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Když zlost tančí / If the Anger DancesCieslarová, Olga Věra January 2018 (has links)
My doctoral thesis If the Anger dances - Fasnacht in Basel and the Velvet
Carnival of Prague continues on topics, already researched for my master
thesis and published as Fasnacht – a carnival in Basel in 2013. Now I deeply
analyse the evolution of masks (Laarve) and a stream of inner revolt (Wilde
Fasnacht). As well I show evolution of Fasnacht since the end of 19th century into
the present form that grew into some archaic characteristics. From outside looks
Fasnacht as a firmly structured ritual, but from inside shows an extraordinary
ability of inner changes and flexibility. By presenting different forms of changes I
tend to find principles that keep Fasnacht alive in the modern times.
Since six years, throughout my whole doctoral studies, I devoted myself to
organise the Velvet Carnival in Prague, a carnevalesque celebration that is
directly inspired by Basler Fasnacht. At the end of my thesis I am presenting
basic elements we transferred from the original and try to evaluate how those
elements live in the new background.
In the context of Basel and Prague I thematise a creative potential of anger that
can be manifested in an artistic way. So do I show Fasnacht and Velvet Carnival
as a cultivated form of middle-age Rough music and as a creative manifestation
of active citizenship.
Part of my thesis is a documentary film Beneath the mask, there is darkness
(made by Viola Ježková) and a book of 5 Years of The Velvet Carnival.
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Vývoj masopustního a karnevalového kostýmu / The Development of Masquerade and Carnival CostumesNečas, Jan January 2013 (has links)
This dissertation notices development of masquerade costumes in the Czech
Republic and carnival costumes in Venice. In introductory part Jan Nečas describes
the beginnings of Shrovetide festivities and their development in costumes and
masks. In the next part of this dissertation he deals with the development of
carnivals, typical masks and carnival costumes in Venice. In the fourth part of this
dissertation author introduces and reflects his own work in pursuance of production
of a folk masquerade and city carnival costume which is used for carnival procession.
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