Global ETD Search

1	Det gick an? : Variationer i föräktenskaplig sexuell aktivitet och sedlighet i Nås socken kring mitten av 1700-talet Skansens, Annika January 2004 (has links) Syftet med uppsatsen är att analysera hur olika näringsområden i Nås socken, under perioden 1744-1764, skapade olika mönster i föräktenskaplig sexualitet och sedlighet. Materialet som undersökningen grundar sig på är domstolsprotokoll, lysnings- och vigselböcker och födelse- och dopböcker, för Nås socken och Säfsnäs församling. De undersökta områdena är Nås finnmark, vilken befolkades vid en senare tid än det andra undersökningsområdet, Nås svenskbygd, som bestod av självägande små¬bönder vilka varit boende i området under en mycket längre tid än finnmarkens in¬vånare. Resultatet uppvisar en högre frekvens av sedlighetsbrott i finnmarksområdet. Kvinnorna på finnmarken hade även oftare haft föräktenskapliga förbindelser, vilket har visat sig genom att de oftare hade ett utomäktenskapligt barn vid giftermålet. Föräktenskapliga relationer förekom inom båda områdena, vilket undersökningen om kvinnorna var gravida vid vigseln visar. De föräktenskapliga förbindelserna synes dock inte ha varit någon ka¬tastrof så till vida kvinnan och mannen gifte sig. Analysen visar att olikheterna i sexu¬ell aktivitet och sedlighet mellan de båda områdena har sina förklaringar i sociala och ekonomiska aspekter, och kan även ses som kulturellt och etniskt betingade. sedlighet föräktenskaplig sexualitet utomäktenskaplig sexualitet 1700 Nås
2	Den onde, den gode och den smittade : Den ”Svenska sedlighetsdebatten” 1904-1913 / Regular people and regulated women : The Swedish debate about the regulations of prostitutes 1904-1913 Andersson, Magda January 2019 (has links) No description available. Prostitution sedlighet sexualitet könssjukdomar makt History and Archaeology Historia och arkeologi
3	Sedlighet rimmar icke med solidaritet : Den syndikalistiska omkodningen av sedlighet under mellankrigstidens sexualitetsdebatt Karlsson, Hanna January 2023 (has links) This essay seeks to explore how the word "Sedlighet" ("morality”) was purposefully redefined by Swedish syndicalists during 1922–1938. Examining how the term was disparaged, specifically, within the context of the so-called "sexual question" of the time. During this time period, Swedish syndicalists argued for a modernized, science-based sexual education – and by extension sexuality. This modernized sexuality was to be built upon the use of birth control and appeal to a sense of logic and common sense. This stood in opposition to what the syndicalists considered to be outdated sexual morality based off of hypocritical Christian ideology, which urged abstinence and stifled natural urges. This was portrayed as exclusively benefiting the sexually deviant upper class, as they used the concept of "morality" to oppress the working class and exploit them for capitalistic gains. By tying sexuality to class, combining psychoanalysis and socialism, Swedish syndicalists could claim that ”morality” was oppressive as well as the cause of sexual deviancy. Several arguments also highlighted the suffering of working class women, who the syndicalists claimed were forced to go against their nature by having abortions out of necessity, or by exhausting their bodies through frequent childbirths. At the same time syndicalists frequently used gendered language and misogynist stereotypes to mock and delegitimize those who advocated for ”morality.” Through organizations meant to spread sexual education, such as RFSU – which was supported mostly by syndicalists at the time of its founding – it is likely that this recoding of the commonly used word caught on in wider circles of society and played a key role in the construction of a modernized sexuality. Syndikalism sedlighet sexualitet sexualmoral RFSU preventivmedel mellankrigstid History Historia
4	Kvinnans frigörelse på 1800-talet : En analys av Fredrika Bremer-förbundets framställning av kvinnor i tidskriften Dagny / Women's emancipation of the 19th century Selin, Anna January 2024 (has links) This study's purpose is to analyze the Fredrika Bremer-association’s way ofrepresenting women, departing from its own and others’ stories, published byits own magazine Dagny: Månadsblad för sociala och literära intressen during the years 1889, 1894 and 1899. The years picked were when the Fredrika Bremer-association was in sole command of Dagny. The study intends to answer the question on how Fredrika Bremer-association writes and therefore represents their outwardly directed image on women and femininity, based on stories with entertaining purposes and their opinions onother authors' stories that are published in Dagny. The study uses aqualitative text analysis, with selection based on the stories’ content. The content also established seven themes to base the analysis on. The study finds that the image of women, presented by Fredrika Bremer-associations in their magazine Dagny, depending on religious motives is that of a natural subordination to men. They defend women’s rightful freedom, but with the word freedom meaning taking responsibility for their natural tasks as women and therefore stay true to their ideal self. Kvinnotidskrift representation samhällsreform Fredrika Bremer-förbund genus stereotyp kvinnobild sedlighet. History Historia
5	Låt dem få se skönheten : En textanalys av Karolina Widerströms syn på sexualitet Waara, Jasmine January 2006 (has links) <p>The purpose of this essay is to analyze the view on sexuality held by Sweden’s first woman doctor Karolina Widerström, by using ideologycritical textanalysis on the written scriptures of dr. Widerström that focus on sexualpolitics. In doing this I use the theory of speech by Foucault. In this study I focus on Widerström’s scriptures, what she wrote about, how she wrote about it but also what she couldn't write due to the historical context and how omission can still speak of power. I mean that Widerström intentionally tried to write about immoral subjects in a moral way and that her sexualpolitic scriptures give a rare expression of a positive view on sexuality, which is even clearer in comparison with Elizabeth Blackwell, another woman doctor and gynaecologist active in USA. By examining the threats and ideals in their works I come to the conclusion that Widerström’s view on sexuality as beautiful, natural and positive is very different from Blackwell’s point of view.</p> Karolina Widerström woman doctor sexuality urge morals Karolina Widerström kvinnlig läkare sexualitet drift sedlighet Gender studies Genus
6	Låt dem få se skönheten : En textanalys av Karolina Widerströms syn på sexualitet Waara, Jasmine January 2006 (has links) The purpose of this essay is to analyze the view on sexuality held by Sweden’s first woman doctor Karolina Widerström, by using ideologycritical textanalysis on the written scriptures of dr. Widerström that focus on sexualpolitics. In doing this I use the theory of speech by Foucault. In this study I focus on Widerström’s scriptures, what she wrote about, how she wrote about it but also what she couldn't write due to the historical context and how omission can still speak of power. I mean that Widerström intentionally tried to write about immoral subjects in a moral way and that her sexualpolitic scriptures give a rare expression of a positive view on sexuality, which is even clearer in comparison with Elizabeth Blackwell, another woman doctor and gynaecologist active in USA. By examining the threats and ideals in their works I come to the conclusion that Widerström’s view on sexuality as beautiful, natural and positive is very different from Blackwell’s point of view. Karolina Widerström woman doctor sexuality urge morals Karolina Widerström kvinnlig läkare sexualitet drift sedlighet Gender studies Genus
7	Fältets herrar : Framväxten av en modern författarroll / Masters of the Field : The Origin of a Modern Role of Authors Gedin, David January 2004 (has links) <p>The dissertation describes a crucial step in the development of a modern writer's identity in Sweden. It applies the French sociologist Pierre Bourdieu’s theories of the autonomous ”literary field” to the development in eighteen-eighties, one of the most important periods in Swedish literary history.</p><p>During this decade a large group of authors appeared, with August Strindberg in the front. In accordance with the dominating esthetical view of the nineteenth century, ”ideal realism”, the writers had an ethical responsibility. But they differed from their predecessors by not being loyal to the bourgeois society and its values, as codified in the concept of ”decency”, that contained, among other things, rules for what could be said in public. On the contrary, the new generation of authors attacked the bourgeoisie in novels, dramas and articles, especially in the singularly most controversial area, the regulation of sexuality and the ideals of bourgeois women.</p><p>This study argues that the new authors in their radical criticism aimed at the position of power in society traditionally upheld by the State church, which supervised education and ethical values. They did this by creating a role for themselves as young and oppressed, something that made it possible to deny any responsibility for the present state and furthermore to speak up, despite their own bourgeois background, for other oppressed groups like the working classes, the poor and women. But this also meant that they could not be successful in their ambitions to gain influence without loosing their identity. This was especially the consequence of the fact that an autonomous ”literary field” did not yet exist. That is, there were no internal literary institutions that, seemingly independent of the rest of society, decided what was ”good literature.” Instead, the singularly most important judge of interesting literature was the bourgeois public. Strindberg seems to have realised this early, and achieved an identity as ”uncontrolled”. He thereby lost his intellectual credibility, but gained a much bigger freedom to write and also got the attention of the large audience. At the same time, his writing undermined the values of decency by breaking the bourgeois society’s fundamental wall between the private and the public sphere, not least by writing what was regarded as facts about his own private life. </p><p>The conservative reaction accelerated towards the end of the decade while the authors grew more and more bitter about the public’s lack of understanding. At this point the author Verner von Heidenstam took the opportunity to declare a new literary era, dissociating his aesthetics from the one of the Eighties and proclaiming the necessity of an aristocratic, ethically indifferent literature (with himself as its leader). </p><p>Confronted with the new concept of what ought to be regarded as “modern”, the established male authors were generally quick to separate themselves from the female authors, and to identify the attacked literature solely with the one that critically discussed the situation of women in society - a description that has been largely adopted in the history of literature. A number of male authors also wrote novels separating themselves from the Eighties. Thus, they could continue into the new period, while female authors in general were silenced or forced to write in less esteemed genres (”popular literature”, children’s books). </p><p>Ultimately the result was a more distinct male domination coupled with a growing contempt for the large audience. This, in turn, created a need for internal institutions that could interpret, value and support literature - scholarships, elitist critics, and a writers’ union. These institutions subsequently were founded or developed during the nineties – all of them steps towards autonomy.</p> cultural field literary field State church Swedish Academy writer's identity the Eighties education free intellectuals women's identity women's movement bourgeois society decency the indecency debate sexuality narcissistic social critique Bourdieu Habermas Strindberg Gustaf af Geijerstam Benedictsson Ola Hansson Axel Lundegård Levertin Alfhild Agrell kulturellt fält litterärt fält statskyrkan Svenska Akademien författarroll författaridentitet åttitalet utbildning fri intellektuell kvinnorollen kvinnorörelsen borgerliga samhället sedlighet sedlighetsdebatten sexualitet narcissistisk samhällskritik Literature Litteraturvetenskap
8	Fältets herrar : Framväxten av en modern författarroll / Masters of the Field : The Origin of a Modern Role of Authors Gedin, David January 2004 (has links) The dissertation describes a crucial step in the development of a modern writer's identity in Sweden. It applies the French sociologist Pierre Bourdieu’s theories of the autonomous ”literary field” to the development in eighteen-eighties, one of the most important periods in Swedish literary history. During this decade a large group of authors appeared, with August Strindberg in the front. In accordance with the dominating esthetical view of the nineteenth century, ”ideal realism”, the writers had an ethical responsibility. But they differed from their predecessors by not being loyal to the bourgeois society and its values, as codified in the concept of ”decency”, that contained, among other things, rules for what could be said in public. On the contrary, the new generation of authors attacked the bourgeoisie in novels, dramas and articles, especially in the singularly most controversial area, the regulation of sexuality and the ideals of bourgeois women. This study argues that the new authors in their radical criticism aimed at the position of power in society traditionally upheld by the State church, which supervised education and ethical values. They did this by creating a role for themselves as young and oppressed, something that made it possible to deny any responsibility for the present state and furthermore to speak up, despite their own bourgeois background, for other oppressed groups like the working classes, the poor and women. But this also meant that they could not be successful in their ambitions to gain influence without loosing their identity. This was especially the consequence of the fact that an autonomous ”literary field” did not yet exist. That is, there were no internal literary institutions that, seemingly independent of the rest of society, decided what was ”good literature.” Instead, the singularly most important judge of interesting literature was the bourgeois public. Strindberg seems to have realised this early, and achieved an identity as ”uncontrolled”. He thereby lost his intellectual credibility, but gained a much bigger freedom to write and also got the attention of the large audience. At the same time, his writing undermined the values of decency by breaking the bourgeois society’s fundamental wall between the private and the public sphere, not least by writing what was regarded as facts about his own private life. The conservative reaction accelerated towards the end of the decade while the authors grew more and more bitter about the public’s lack of understanding. At this point the author Verner von Heidenstam took the opportunity to declare a new literary era, dissociating his aesthetics from the one of the Eighties and proclaiming the necessity of an aristocratic, ethically indifferent literature (with himself as its leader). Confronted with the new concept of what ought to be regarded as “modern”, the established male authors were generally quick to separate themselves from the female authors, and to identify the attacked literature solely with the one that critically discussed the situation of women in society - a description that has been largely adopted in the history of literature. A number of male authors also wrote novels separating themselves from the Eighties. Thus, they could continue into the new period, while female authors in general were silenced or forced to write in less esteemed genres (”popular literature”, children’s books). Ultimately the result was a more distinct male domination coupled with a growing contempt for the large audience. This, in turn, created a need for internal institutions that could interpret, value and support literature - scholarships, elitist critics, and a writers’ union. These institutions subsequently were founded or developed during the nineties – all of them steps towards autonomy. cultural field literary field State church Swedish Academy writer's identity the Eighties education free intellectuals women's identity women's movement bourgeois society decency the indecency debate sexuality narcissistic social critique Bourdieu Habermas Strindberg Gustaf af Geijerstam Benedictsson Ola Hansson Axel Lundegård Levertin Alfhild Agrell kulturellt fält litterärt fält statskyrkan Svenska Akademien författarroll författaridentitet åttitalet utbildning fri intellektuell kvinnorollen kvinnorörelsen borgerliga samhället sedlighet sedlighetsdebatten sexualitet narcissistisk samhällskritik Literature Litteraturvetenskap
9	Den qvinnliga konstnären: : representationer i tidskriften Palettskrap 1877 –1904 / The woman artist: : representations in the journal Palettskrap 1877 – 1904I Österberg, Susanna January 2016 (has links) Jag har ägnat denna uppsats åt att undersöka Kungliga Konstakademiens elevtidning Palettskrap från och med att det grundades 1877 till och med 1904.Tidningen består av anteckningar, protokoll och en mängd med bilder såsom porträtt, illustrationer och skämtteckningar. Mitt syfte har varit att se hur konflikten kring kvinnorollen generellt och kvinnliga konstnärsrollen specifikt kommer till uttryck under det sena 1800-talet i en intern elevtidning som Palettskrap. Jag har huvudsakligen utfört bildanalyser men även lyft fram text ur Palettskrap som har varit relevant för mitt ämne. Jag har analyserat bildernas uttryck och bildbudskap utifrån Roland Barthes semiotiska metod. För en genusmedveten och kritisk blick på det konsthistoriska sammanhanget, har jag har tillämpat ett feministiskt perspektiv som varit verktyg för att dekonstruera den maskulina myten om modernismen och konstnären. Min undersökning visar att det finns två etablerade stereotyper/kategorier av den kvinnliga konstnären: den ”okvinnliga” konstnären och ”amatören”. Dessa två stereotyper återspeglar den borgerliga synen på kvinnlighet/femininitet som oförenlig med konstnärsrollen. / I have dedicated this essay in researching the journal Palettskrap founded by students at the Royal Swedish Academy of Arts in 1877. Palettskrap consists of notes, protocols and a variety of images such as portraits, illustrations and satirical cartoons. My purpose has specifically been to see how the conflict of the woman artist is articulated during the late 1800's in a student journal such as Palettskrap, and also more generally, how the woman's role in society is articulated. I have primarily analyzed images but I have also exposed text from Palettskrap which has been relevant to my subject matter. By using Roland Barthes' semiotics, I have analyzed the images' expression and message. For a gender-sensitive and critical eye on the art historical context, I have applied feminist theory which has been useful in deconstructing the masculine myth on modernism and ”the artist”. My research shows that there are two established stereotypes/categories of the woman artist: the ”unwomanly” artist and the ”amateur”. These two stereotypes reflect the bourgeois notions of womanhood/femininity as incompatible with the role of the artist. student journal Palettskrap Royal Swedish Academy of Arts late 1800's amateur unwomanly womanhood femininity role of the artist bourgeois Sweden feminist theory myth masculine feminine modernism palettskrap palett-skrap konstakademien feministisk teori borgerlighet borgerlig maskulin myt kungliga konstakademien konstakademin flanör voyeur sedlighet konstnärsgeniet bohemen tradition qvinna kvinnliga avdelningen manliga blicken manligt nätverk manliga nätverk maskuliniserad kvinnlig konstnär kvinnlighet ärad samtida häxa silhuett ernst ljungh konstnärsrollen kvinnliga konstnärer amatör amatören dilettant dilettantism okvinnliga stereotyp karikatyr sekelskiftet 1880-talet nya kvinnan tradition modernitet modernism offentliga privata rum sent 1800-tal Humanities Humaniora

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