Thesis--Universität Trier, 1992. / Includes bibliographical references ([332]-347) and indexes. Includes bibliographical references (p. [332]-347).

The aim of this thesis is to discover press trial of Julius Gregr, publisher and owner of the Narodni listy, which was held in June 1862 as a first significant media event after restoring constitution of the Habsburgs monarchy in 1860. For media of this period (newspapers and magazines) it served as means to initiate and form a public meaning. The paper is trying to recognize and discribe this means and the public feedback of this. The fist step of this was to introduce a theory of Media Events by Dayan and Katze, than a historical context, contemporary journalism and legislation. The reasearch itself is focused on a way which political newspaper Narodni listy and satiric magazine Humoristicke listy used for communicating the trial itself and events before and after. Then the analysis of their media strategy for forming public meaning is created.

This dissertation is a study of the styles shown in Reubke's The 94th Psalm. As a student of Hermann Bonicke, Theodor Kullak, and Adolf Marx, Reubke was trained in the masters of the Baroque and Classical traditions. Written after his study with Franz Liszt in the newer style, The 94th Psalm is a crystallization of these various influences into his own personal style, a remarkable achievement at age twenty three. It is a synthesis of two different styles of organ music at the time; the traditional and conservative represented by Mendelssohn and Schumann, and the progressive by Liszt. Reubke's unique approach to the sonata fomi in the "double function" unified three individual movements into one musical entity by the use of the cyclic theme. The harmony and the tonality are advanced and anticipate the late nineteenth-century style. As the first programmatic organ music in the nineteenth century, The 94th Psalm is an idiomatic organ work which employed the virtuoso piano technique of the time. In spite of Reubke's young age, The 94th Psalm demonstrates his great maturity. His wish to express himself is realized in the work in profound depth and imagination. Through the psalm text he poured out his mind and soul with tremendous energy. In addition to the prevailing concept of the dominant influence of Liszt on the work, the study discusses in detail other aspects which are equally significant to The 94th Psalm, particularly the classical organ tradition of the time and Adolf Marx's influence. After the introduction in Chapter I, Chapter II describes Reubke's family, his life including musical training and his works. Chapter II discusses the influences on The 94th Psalm; organ composition of the mid-nineteenth-century Germany, the influential teachers and their works. Chapter IV presents an analysis of the work, the programmatic feature, the characteristic harmony, and the cyclic use of the theme. Chapter V deals with the performance of The 94th Psalm: the characteristics of the mid-nineteenth-century organ in Germany, the registration, dynamic and expression marks, and published editions. The final Chapter VI is a conclusion.

This study of Shakespeare's treatment of source material in Julius Caesar covers sources and influences, plot and diction, the character of Caesar, and the character of Brutus.

Univ., Diss.--Frankfurt (Main), 2003.

Classics and Modern European Languages / M.A. (Classics)

No description available.

The purpose of this essay is to examine the relationship between Christian and humanistic themes within the four large frescoes that Raphael painted in the Stanza della Segnatura in the Vatican Palace. Through this examination I plan to demonstrate how the interrelation of these two seemingly contradictory themes was critical for the political aims and papal identity of the patron, Pope Julius II. I will argue that Julius commissioned the decoration of the stanza as a means of asserting his papal authority and presenting an identification of himself as the new Julius Caesar who ushered in a new Roman Golden Age. I will discuss the composition and iconography of the frescoes, the life of Pope Julius II, and Roman humanism in the Early Modern Period, in an attempt to prove that the representation and collaboration of the themes of humanism and Christianity were essential to Julius’s political strategies and identity-formation.

This thesis focuses on the candidate selection method of the ruling party of Tanzania, Chama Cha Mapinduzi. The method was changed in 2008. Through interviews made with local politicians, state officials and voters in Babati an understanding of why and in what way the change was made is presented. The thesis also presents an understanding of in what way different stakeholders perceive this change. The changed candidate selection method is examined as part of Tanzania’s democratic consolidation. At the end of the thesis a discussion about obstacles and opportunities for a further democratic consolidation is presented.The thesis describes how the transformation of the candidate selection method is, by the party itself, presented as a way of widen democracy and fight corruption. While many of the informants believe that the transformation, at least to some extent, have contributed to increased democracy, most of them believe that the actual difference from the previous method is small, since the crucial decisions still are taken by the party elite. The informants' responses are describing a multi-party system with several major obstacles. They are also, however, describing how the situation slowly is changing for the better.

Habilitationsschrift--Evangelisch-Theologische Fakultät--Bochum, 1999. / Bibliogr. p. 259-266. Index.