo central demonstrar, por meio da análise da discografia do compositor e intérprete chileno Víctor Jara, e, mais especificamente, de seu disco La Población, que a subjugação dos movimentos populares, já no imediato pós-golpe civilmilitar chileno de 11 de setembro de 1973, foi tão ou mais importante do que a dos canais propriamente políticos, explicitados na Unidad Popular e no governo de Salvador Allende. Decorrente deste problema geral, verificam-se os mecanismos de Terror de Estado adotados na primeira fase da ditadura chilena (11 de setembro a 31 de dezembro de 1973), apontando seus desdobramentos no marco legal e institucional e atentando para os efeitos de tais medidas na desestruturação dos movimentos populares de então. A partir disso é possível apreender o antagonismo existente entre a visão de mundo que se impôs no Chile a partir do golpe de Estado e a vida e obra deste artista, concluindo que sua execução no Estadio Chile insere-se nos mecanismos centrados no terror como “exemplo” aos setores que apoiavam ou se identificavam com o governo da Unidad Popular. / The aim of this work is to demonstrate, through analysis of the discography of the composer and singer Víctor Jara, Chile, particularly the disc La Población, that the subjugation of popular movements, since the immediate post-coup Chilean civil-military September 11, 1973, was equally or more important than the proper political channels as detailed in the Unidad Popular, and the government of Salvador Allende. Resulting from this general problem, there are the mechanisms of State Terror adopted in the first phase of the Chilean dictatorship (September 11 to December 31, 1973), pointing to its consequences on the legal and institutional framework and paying attention to the effects of such measures on disruption of people's movements. From this we can understand the antagonism between the world idea that prevailed in Chile after the coup and the life and work of Victor Jara, Suggesting that his execution at the Estadio Chile is part of the terror mechanisms as "an example" to the sectors that supported or identified with the government of the Unidad Popular.

Esta dissertação tem por objetivo central demonstrar, por meio da análise da discografia do compositor e intérprete chileno Víctor Jara, e, mais especificamente, de seu disco La Población, que a subjugação dos movimentos populares, já no imediato pós-golpe civilmilitar chileno de 11 de setembro de 1973, foi tão ou mais importante do que a dos canais propriamente políticos, explicitados na Unidad Popular e no governo de Salvador Allende. Decorrente deste problema geral, verificam-se os mecanismos de Terror de Estado adotados na primeira fase da ditadura chilena (11 de setembro a 31 de dezembro de 1973), apontando seus desdobramentos no marco legal e institucional e atentando para os efeitos de tais medidas na desestruturação dos movimentos populares de então. A partir disso é possível apreender o antagonismo existente entre a visão de mundo que se impôs no Chile a partir do golpe de Estado e a vida e obra deste artista, concluindo que sua execução no Estadio Chile insere-se nos mecanismos centrados no terror como “exemplo” aos setores que apoiavam ou se identificavam com o governo da Unidad Popular. / The aim of this work is to demonstrate, through analysis of the discography of the composer and singer Víctor Jara, Chile, particularly the disc La Población, that the subjugation of popular movements, since the immediate post-coup Chilean civil-military September 11, 1973, was equally or more important than the proper political channels as detailed in the Unidad Popular, and the government of Salvador Allende. Resulting from this general problem, there are the mechanisms of State Terror adopted in the first phase of the Chilean dictatorship (September 11 to December 31, 1973), pointing to its consequences on the legal and institutional framework and paying attention to the effects of such measures on disruption of people's movements. From this we can understand the antagonism between the world idea that prevailed in Chile after the coup and the life and work of Victor Jara, Suggesting that his execution at the Estadio Chile is part of the terror mechanisms as "an example" to the sectors that supported or identified with the government of the Unidad Popular.

This Diploma thesis deals with the plays of the Divadlo Járy Cimrmana. I will use description and explanation to examine the influence of mystification, intertextuality and comicality on the success of this Prague theatre. Recordings of the Divadlo Járy Cimrmana performances and the book issues of their plays will be instrumental to this goal. The theory will be largely adopted from B. Brouk, V. Borecký, J. Homoláč, H. Bergeson and L. Dvorský.

This thesis deals with the dramatic work of Jara Cimrman, which is based on the cooperation of two authors named Zdenek Sverak and Ladislav Smoljak. In the introductory chapters we analyze the genesis of mystifying legend named Jara Cimrman, then his way from the radio show to the theatre and also his own cult, which all leads to the general poetics of the Theatre of Jara Cimrman. We can find some related attributes in this theatre, like specific acting, phenomenon of their workshops and imaginative humour. All of these attributes leads to the definition of repetitive stereotypes in the plays of this theatre. In this thesis we also try to define the genre of the plays, also their subject matter, topics and their motives. The aim of this thesis is to describe these motives and also its gradual progress as in the particular dramas, so in the social atmosphere of those days.

My thesis has a didactic character. It consists of two parts - theoretical and practical. The theoretical part deals with Sedlčany region, the landscape of Central Vltava valley, its natural beauty and historical and cultural sights. This section also focuses on presentation of the folk traditions in the course of the year. The year in my thesis is divided into autumn, winter and spring seasons. In autumn, my work deals with St. Martin festival, which was almost forgotten but recently the topic of this festival has been returning to elementary school education. Christmas is the most popular in winter and in spring my work is focused mainly on Easter. The practical part consists of a project day and two sets of lesson plans concerning St. Martin festival and Christmas. The one-day project day combines interrelationships among subjects and cross-curricular topics. The practical part also includes worksheets that were used during the project day at our elementary school. Civic studies teachers can use the worksheets when preparing their lessons.

1 Abstract In my diploma thesis I deal with the concept of the Jára Cimrman Theater. Using description and explanation, I examine the influence of mystification, fictional worlds, intertextuality, and special effects of the theater comicality up on its success and unwavering popularity among the audience. For this purpose, I work with audiovisual recordings and the book release of all theater plays by the Jára Cimrman Theater. In terms of theoretical research, I use bibliographic resources, among which are texts, articles, studies and publications by Lubomír Doležel, Umberto Eco and other authors whose works are relevant to the topic of my diploma thesis. In the diploma thesis I present an interpretation of theoretical knowledge, opinions, comments and reflections related to the chosen topic. The topic is a subject of broad professional discourse and is theoretically so complex that this diploma thesis cannot contain all the issues and contexts that apply to it. In this regard, I have tried to outline at least some of them and on their basis to elaborate the theme of this diploma thesis.

The introduction of this diploma thesis summarizes the production of , and it identifies the two following layers of authorship. The first layer is the fictional authorship of Jara Cimrman; the second layer is the authorship of the Cimrmanologists and their so-called (or fictional) reconstructions of Cimrman's work. The introduction further discusses the importance of the radio show , which gave birth to the character of Jara Cimrman. Finally, the introduction analyses various aspects of Cimrman and his mystifying character. The core of this thesis consists of an analysis of Cimrman and his relation to Czech Dream. It also studies the Czech dream and its development. The second chapter provides a study based on the play , which is looking at the relation between Cimrman and Czech history and the national myth. The beginning of this chapter offers an overview of the history of the . The chapter then continues with an analysis of Cimrman's play with a special attention to its unusual political dimension. The third chapter studies the connections between Cimrman, or his creators, and Czech national consciousness and Czech culture as they are reflected in Cimrman's play . The play is set in the context of Kainar's poem , Klusak and Remunda's film , Macura's essay , and Kaspar's book .