L'objet de cette thèse est une étude de cas d'un ensemble de production cinématographique polonaise dans la période communiste des années 1970 - TOR (Kieslowski, Zanussi, Rozewicz). Cette recherche met en avant l'autonomie créatrice de l'auteur-cinéaste face aux bouleversements de la politique culturelle qui a déterminé la production cinématographique dans un pays non-démocratique, à savoir la Pologne populaire des années 1970. La filmographie de TOR est homogène et ses films communiquent un discours d’auteur sur les thématiques existentielles et morales où l’individu occupe une place centrale. Comment a-t-il été possible de produire des films mettant l’individu au centre dans un pays où régnait un discours officiel exaltant le collectif ? / The main subject of this thesis is a case study of Polish cinematographic production under the communist period in the 1970's called TOR (Kieslowski, Zanussi, Rozewicz). This research points out the author-filmmaker's creative autonomy confronted to the Cultural Policy upheavals which have determined film production in a non - democratic country : Polish People's Republic in the 1970s. The TOR filmography is homogeneous and its movies transmit the author-filmmaker's point of view about the existential and moral matters while the individual occupies the central place. How was it possible to produce films focused on the individual in a country where the political class and its collective policy occupied the central place?

Submitted by Bruna Rodrigues (bruna92rodrigues@yahoo.com.br) on 2016-09-21T14:22:16Z No. of bitstreams: 1 DissHH.pdf: 3913934 bytes, checksum: c71f30d226a7e462e602307c00b0a3e6 (MD5) / Approved for entry into archive by Marina Freitas (marinapf@ufscar.br) on 2016-09-21T18:27:32Z (GMT) No. of bitstreams: 1 DissHH.pdf: 3913934 bytes, checksum: c71f30d226a7e462e602307c00b0a3e6 (MD5) / Approved for entry into archive by Marina Freitas (marinapf@ufscar.br) on 2016-09-21T18:27:44Z (GMT) No. of bitstreams: 1 DissHH.pdf: 3913934 bytes, checksum: c71f30d226a7e462e602307c00b0a3e6 (MD5) / Made available in DSpace on 2016-09-21T18:27:51Z (GMT). No. of bitstreams: 1 DissHH.pdf: 3913934 bytes, checksum: c71f30d226a7e462e602307c00b0a3e6 (MD5) Previous issue date: 2015-03-18 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / This project aims to investigate aesthetic and signal subjects of Kieslowskian cinematographic language from the analysis of the episode 5 of the television series Decalogue (1988) and its respective version for cinema A short film about killing (1988). The aim is to study how Kieslowski constructs new relationships in extended version of this episode, the motivations that led him to rearrange them and/or reconstruct them, and what this option by “duplicating” the same movie can tell us about the cinema conception of this Polish director. / Serão investigadas questões sígnicas e ético-estéticas do discurso cinematográfico kieslowskiano, a partir da análise do episódio 5 da minissérie televisiva Decálogo (1988), em comparação com sua versão estendida no longa-metragem Não matarás (1988). O objetivo é estudar como Kieslowski constrói novas relações entre o formato de média-metragem (Decálogo 5) e o longa-metragem, quais as motivações que o levaram a rearranjá-los e/ou reconstruí-los, bem como o que esta opção, por “duplicar” uma mesma história, pode nos revelar sobre o projeto poético deste diretor polonês, naquele momento.