Inaug.-Diss.--Erlangen. / Vita. eContent provider-neutral record in process. Description based on print version record. "Thematisches Verzeichnis der Kompositionen Josef Riepels: p. [67]-[86]. Bibliography: p. [87]-88.

Thesis (doctoral)--Universität Zürich, (1938?). / Vita. Includes bibliographical references.

Thesis (doctoral)--Universität Zürich.

Thèse--Strasbourg. / Text in French and Greek, commentary in French. Bibliography: p.[239]-249.

Diss. phil. Bern.

Thèse--Strasbourg. / Text in French and Greek, commentary in French. Bibliography: p.[239]-249.

Dissertation (D.M.A.) Florida State University, 2006. / Advisor: Michael Corzine, Florida State University, College of Music. Title and description from dissertation home page (viewed 8-20-2007). Document formatted into pages; contains 92 pages. Includes biographical sketch.

Boston University. University Professors Program Senior theses. / PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you. / 2031-01-02

Thesis (Ph.D.)--Boston University / One of the most controversial literary figures has been the Viennese novelist and lyricist Josef Weinheber. He experienced the misfortune to have that city's period of economic and political upheaval coincide with that of his literacy activity. The immediate post World War II era was extremely critical of him. However, since 1955, he has gained new recognition and is now considered by German and Austrian critics alike as one of the greater literary men of the century, though he is still relatively unknown in the United States [TRUNCATED].

Josef Nadj, originaire de Voïvodine, arrive à Paris au début des années 80 et s’inscrit rapidement dans l’univers chorégraphique français. De l’artiste hongrois émigré en France, à l’ambassadeur de la chorégraphie française pour l’Année culturelle France Russie, vingt-cinq ans de circulations ont construit un style reconnaissable, mais peu étudié. Dès ses premières créations, son rôle d’étranger et sa part d’étrangeté trouvent des moyens d’expressions dans son rapport aux origines et à la terre natale. Il présente alors au public des fragments d’histoires privées ou collectives, réelles ou fictives, passées ou présentes. Depuis, il poursuit sa quête identitaire au contact des autres artistes, se confronte à leurs techniques, leurs moyens, leurs influences. Nourris de ces échanges, les processus de création évoluent, le langage gestuel s’affine, les limites de l’espace scéniques sont bousculées, entrainant de nouveaux modes de perception de l’œuvre. Nous avons alors pris le parti de suivre librement le parcours géographique de cet artiste en resserrant l’analyse sur ses créations scéniques et plastiques. Cette recherche, non linéaire, nous aide à saisir les enjeux d’une création multiple, qui ne cesse de déplacer - et de dépasser - la question de l’identité des œuvres et de leurs créateurs. A l’affût des effets de déplacements - dans l’espace et dans le temps – cette thèse permet finalement de réinterroger le parcours de Josef Nadj, dont les apports à la danse contemporaine et à l’art plus généralement contribuent à l’élaboration d’un langage artistique à la fois intime et fédérateur / Josef Nadj, from Vojvodina, arrived in Paris in the early 80s and was quickly enrolled in the French choreographic universe. From the « Hungarian artist » emigrated to France, to the « Ambassador of the French Culture » during the Year choreography for France Russia, twenty-five years of circulations have built a recognizable style, but little studied. From his first creations, his role and his foreign strangeness find ways to share expressions in his report to the origins and native land. He presents to the public fragments of private or collective stories, real or fictional, past or present. Since then, he continues his search for identity connected with other artists, confronting their techniques, their means, their influences. Fed these exchanges, the creative process has evolved, sign language has been refined, the limits of the scenic area had been shaken, causing new work's ways of perception. We then chose to freely follow the geographical journey from this artist tightening analyzing its performing arts and visual creations. This research, a nonlinear one, helps us to understand the issues of multiple creation, which continues to move - and exceed - the question of the identity of the works and their creators. On the lookout of the effects of displacement - in space and time - this thesis finally allows to re-examine the path of Josef Nadj, whose contributions to contemporary dance and art in general contribute to the development of an artistic language that is both intimate and unifying