Spelling suggestions: "subject:"karol romanowski""
1 |
"Seven Songs to Poems of James Joyce," op. 54 (1926) by Karol Szymaowski: A Historical Musicology Analysis and Performance GuideWan, Fujia 05 1900 (has links)
This research contributes valuable contextual information to the study of Karol Szymanowski's little-known song cycle Seven Songs to Poems of James Joyce, op. 54 (1926), providing a reliable, comprehensive reference for singers and scholars. In this research, I establish separate historical contexts for James Joyce's Chamber Music and Szymanowski's settings of the poems in op. 54. Using these established historical contexts, I then analyze Joyce's poems and Szymanowski's text settings, focusing on their styles and aesthetics. Szymanowski reorders the seven selected poems, creating a new storyline related to—but different from—the original. Where Chamber Music presents a chronological emotional arc, Seven Songs presents a roller coaster-like storyline, achieved by flashing back and forth between the protagonist's past and present. I demonstrate how Szymanowski's newly-created, complex storyline fits both the surface and deeper meanings of each poem, using specific musical elements to enhance emotional conflicts in the texts. I conclude with a detailed analysis of the relationship between the text and music of this song cycle, serving as a performance guide. I hope that my analysis and complete performance of this cycle will reignite interest in Szymanowski's music outside of Poland, especially in countries where English is the native language.
|
2 |
Karol Szymanowski zwischen Ost und West, Nord und SüdTomaszewski, Mieczysław 30 May 2018 (has links)
No description available.
|
3 |
Zur Bedeutung des Nationalen bei der deutschen Rezeption polnischer Musik von 1900 bis 1914 am Beispiel von Szymanowski und PaderewskiKeym, Stefan 31 May 2018 (has links)
Dass 'die nationale Bedeutung oder Färbung eines musikalischen Phänomens [. . . ] zu einem nicht geringenTeil eine Sache der Auffassung und der Übereinkunft: der Rezeptionsweise'1 ist, wird an der polnischen Musikgeschichte besonders deutlich. Das außergewöhnliche politische Schicksal Polensim 19.Jahrhundert - das Verschwinden eines fast tausend Jahre alten Staates, die Aufteilung seinesTerritoriums unter drei fremden Mächten und das Andauern dieses Zustands über mehr als hundert Jahre, ausgerechnet in der Hochphase des Nationalgedankens - hatte zur Folge, dass den Künstlern bei der Wahrung der nationalen Identität eine führende Rolle geradezu aufgedrängt wurde.
|
4 |
Tendenzen nationaler Identitätsbildung in der polnischen Symphonik am Beispiel von Zygmunt Noskowski und Karol SzymanowskiKeym, Stefan 03 September 2020 (has links)
No description available.
|
5 |
Karol Szymanowski a folklórní vlivy v jeho baletu "Zbojníci" / Karol Szymanowski and folk influences in his ballet "Harnasie"Hudecová, Zuzana January 2012 (has links)
In my diploma thesis I am focused on biography of polish composer Karol Szymanowski. In his biography I briefly analyze his major works of three different creative periods and I present what was he inspired of at those periods (eg. Wagner's harmony, oriental music, folk music of Podhale etc.). Afterwards, I detaily focus on analysis of the ballet "Harnasie", which is most inspired by the folklore music from Zakopané, where he lived for a part of his life. I analyze the ballet from music aspect, I also write about libretto, kostumes, scenography atc. I have added the ballet notes samples as a part of the musical analysis to facilitate orientation. I have included images of people, places, folk costumes, architecture and dance I am writing about. Annexes include notes samples and another images from composer's life and also a list of compositions, which are included on CD.
|
6 |
Interpretation of Karol Szymanowski's Piano Music: Performer's Guide to Selected Piano Works: Prelude, Op. 1, No. 7, Variations in B-flat Minor, Op. 3, Masques, Op. 34, No. 1, "Sheherazade," and Mazurkas, Op. 50, Nos. 1 and 2Kang, Dong Hyun 18 October 2018 (has links)
No description available.
|
7 |
Klavírní tvorba polských skladatelů po Chopinovi / Piano works of Polish composers after ChopinStrzelecka, Milena January 2018 (has links)
The aim of the diploma thesis is to bring information about Polish famous composers after Chopin. The work contains an overview of life, work, and describes individual examples of piano and composer work. We look at the styles and character of Polish pianists together in selected parts of the compositions
|
8 |
Klavírní tvorba polských skladatelů po Chopinovi / Piano Composition by Polish Composers after ChopinStrzelecka, Milena January 2018 (has links)
The aim of the diploma thesis is to bring information about Polish famous composers after Chopin. The work contains an overview of life, work, and describes individual examples of piano and composer work. We look at the styles and character of Polish pianists together in selected parts of the compositions
|
Page generated in 0.0683 seconds