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Jeanne d'Albret et le Béarn : d'après les délibérations des États et les registres du Conseil souverain : 1555-1572 /Dartigue-Peyrou, Charles. January 1934 (has links)
Th.--Hist.--Strasbourg, 1934. / Contient un index des noms et des lieux.
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Jeanne d'Arc im KinoHeilig, Lavinia. Unknown Date (has links)
Univ., Magisterarbeit, 2008--Frankfurt (Main).
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Der Prozeß Jeanne d'Arc : Quellen, Sachverhalt einschließlich des zeit-und geistesgeschichtlichen Hintergrundes, Verurteilung und Rechtfertigung, rechtliche Würdigung und Schlußbemerkungen /Müller, Wolfgang, January 1900 (has links)
Diss.--Rechts- und wirtschaftswissenschaften--Mainz--Johannes Gutenberg-Universität, 2003. / Bibliogr. p. 1793-1830. Index.
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'n Leesmoontlikheid van Jeanne Goosen se teks Louoond : die vrou as skrywer binne die Suid-Afrikaanse bestelViljoen, Erika Valeska January 1989 (has links)
This thesis investigates the narrative strategies of Jeanne Goosen, as employed in her short novel, Louoond. I regard this text as an excellent example of modern Afrikaans prose, and particular reference was made to her previous novel: Om 'n mens na te boots which indicates similarities to the text under scrutiny. Chapter One is a close reading of the first chapter of the novel, in order to identify certain prominent codes, and also to determine what the text itself prescribes. My presumption is that the text determines how it should be read, that no single, predetermined strategy can be rigidly applied to it. Thus I formulated my own individual possible reading from the first chapter, and I view it throughout as mere "speculation", since this possible reading remains only a possibility. Chapter Two contains the theoretical background that is necessary for a scientific study of this kind. I followed mainly the strategies of Roland Barthes and Jacques Derrida, who are pioneers in the post -modernistic theory. It was particularly important to investigate the role of the narrator: the narrator in Louoond presents herself as a writer, therefore it is the process that is paramount. In Chapter Three the code of writing, as identified in Chapter ʺOneʺ of Louoond, is followed closely throughout the text. In Louoond, which is metatextual, violence is textually inherent, and also part of the process of writing. This violence is definitely also part of the South African situation as it is signified in the novel. Throughout the narrator is in a state of tension about her own role in the ʺrevolutionʺ - in which also her own text is a revolution in language, but always within the NOW of South Africa. Chapter Four concerns itself mainly with the role of the woman as narrator, as muse, as primary protagonist. I discuss the code of woman in relation to prominent feminist writers, but it remains in context of the text. Each issue is in the first place determined by the text, the text therefore determines which feminist issues will be investigated. The South African situation, and specifically the Afrikaner situation, serves throughout as intertext for Louoond, as with the code of writing. Other intertextual references are important, because the text is never independent from anything outside itself, and could not exist in such independence. Music plays an important role, with Callas as muse and as fellow female artist, while George Sand functions as fellow writer. Woman, independent of man, is put forward as creator. In my reading, the text remains in the first place a fabrication/imitation of the South African reality, and the fInal scene reaffirms the ʺfinal catastropheʺ that is indicated in the motto as a ʺcondition of controlled hysteriaʺ
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Jeanne Demessieux (1921-1968) : a critical examination of her life /Welzel, Martin. January 2005 (has links)
Thesis (D. Mus. Arts)--University of Washington, 2005. / Vita. Includes bibliographical references (leaves 84-92).
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La topographie, auxiliaire de l'histoire : essai pour une recherche méthodologique : ses applications aux itinéraires de Jehanne la Pucelle /Vachon, Maurice. January 1985 (has links)
Th.--Géographie physique--Reims, 1985.
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"L'original était fait pour les Dieux!" : die Comtesse Dubarry in der Bildkunst /Moehring, Sabine. January 1995 (has links)
Diss.--Philosophische Fakultät--Universität zur Köln, 1995. / Bibliogr. p. 196-228. Index.
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Erotiek, geweld en die dood in 'n Gelyke kans van Jeanne Goosen /Loubser, Henriëtte. January 2005 (has links)
Thesis (MA)--University of Stellenbosch, 2005. / Bibliography. Also available via the Internet.
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Madame de Pompadour die Mätresse und die DiplomatieDade, Eva Kathrin January 2009 (has links)
Zugl.: Bern, Univ., Diss., 2009
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Madame Guyon, sa vie sa doctrine et son influence, d'apres les écrits originaux et des documents inédits.Guerrier, Louis, January 1881 (has links)
Thèse presentée à la Faculté des lettres des Paris.
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