Ontario Place in Toronto has a long legacy of unfulfilled plans, conflicting interests and missed opportunities. Its evolution is punctuated by myriad socio-cultural, political and economic shifts. Landscape biography, an empirical research strategy, is used to capture the diversity, complexity and the transformational character of this landmark site through archival research and oral histories over five phases of development. With origins in cultural geography and social anthropology, landscape biography is a compelling analytic tool to study the evolutionary dynamics of landscape change. Ontario Place is closely examined within the broader context of Toronto’s post-industrial waterfront to highlight and explain contingent moments in this cultural landscape’s historical trajectory. Findings reveal that Ontario Place, like waterfront itself, is the aftermath of political indifference and short-term expediency multiplied over several years. A road-map is created to visualize long-term evolutionary cause-and-effect relationships and a framework is developed to provide guidance for future transformations of this public asset based on historically grounded research.

During the first millennium BC, the people of the chalk landscapes of the Yorkshire Wolds began carving up their world with monumental linear earthworks. This project explores the meanings of the later prehistoric boundary systems of the Yorkshire Wolds. It writes a biography of the linear earthwork landscapes of the north-central Wolds, using geographic information systems (GIS), original fieldwork and theories of agency and memory. Tracing the construction, use and modification of particular linear earthworks, it examines how these monuments would have related to other features in the landscape, and how they could have exercised agency within networks of interconnected people, animals, objects and other places. Finally, the project attempts to situate these boundary systems within the larger context of Late Bronze Age and Iron Age society in order to understand how the later prehistoric people of East Yorkshire would have experienced their world. Taking a biographical approach to landscape and allowing linear earthworks to become the protagonists of this narrative, the project charts the life histories of the earthworks at Wetwang-Garton Slack and Huggate Dykes and investigates the collective authorship of the wider landscape. To understand the rural, monumental landscapes of the Wolds, we must consider the agency of not only people, but also of animals and of monuments themselves. By focussing on the relationships which bound together linear earthworks and other agents, we can begin to understand the ways in which monumentalised landscapes both reflected and generated the cosmologies of prehistoric communities.

During the first millennium BC, the people of the chalk landscapes of the Yorkshire Wolds began carving up their world with monumental linear earthworks. This project explores the meanings of the later prehistoric boundary systems of the Yorkshire Wolds. It writes a biography of the linear earthwork landscapes of the north-central Wolds, using geographic information systems (GIS), original fieldwork and theories of agency and memory. Tracing the construction, use and modification of particular linear earthworks, it examines how these monuments would have related to other features in the landscape, and how they could have exercised agency within networks of interconnected people, animals, objects and other places. Finally, the project attempts to situate these boundary systems within the larger context of Late Bronze Age and Iron Age society in order to understand how the later prehistoric people of East Yorkshire would have experienced their world. Taking a biographical approach to landscape and allowing linear earthworks to become the protagonists of this narrative, the project charts the life histories of the earthworks at Wetwang-Garton Slack and Huggate Dykes and investigates the collective authorship of the wider landscape. To understand the rural, monumental landscapes of the Wolds, we must consider the agency of not only people, but also of animals and of monuments themselves. By focussing on the relationships which bound together linear earthworks and other agents, we can begin to understand the ways in which monumentalised landscapes both reflected and generated the cosmologies of prehistoric communities. / The Appendices A to E are not included online.