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The Irregularly Changing World with ¡§and¡¨¡G Kandinsky's Multiple ExpressionsLee, Chih-Wei 25 June 2007 (has links)
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Die Kunsttheorie von Wassily Kandinsky /Zimmermann, Reinhard, January 1900 (has links)
Diss.--Kulturwissenschaftliche Fakultät--Tübingen--Universität. / Bibliogr. p. 477-514 dans le vol. 1. Index dans les vol. 1 et 2.
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Wassily Kandinsky : Bildwerdung : das Prinzip der inneren Notwendigkeit : ausgewählte Werke von 1911-1944 /Besch, Ingeborg. January 2004 (has links)
Thesis (doctoral)--Universität des Saarlandes, Saarbrücken, 2001. / Includes bibliographical references (p. 121-126).
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Apokalypse als Hoffnung : die russischen Aspekte der Kunst und Kunsttheorie Vasilij Kandinskijs vor 1914 /Mazur-Kębłowska, Ewa, January 1900 (has links)
Diss.--Kulturwissenschaftliche Fakultät--Tübingen--Universität, 1996. / Bibliogr. p. [139]-146. Index.
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An examination of the fundamental theories of Wassily KandinskyLindsay, Kenneth Clement Eriksen, January 1951 (has links)
Thesis--Wisconsin. / Includes bibliographical references (leaves 227-244).
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Kandinskys physikalische Kreise : Kunst als Medium naturwissenschaftlicher Erkenntnis : Untersuchung der Schriften des Künstlers und seiner abstrakten Bildwelt der zwanziger Jahre unter Heranziehung von Gesichtspunkten moderner Physik /Schmidt, Christiane. January 2002 (has links)
Texte remanié de: Thèse--Grenoble--Université Pierre Mendès France. / Bibliogr. p. 395-414. Notes bibliogr.
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Wassily Kandinski als DichterBrinkmann, Heribert, January 1980 (has links)
Thesis (doctoral)--Universität zu Köln, 1980. / "Lebenslauf": p. [546]. Includes bibliographical references (p. 535-545).
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Kandinskys Abstraktion : Die Entstehung und Transformation seines Bildkonzepts /Haldemann, Matthias, January 2000 (has links)
Texte remanié de: Diss.--Basel, 1998. / Bibliogr. p. 292-303. Table des ill.
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Painterly Conception of ArchitectureRazem, Maiss Jebriel 15 September 2005 (has links)
The art of painting opens vast expressive possibilities for architecture, wherein architecture can produce a more conducive atmosphere for the contemplation of painting. The subtle affinities between the two fields stirred me to explore the individualistic expressiveness of the sensory realm in a painting and how it can inspire an architect.
My thesis starts from an interest in a painting of Kandinsky's. The painting "Yellow, Red, Blue" stirred my curiosity in the potency of its beauty and made me ask questions in regards to what I can capture, learn and express architecturally. The aim is to design a Contemporary Art Center to be situated within the fabric of Virginia Tech campus.
Throughout the various stages of design, the finality of the project resulted from dealing with the various inputs from: Kandinsky's painting as a catalyst and inspirer to the design, to the contextual issues and ways of urban integration and also dealing with the nature of the project's function and programmatic needs. / Master of Architecture
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Everywhere is somewhere /Clarke, Ann-Bridget. January 1982 (has links)
Thesis (M.F.A.)--Rochester Institute of Technology, 1982. / Typescript. Includes bibliographical references (leaf 28).
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