Global ETD Search

21	Zur Bedeutung des Nationalen bei der deutschen Rezeption polnischer Musik von 1900 bis 1914 am Beispiel von Szymanowski und Paderewski Keym, Stefan 31 May 2018 (has links) Dass 'die nationale Bedeutung oder Färbung eines musikalischen Phänomens [. . . ] zu einem nicht geringenTeil eine Sache der Auffassung und der Übereinkunft: der Rezeptionsweise'1 ist, wird an der polnischen Musikgeschichte besonders deutlich. Das außergewöhnliche politische Schicksal Polensim 19.Jahrhundert - das Verschwinden eines fast tausend Jahre alten Staates, die Aufteilung seinesTerritoriums unter drei fremden Mächten und das Andauern dieses Zustands über mehr als hundert Jahre, ausgerechnet in der Hochphase des Nationalgedankens - hatte zur Folge, dass den Künstlern bei der Wahrung der nationalen Identität eine führende Rolle geradezu aufgedrängt wurde. info:eu-repo/classification/ddc/780 ddc:780
22	Tendenzen nationaler Identitätsbildung in der polnischen Symphonik am Beispiel von Zygmunt Noskowski und Karol Szymanowski Keym, Stefan 03 September 2020 (has links) No description available. info:eu-repo/classification/ddc/780 ddc:780
23	Autographen von Karol Lipinski in der Staatsbibliothek zu Berlin Rottermund, Krzysztof 26 June 2017 (has links) Die Staatsbibliothek zu Berlin, Preußischer Kulturbesitz, Musikabteilung mit Mendelssohn-Archiv, bewahrt einige Autographen von Karol Lipinski auf. Außerdem befinden sich hier zahlreiche Lipinski-Musikdrucke, darunter Erstdrucke mehrerer seiner Werke. Die Lipinski-Sammlung, bisher sehr wenig bekannt und in Musikforschungen nicht genutzt, verdient zweifelsohne Beachtung. info:eu-repo/classification/ddc/780 ddc:780
24	The Methodology of Phenomenological Realism in The Acting Person by Karol Wojtyla Boczek, Macon W. 28 November 2012 (has links) No description available. Philosophy Wojtyla, Karol Scheler, Max person phenomenology consciousness acting person
25	The Many Masks of Karol Szymanowski: A Commentary on his Piano Triptychs Cesetti, Durval January 2009 (has links) Note: Piano music -- Analysis, appreciation.
26	Hope Reaching Beyond the Limit Knaggs, Daniel J. 13 August 2009 (has links) No description available. Music hope hope reaching beyond the limit John Paul Pope John Paul II string quartet bass baritone Karol J&243 zef Wojty&322 a Karol Wojty&322 a victimae paschali laudes Catholic chant sacred Christian
27	Dětský hrdina v mezní situaci / Child´s Hero in an Extreme Situation KLACKOVÁ, Jana January 2010 (has links) This dissertation is devoted to the topic of Child{\crq}s hero in an extreme situation inspired predominantly by the Czech literature of the 1950{\crq}s and 1960{\crq}s. The essential material for my work was works of the following Czech authors: Arnošt Lustig, Karol Sidon, Josef Fuks, Jan Otčenášek, Ludvík Aškenazy a J.R.Pick. Besides them I also used books by the French writer Romain Rolland which I compared to the Czech works. The dissertation is divided into two parts. In the first part I devote myself to the concept of extreme situation itself. I try to define this concept from the point of view of psychology as well as to show its concrete manifestation in individual works. The second part deals with interpretations of the works in the framework of which I explore the issue of an extreme situation.
28	Mary and the acting person: an anthropology of participatory redemption in the personalism of Karol Wojtyla/ Pope John Paul II Bulzacchelli, Richard H. January 2012 (has links) No description available. Theology Philosophy Mary, Blessed Virgin, Saint John Paul II, Pope, 1920-2005 personalism acting person Karol Wojtyla
29	Magie v epoše Karla IV. a jeho dědiců / The Magic in the era of Charles IV. and his heirs Vozár, Zdenko January 2013 (has links) The question of magic in the later middle ages has a rather long tradition in the Bohemian historical milieu in the argument over the manuscripts of Kues. However, it is only one of the very aspects of the subject, and others were until now more or less neglected. Therefore I would like to bring a new fresh perspective and clearly define the field of research into its dynamic complexity. My argument is composed from three integrally interconnected parts. Firstly, I should bring forward the question: What is magic? The exact definition of this word is still not agreed upon despite the grand effort of scholars not only from the last decades. By examination of the word "magic" I have to have as a condition a very good referential background for it. With the second question, I concentrate on diachronic of the historical context and its dynamics of the transfer and contra-transfer of learned magic in Bohemia. At last, I am taking into account the close investigation of the written sources and the overall dynamics of the bigger European picture of the period. The main argument proposed by this thesis, is that the used sources are predating the Kues manuscript and that in the 14th century the unprecedented growth of the artistic faculty of the Prague university, as one of the first, brought into play the...
30	Towards a eucharistic theatre : the theatrical theologies of the Reduta, the Rhapsodic Theatre, and Grotowski's Lab Matson, Cole C. E. January 2016 (has links) This thesis explores the use of eucharistic language in the theatre theories of three different mid-20th-century Polish theatre companies--the Reduta Theatre, the Rhapsodic Theatre, and the Laboratory Theatre--especially as expressed in the writings of their respective primary founders: Juliusz Osterwa, Mieczysław Kotlarczyk, and Jerzy Grotowski. The thesis also describes how the Rhapsodic and Laboratory Theatres inherited different elements of the Reduta tradition, and how those two diverging branches of the Reduta's legacy have affected contemporary theatre. In addition, the thesis examines how different 20th-century theatre theorists have related the eucharist to theatre, and evaluates the legitimacy of the claim that religious rituals such as the eucharist can and ought to be replaced by secular theatrical rituals. Special attention is paid to Carl Lavery's three views of the sacred: secular, theological, and a/theological. Alexander Schmemann's conception of the eucharist is used to correct Lavery's presentation of the theological sacred and to argue for the possibility of a Christian sacred theatre, or a "eucharistic theatre." The thesis defines the concept of a eucharistic theatre; demonstrates the extent to which the Reduta, Rhapsodic, and Laboratory Theatres meet this definition; and suggests some ways in which a eucharistic theatre may be created today.

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