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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

The endowed schools of Lancashire from the seventeenth to the early nineteenth century

Gomez, F. G. January 1987 (has links)
No description available.
2

1700-tals köksträdgård möter Varbergs fästning : -en processbeskrivning

Stengård, Maria January 2012 (has links)
No description available.
3

The maturing poetic vision of James Thomson ("B.V.")

Menzel, James Frederic, 1940- January 1964 (has links)
No description available.
4

The function of comicality in the work of Johann Beer.

O'Neil, James J. January 1973 (has links)
No description available.
5

Från Rawicz till Fraustadt studier i det stora nordiska krigets diplomati 1704-1706,

Backman, Stig, January 1900 (has links)
Akademisk avhandling--Lund. / "Källor och litteratur": p. [vii]-xv.
6

Kriget i Finland och Ingermanland 1707 och 1708 ...

Hjelmqvist, Fredrik, January 1909 (has links)
Akademisk afhandlung--Lund. / "Källor och litteratur": p. [xvii]-xxiii.
7

The function of comicality in the work of Johann Beer.

O'Neil, James J. January 1973 (has links)
No description available.
8

As crises de mortalidade no concelho de Braga : 1700-1880

David, Henrique January 1992 (has links)
No description available.
9

ITEM, I ARTICLE: CONTRACTS IN RESTORATION COMEDY.

SANDS, KATHLEEN ROSEMARY DAVIS. January 1982 (has links)
This study of sixty-seven Restoration comedies demonstrates that the ethical system by which the comic playwrights distribute praise and blame to their characters is a contractual one: those characters who learn to respect contract--the social acknowledgment of another's equality and autonomy--are those who win the dramatic prizes, whether money or marriage. Those characters who attempt to subvert or pervert the contractual ethic, whether through ignorance or design, generally defeat their own aims. Critical opinion has not often favored this thesis because it assumes that contract and trust--the latter a quality many critics now see as important in these comedies--are mutually exclusive. But legal history and legal theory show instead that they are mutually dependent, that an act of trust is a priori an act of contract, and the intellectual milieu of the seventeenth century provided the comic playwrights with ample reinforcement for this idea. Two of the three prerequisites for contract, agreement and consideration, take the same definition in comedy as in law. The third, however, constitutes the major difference between contracts in life and contracts in comedy: what the law calls identity or personality. This quality, explicitly defined in law, is less so in comedy, but it must nevertheless be present if we are to recognize any character as a responsible social being. Furthermore, that character must possess, in addition to this requisite identity, the awareness that personal contract--a private, self-enforcing agreement--is both ethically and practically superior to legal or illegal manipulation or force. Once possessed of both identity and a willingness to contract--of both individual and social integrity--that character earns the right to enjoy the emotional and material wealth which so happily rewards those upholding the comedies' moral vision, a moral vision that sees the contractual ethic as a testament to man's respect for and trust in his fellows.
10

Changing markets and the response of agriculture in South West England 1850-1900

Copus, Andrew K. January 1986 (has links)
No description available.

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