Berlin, Humboldt-Universiẗat, Diss., 2003.

<p>The purpose of this essay is to analyze the view on sexuality held by Sweden’s first woman doctor Karolina Widerström, by using ideologycritical textanalysis on the written scriptures of dr. Widerström that focus on sexualpolitics. In doing this I use the theory of speech by Foucault. In this study I focus on Widerström’s scriptures, what she wrote about, how she wrote about it but also what she couldn't write due to the historical context and how omission can still speak of power. I mean that Widerström intentionally tried to write about immoral subjects in a moral way and that her sexualpolitic scriptures give a rare expression of a positive view on sexuality, which is even clearer in comparison with Elizabeth Blackwell, another woman doctor and gynaecologist active in USA. By examining the threats and ideals in their works I come to the conclusion that Widerström’s view on sexuality as beautiful, natural and positive is very different from Blackwell’s point of view.</p>

The purpose of this essay is to analyze the view on sexuality held by Sweden’s first woman doctor Karolina Widerström, by using ideologycritical textanalysis on the written scriptures of dr. Widerström that focus on sexualpolitics. In doing this I use the theory of speech by Foucault. In this study I focus on Widerström’s scriptures, what she wrote about, how she wrote about it but also what she couldn't write due to the historical context and how omission can still speak of power. I mean that Widerström intentionally tried to write about immoral subjects in a moral way and that her sexualpolitic scriptures give a rare expression of a positive view on sexuality, which is even clearer in comparison with Elizabeth Blackwell, another woman doctor and gynaecologist active in USA. By examining the threats and ideals in their works I come to the conclusion that Widerström’s view on sexuality as beautiful, natural and positive is very different from Blackwell’s point of view.

M.A. / With the possible exception of the much-lauded Karolina Ferreira, most of Lettie Viljoen's novels are (unfairly) regarded as very complex and even incomprehensible. The main reasons being the lack of a satisfactory evaluation framework that can be used to address the interpretation problems in her texts successfully and a resulting tendency to approach her novels with conventional reading strategies and expectations. By situating Viljoen's literary work in a postcolonial context, however, basic premises of postcolonial theory and criticism can be used to develop an instrument that will be able to address these problems satisfactorily and improve readers' comprehension of her novels. Because most recent critical work on postcolonialism focuses mainly on literature produced in former British colonies, these premises should be revised and adapted to suit the South African situation in general and the Afrikaans literature specifically.

This thesis deals with development of location which lies in close distance of historical center of Moravská Ostrava. Area of interest lies on south end of city part Moravská Ostrava a Přívoz. It is defined by streets K Trojhalí, Místecká, railways no. 321 nd 323 and by Ostravice river. The main aim was to design new part of city and create a strategy of its development which reacts to the actual trends of city development. It is also crutial for creating a „bridge“ between two cultural and educational centers of the city – between historical part of Moravská Ostrava and currently forming new center in listed technical area Dolní oblast Vítkovice.

This thesis focuses on the work of two Prague natives: Karolina Světlá and Jan Neruda and their conception of image of the Prague. The thesis target is to find out, which role prague motives play in the work of both writers due to a fact, that both writers were born in Prague. At Jan Neruda we concentrate on his feuilletons, at Karolina Světlá we focus on her autobiographical work except two of them. First part of thesis focuses on the life and fate of both writers and their entering in the literature. Second part is concentrated on the analysis of their representative works.The target of these analysis is to find, which role Prague plays in particular works. In the final part we try to compare the interpretation of Prague motives of both writers. We try to find the diferrences and identical features as well. Karolina Světlá approaches Prague history, with all its forgotten tales. On the other hand Neruda's Prague is current and alive. Also the diference of both conceptions lies in the themes. Světlá has a aims toward romanticism and nobility, Neruda is consistently realistic and he embraces the stress of everydayness. Powered by TCPDF (www.tcpdf.org)

The dissertation entitled "Religious Issues in Karolina Světlá's Ještěd Novels" deals with an analysis of the Ještěd Novels by the author Karolina Světlá. It characterises the depiction of vernacular devoutness in the novels by means of an analysis of the changes in the characters' religious consciousness and their subsequent interpretation. The paper confronts the fictional depiction of the various forms of religiousness with real historic facts; the most important factors of the religious positions of the "long" 19th century are verified on the scale of the Ještěd Novels. The objective of the paper is to shed light on the progressive qualitative changes in Karolina Světlá's works of prose and interpret them against the backdrop of the defined problem area, which is the period concept of devoutness and attitudes to faith as such.

Syftet med denna uppsats är att undersöka synen på författarroll, skrivande och genus i Virginia Woolfs ”Professions for Women” och Karolina Ramqvists Det är natten. Författaren och den som skriver utifrån följande frågeställningar: Vilka hinder för författarskap gestaltas? Vilka er­farenhet­er av kvinnligt författarskap förmedlas? Vilka likheter och skillnader finns i Woolfs och Ramqvists perspektiv? Teorin hämtas från genusvetenskapliga perspektiv, hos främst Simone de Beauvoir och Yvonne Hirdman, samt litteratursociologiska perspektiv från Johan Svedjedal. Undersökningen utförs genom komparativ metod samt närläsning och knyter an till bland andra Anne E. Fernalds och Sue Roes forskning om Woolfs ”Professions for Women”, samt bidrar till ny forskning om Karolina Ramqvists författarskap som är relativt outforskat inom litteraturvetenskap. Virginia Woolf anser att författaryrket utgör ett friare alternativ för kvinnor än andra yrken, och ser sin väg till detta arbete som enkel. Hon uttrycker också att hennes val att skriva inte inneburit några problem för omgivningen och att hon inte hindrats av ekonomiska omständighet­er. Ramqvist berättar att hon inte trodde att hon det var möjligt för henne att bli författare i egenskap av kvinna och att skrivandet utgör ett problem för hennes relationer. Hade hon haft högre ekonomisk status menar Ramqvist att hon inte nödvändigtvis hade arbetat som författare. Hon kommenterar Woolfs ”Professions for Women” och menar att Virginia Woolf kunde bli författare just för att hon hade ekonomiskt kapital. Woolf lyfter inre omständigheter och genusrelaterade attityder som centrala problem­ för kvinnliga författare medan Ramqvist redogör för yttre omständigheter, som främst är samman- kopplade med omgivningens och offentlighetens förväntningar och krav. Woolf kan sägas göra större anspråk på att hennes erfarenheter ska anses vara en kollektiv erfaren­het hos kvinnliga författare, medan Ramqvist främst diskuterar utifrån ett eget perspektiv. Ramqvist uttrycker exempelvis också en distans mellan sin egen uppfattning om moderskapets påverkan på för­fattarskap jämfört med sina kvinnliga författarkollegor. Woolf diskuterar inte moderskap i sin text men tar sin utgångspunkt i ”ängeln i huset”, som ska förstås som ett ideal och en attityd där kvinnan är insmickrande och uppoffrande mot sin om­givning, samt framstående inom hem och familjeliv. Ramqvist kommenterar Woolfs begrepp och anser det vara Woolfs egen upp­fattning om kvinnoideal. Hon diskuterar inte sina egna omständigheter utifrån ”ängeln i huset”, men det är möjligt att tolka exempelvis hennes yttrande om att göra sig otillgänglig för mäns behov som en del av vad Woolf kallar att döda ängeln i huset: enligt Woolf alla kvinnliga författares uppgift.

anglicky: Title of the thesis: Louis Leger, mediator of the Czech-French cultural relationships. Key words: Louis Leger, Slavic studies, Collège de France, correspondence, policy, Frantisek Palacky, Frantisek Ladislav Rieger, Ernest Denis, Hanus Jelinek, Karolina Svetla, Sobeslav Pinkas, Jan Neruda. Abstract: Louis Leger, french Slavophile, Slavicist and promoter of Czech issues in France in the second half of the 19th century, led correspondence with leading figures of the French nation as well as with the personalities of the Slavic word. Leger's correspondence with the Czech national elite is evidence of his interest in the Czech issue. Correspondence written in Czech and French is stored in the Literary Archive of the Museum of Czech Literature in Prague. The aim of this thesis is to discuss the Leger's written correspondence and present its contents to readers with regard to the historical context.

The main focus of this disertation are relationships of Jan Neruda. They are explained from two different points of view: historical and didactic. The historical part is about the facts, for which the evidence can be found. Those that don't have any evidence in the historical sources are separated. In this part there were also discussed some novels, which portray Jan Neruda. The didactic part contains of the analysis of the textbooks, there was studied, how the information about Neruda's relationships were explained to the students. The last chapter is about websites, where the information about this topic can be found. This topic was there also assessed from the historical and didactic point of view.