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Landscapes of the imagination in renaissance VeniceLynn-Davis, Barbara, January 1998 (has links)
Thesis (Ph. D.)--Princeton University, 1998. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 306-311).
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Relationship between landscape structure and avian abundance patterns in the Oregon Coast Range /McGarigal, Kevin. January 1993 (has links)
Thesis (Ph. D.)--Oregon State University, 1994. / Typescript (photocopy). Includes bibliographical references. Also available on the World Wide Web.
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Landscape quality assessment of South AustraliaLothian, Andrew. January 2000 (has links) (PDF)
CD-ROM inside back cover contains 23 page summary of thesis, and a copy of the appendices Chapters 7-10 and references; Powerpoint file of the 160 landscape scenes; Powerpoint presentation of the methodology and findings of the survey of landscape quality of South Australia. Bibliography: p. 421-444. Provides an analysis of human perception and interaction with aesthetics and landscape quality as a basis to develop a credible methodology for the large-scale assessment of perceived landscape quality and a map of landscape quality of South Australia is derived.
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Image, process, experience : exploring the landscapes of Chilean cinema (2008-2014)Runciman, Nicola January 2018 (has links)
This thesis explores representations of landscape in Chilean fiction cinema from 2008 to 2014, through a corpus drawn from the so-called novisimo cine chileno, a generation of young filmmakers who have attracted significant critical attention both within Chile and on international festival and arthouse circuits. The thesis is built on close readings of the selected films within a conceptual framework informed by interdisciplinary perspectives from the developing field of landscape studies. It aims to show how these cinematic landscapes function beyond the limitations of narrative setting or symbolic imagery and are instead represented in ways which capture landscape's processual, experiential and polysemic nature, which in turn throws light on landscape as an approach to a wide range of thematic concerns within these films. It begins by placing the selected corpus within a broader cultural history of the Chilean landscape and maps out the conceptual framework which will be applied and developed through the thesis, considering landscape as experience and process, as well as image. The thesis then sets out the foundations for the thesis' close readings by demonstrating how such a conceptual approach can reveal the inherent tensions of film landscapes - between being inside and outside, contemplation and immersion, proximity and distance - and can also uncover the multisensory and embodied aspects of landscapes on screen, with particular attention to the roles of sound and haptic imagery. In the remainder of the thesis, this approach to landscape is developed through further close analysis of selected films in order to demonstrate how landscape functions in relation to certain thematic concerns - what contact between body and landscape reveals about materiality and mortality, how the cinematic landscape both invites and resists its framing as territory, and how film as a medium has a particular capacity to evoke the multiple temporalities at work within landscape. As a whole, the thesis works to illuminate the aesthetic, formal, narrative and thematic functions of landscape in the chosen films and argues for the usefulness of interdisciplinary conceptual approaches in the study of cinematic landscapes in order to reach a more nuanced understanding of film's representation of the relation of people and place.
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Steps to the identification of the residue of the cultural heritage landscape of the University of Pretoria's Hatfield campus 1910-1960Dunstan, Neal Edward January 2016 (has links)
As the Campus Landscape Architect for the University of Pretoria, it has been an on-going challenge to gain an understanding and reliable data on the history of the landscape of the University of Pretoria's Hatfield campus. With the pace of development taking place on the campus, in order to meet the University's 2025 Strategic Vision, it became very clear that potential significant cultural landscapes on the Hatfield campus could be lost without ever knowing it. This is especially even more so when related to the South African Heritage Resources Act 25 of 1999 (SAHRA). The Getty Foundation's Campus Heritage Initiative's first grant for a conference in 2000 shared consensus that historic landscape preservation had a very low profile in much of American campus planning
The hypothesis states that the University of Pretoria's Hatfield Campus has an undiscovered cultural landscape history that not only could have value to the development of the University, but also to that of the surrounding precincts of the City. The thesis's aim is to record any sourced data pertaining to the cultural landscape of the University of Pretoria's Hatfield campus in order to contribute to the institutional repository, and to ascertain what, if any, cultural landscape values exist. A complex descriptive and historiographical interpretative research strategy was followed. A literature, policy and model study was conducted resulting in the main research tool being the U.S. Department of the Interior National Park Service's Cultural Landscape Report (CLR). The limitation to the thesis was Part 1: Site History, Existing Conditions, Analysis and Evaluation of the CLR to the University of Pretoria's Hatfield Campus for the period 1910 to 1960.
The study highlighted that the Hatfield Campus does contain tangible cultural landscape elements but very little is known or present of the intangible elements. The current political climate of the University places emphasis on equalising the cultural diversity on campuses, perhaps to the detriment of the existing cultural landscape, mainly by the naming and/or renaming of its buildings. A recommendation is that a Management and Preservation Plan encompassing both the architectural and landscape aspects be compiled to inform the future planning of the campus. / Dissertation (MLA)--University of Pretoria, 2016. / Architecture / MLA / Unrestricted
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Between Psyche and Reality: An Investigation of Contemporary LandscapeStiles, Shanna 01 May 2015 (has links)
This body of work explores the emotional aspects of my life through the metaphor of landscape. It is a contemplation of the genre of landscape in the contemporary art dialog. By exploring the materiality of paint and the physicality of working large I discovered the question of contemporary relevancy is no longer my primary reason for this investigation. My growth as an artist has come from exploring historical and contemporary influences and how they have affected my processes and visual aesthetic. Thus, a large series of work has emerged from an unexplainable desire to connect and share the crucial moments of my life through paint.
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THE CREATION, MARKETING, AND PRESERVATION OF A CULTURAL LANDSCAPE: A CASE STUDY OF PHILMONT BOY SCOUT RANCH AND THE BOY SCOUTS OF AMERICANasuta, Anthony Thomas, III 02 August 2016 (has links)
No description available.
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Landscape designs for various size homes at New Dehli, IndiaAhuja, Krishan Gopal. January 1960 (has links)
Call number: LD2668 .T4 1960 A38
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Mystery in the landscape : procedures for assessing and mapping mystery in a rural landscapeLynch, James Alan January 1987 (has links)
Over the last two decades, researchers in landscape perception research have responded to the problem of preserving landscape scenery by examining issues of landscape management, planning and design in a number of countries. One of the underlying problems encountered over this period of time has been a lack of landscape perception theories essential to development of an integrated approach to assessing and mapping scenic value. The "Information Processing Model" proposed by Kaplan and Kaplan (1982) has received a considerable amount of attention in application of a theoretical model for landscape assessment. It describes concepts related to cognitive processes which provide an objective, analytical basis for understanding observers' preference for landscape scenery. In a Pioneering research effort, Brown and Itami (1982) used this theory as a basis for assessing and mapping scenic quality.However, the one component not successfully incorporated into the model has been mystery. Research has continued to reveal the underlying structure of the mystery attribute. This study looks at validating a refined definition of the mystery component of the Kaplan Model and develops a quantitative procedure based upon physical landscape characteristics and inherent landscape composition classes for predicting and mapping this mystery attribute, in the rural Indiana landscape. This study utilizes MultiDimensional Scaling to test the mystery component of the Kaplans' model and to confirm the dimensions of the mystery model as proposed by Gimblett and Fitzgibbon (1987). Ninety color slides of rural landscape scenery were presented to 26 respondents who rated each photograph on a five point scale for mystery. The selecticn of the mappable variables used to describe the four variables of mystery and landscape composition classes were based on the relationships of the mystery variables to the prediction of mystery in the study. The predictive model developed in this study incorporates land form and land use measures and each were assessed and combined to derive composite ratings of mystery. These groups were normalized and weighted in relationship to each other in order to derive composite values of mystery which then were mapped. The results of this research strongly theoretical model yet has the capability to be spatially illustrate a clearer understanding of the variables contributing to the perception of mystery and reveals a comprehensive procedure for assessing and mapping mystery. Finally, this research strongly supports the Kaplan and Kaplan (1982) conceptual model as a reliable, comprehensive mapped and utilized by researchers and practioners in the overall quest for determining scenic quality for landscape preservation and management practices. / Department of Landscape Architecture
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Delineating suitable wetland areas for reconnection of habitat in southwest IllinoisMayer, Angela January 1900 (has links)
Master of Landscape Architecture / Department of Landscape Architecture/Regional and Community Planning / Huston Gibson / Over 90 percent of presettlement wetlands in Illinois have been destroyed or impacted, yet wetlands continue to diminish. Sizable, public stretches of Illinois wetlands are lacking. Wetlands are an environmentally and economically valuable amenity, but can also enhance the quality of life of communities of people and organisms. Conservation efforts should be made to preserve natural services wetlands provide. Southwest Illinois was the focus of the study, which encompassed the counties of Jackson, Madison, Monroe, Perry, Randolph, St. Clair, and Washington.
Critical areas suitable to sustain wetlands were identified through a suitability analysis utilizing Geographic Information Systems (GIS). Factors that influenced the analysis included soils, hydrology, existing wetlands, natural areas, and infrastructure. Areas ranked most suitable were in close proximity to existing wetlands or hydrologic features, contained hydric soils, and had minimal roadway infrastructure impact. Proximity to wetland and natural areas were informed by the home ranges of endangered and threatened species of Southwest Illinois.
Potential suitable wetland areas for palustrine, lacustrine, and riverine wetlands were delineated on individual maps. With suitable areas known, site visits could further verify the suitability of the areas. The state of Illinois can use the specific areas to begin to focus efforts on conservation and rehabilitation to reconnect habitat and provide natural open space for a sustainable community amenity.
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