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[en] BEYOND THE REMINISCENCES OF THE PAST: SCIENCE AND HISTORY IN THE CONFORMATION OF JOHANN WOLFGANG VON GOETHE S AUTOBIOGRAPHICAL PERSPECTIVE (1749- 1832) / [pt] PARA ALÉM DAS REMINISCÊNCIAS DO PASSADO: CIÊNCIA E HISTÓRIA NA CONFORMAÇÃO DA PERSPECTIVA AUTOBIOGRÁFICA DE JOHANN WOLFGANG VON GOETHE (1749-1832)04 May 2021 (has links)
[pt] Esta dissertação visa uma aproximação entre a produção científica e a
escrita autobiográfica de Johann Wolfgang von Goethe (1749-1832). Na intenção
de um desdobramento deste objetivo, empreende-se uma análise do ensaio A
metamorfose das plantas (Die Metamorphose der Pflanzen) e de sua autobiografia
mais conhecida, Memórias: poesia e verdade (Aus Meinem Leben. Dichtung und
Wahrheit). Primeiramente, a partir da recuperação de textos nos quais o escritor
rememora conceitos centrais desenvolvidos naquele ensaio sobre o processo de
crescimento das plantas, publicado pela primeira vez em 1790, discute-se em que
medida o recorrente empenho por um acesso ao passado representou a
oportunidade de revisitar, explicar, corroborar e aperfeiçoar alguns desses
conceitos, sobretudo, o de metamorfose. Compartilhando do argumento de que a
recordação, em Goethe, atua sobre a experiência pretérita de maneira profícua,
produtiva, redireciona-se a análise, então, para sua escrita autobiográfica. Após
um exame inicial sobre o estatuto do gênero, chamando-se a atenção para sua
maleabilidade discursiva, delineiam-se tanto as semelhanças quanto as
especificidades do texto autobiográfico goethiano. Sendo assim, ao se lançar mão
da articulação de uma série de conceitos mobilizados pelo escritor, torna-se
possível acenar para a maneira singular pela qual Goethe redimensionou sua
existência, no ato ulterior da escrita, possibilitando associar concepções
particulares de ciência e de história na conformação de sua perspectiva
autobiográfica. / [en] This dissertation aims at an approximation between the scientific
production and the autobiographical writing of Johann Wolfgang von Goethe
(1749-1832). In order to work on this objective, an analysis of the essay The
Metamorphosis of Plants (Die Metamorphose der Pflanzen) and his best-known
autobiography, From my life: poetry and truth (Aus Meinem Leben, Dichtung und
Wahrheit) is developed. First, from the retrieval of texts in which the writer
recalls central concepts developed in that essay about the process of plant growth,
first published in 1790, it is discussed to what extent the recurrent commitment to
an access to the past represented the opportunity of revisiting, explaining,
corroborating and perfecting some of these concepts, above all, the one of
metamorphosis. Sharing the argument that the recollection, in Goethe, acts over
the past experience in a profitable, productive way, the analysis is, then, redirected
to his autobiographical writing. After an initial examination of the status of the
genre, drawing attention to its discursive malleability, both the similarities and
specificities of the Goethian autobiographical text are highlighted. Thus, by using
the articulation of a series of concepts mobilized by the writer, it becomes
possible to emphasize the singular way in which Goethe redimensioned his
existence, in the later act of writing, making it possible to associate particular
conceptions of science and history in conformation of his autobiographical
perspective.
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"Goethereif!" : die bulgarischen Faust-Übersetzungen /Kroucheva, Katerina, January 2009 (has links)
Diss. Univ. Göttingen, 2006. / Literaturverz. S. 376-404.
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Ottilie: Expression of the Ideal of Romantic Childlikeness in Goethe's WahlverwandtschaftenSteele, Melodie Joy 11 July 1996 (has links)
The interpretation of Ottilie in Goethe's Wahlverwandtschaften stems from an understanding of romantic motifs, which find their most systematic expression in her childlike character. Ottilie embodies the romantic idealization of childhood as a means of withdrawal from the enlightened world, echoing the Romantics' rejection of the disenchanted Age of Enlightenment. Through her portrayal of innocent childlikeness, her adolescent conflict with the rational world, and her final rejection of enlightenment, Ottilie maintains her childlike purity, expressing the romantic ideal of childhood. Ottilie's childlike emotional disposition puts her in conflict with the enlightened world of adults and academia. In an attempt to maintain her childlike innocence, she separates herself from the present world and establishes ties to the medieval past through monastic duties and catholic sympathies. However, Ottilie's attempt to remain separate is futile due to her enlightened surroundings. Her journey toward self-awareness begins as a result of her love for Eduard, whose sexual thoughts of Ottilie launch her into a state of adolescence, against which she unconsciously struggles. Continual contact with the enlightened world weakens Ottilie's efforts to maintain ties to her childlike state. In her weakened condition she is unable to resist Eduard's continual amorous pursuits and openly displays her affection for him with a kiss. Her inner turmoil, resulting from her deliberate indiscretion causes the accidental drowning of Charlotte's and Eduard's baby Otto, which illuminates the iniquitous nature of her love for Eduard. She makes the decision to reject full enlightenment and transcends her human frailty by becoming saint-like. Through renunciation, which results in her sacrificial death, she spurns enlightenment and returns to a state of everlasting purity. As the portrayal of the romantic ideal of a maintained childhood innocence, Ottilie seems to be a vehicle to express either Goethe's commendation of condemnation of Romanticism. For the romantic, Ottilie's life and death are a triumph, for she succeeds in passing from this world, having proceeded from innocent child to saint into everlasting life. For the non-romantic, Ottilie's death is a tragedy, for she never reaches true enlightenment and never develops to her full potential.
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Das Junge Deutschland und Goethe /Noé, A. C. January 1910 (has links)
Thesis (Ph. D.)--University of Chicago, 1905. / Includes bibliographical references. Also available on the Internet.
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Das verlorene Selbe : Paul Celans Poetik des Anderen und Goethes lyrische Subjektivität /Tunkel, Tobias, January 2001 (has links)
Diss.--Freiburg im Breisgau--Albert-Ludwigs-Universität, 2000. / Bibliogr. p. 351-377.
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"Wilhelm Meisters Wanderjahre" : Geschlechterdifferenz, sozialer Wandel, historische Anthropologie /Herwig, Henriette. January 2002 (has links)
Texte remanié de: Habil.-Schr.--Philosophisch-historischen Fakultät--Bern--Universität, 1996. / Bibliogr. p. [401]-469.
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Narrative Kulturkonzepte : Wielands "Aristipp" und Goethes "Wilhelm Meisters Wanderjahre /Heinz, Jutta, January 1900 (has links)
Habilitationsschrift--Jena--Friedrich-Schiller-Universität. / Bibliogr. p. 537-548.
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Zeichnung im Dienste der Literaturvermittlung : Moritz Retzschs Illustrationen als Ausdruck bürgerlichen Kulturverstehens /Hildebrand-Schat, Viola. January 2004 (has links)
Diss.--Kunstgeschichte--Berlin--Freie Universität, 2004. / Bio-bibliogr. p. 432-459. Index.
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Die kranke Jugend : J. M. R. Lenz und Goethes "Werther" in der Rezeption des Sturm und Drang bis zum Naturalismus /Martin, Ariane, January 2002 (has links)
Habil.-Schr.--Fachbereich Germanistik--Kassel--Universität, 2001. / Bibliogr. p. [587]-628. Index.
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Bildung versus Self-Reliance : Selbstkultur bei Goethe und Emerson /Mehne, Philipp, January 2008 (has links)
Texte remanié de: Dissertation--Berlin--Freie Universität. / Bibliogr. p.210-226.
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