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La main heureuse : symbole d'une époque et emblème de la rencontre entre Wassily Kandinsky et Arnold Schoenberg /Roussel, Stéphane, January 2000 (has links)
Mémoire--Histoire de la musique--CNR-Conservatoire supérieur de Paris, 2000. / Conrient en annexe le livret de l'oeuvre d'Arnold Schoenberg, ainsi que des extraits de la partition. Bibliogr. f. 99-104.
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Wassily Kandinsky and Arnold Schoenberg: parallelisms in form and meaningVise, Stephen Solomon, January 1969 (has links)
Thèse (Ph. D.)--Washington University, 1969.
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"Pure painting" in Berlin, 1912-1913 : Boccioni, Kandinsky and Delaunay at "Der Sturm" /Marchi, Riccardo. January 2002 (has links)
Thesis (Ph. D.)--University of Chicago, Department of Art History, August 2002. / Includes bibliographical references. Also available on the Internet.
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The influence of Persian art on Gauguin, Matisse, and Kandinsky /Daftari, Fereshteh. January 1991 (has links)
Ph.D.--New York--Columbia University, 1988. / Bibliogr. p. 334-384.
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Kandinsky-game : el videojuego como marco para una instalación multimediaFerrari Gutiérrez, Andrés Alvaro January 2014 (has links)
Magíster en artes con mención en composición musical / El objetivo del presente texto es hacer una reflexión de la visión del entorno creativo al cual adhiero el cual se basa en la generación de discursos estéticos, enmarcados en la creación de una obra en particular, que se enmarcan en los fundamentos trans-disciplinares de autor, en los que el creador abandona su campo especializado de origen y conforma su trabajo en la confluencia de diversos entornos en el campo de la creación de producciones estéticas como son: las artes visuales, la multimedia, la programación digital, el arte sonoro, la semántica y expresión del videojuego y otras a las que haré referencia en el transcurso.
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"Les pèlerins d'Emmaüs" de Rembrandt selon l'esthétique théologique de Balthasar : grille d'analyse picturale artistique et théologique /Bertrand, Robert, January 2008 (has links)
Thèse (Ph. D.)--Université Laval, 2008. / Bibliogr.: f. 327-331. Publié aussi en version électronique dans la Collection Mémoires et thèses électroniques.
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From the spiritual in art to degenerate art : aesthetics, perception, cultural politics /Latham, Michael. January 1999 (has links)
Thesis (Ph. D.)--University of Chicago, Dept. of Germanic Studies, June 1999. / Includes bibliographical references. Also available on the Internet.
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Imagining Kandinsky’s theories as a synesthetic iPhone appUnknown Date (has links)
Wassily Kandinsky wrote Über das Geistige in der Kunst, in 1912, and was
translated from German into English by Michael Sadler. Naming it at first, “The Art of
Spiritual Harmony” in 1914 it is known as, Concerning the Spiritual in Art. He wrote
color and music theories based on angles, synesthetic experiences, subjective instincts,
chromotherapy, and shapes. Kandinsky’s theories are worth continuing to research and
bring forth into the new generation of technology where we can see music as numerical
expressions. The goal of this iPhone Application is to teach users the relationship
between color and music based on Kandinsky’s theories. / Includes bibliography. / Thesis (M.F.A.)--Florida Atlantic University, 2015. / FAU Electronic Theses and Dissertations Collection
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Wassily Kandinsky and the Gesamtkunstwerk tradition : the role of south German baroque architecture in Kandinsky's move to abstractionChadwick, Catherine Mary. January 1986 (has links)
No description available.
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Wassily Kandinsky and the Gesamtkunstwerk tradition : the role of south German baroque architecture in Kandinsky's move to abstractionChadwick, Catherine Mary. January 1986 (has links)
No description available.
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