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The dynamic contextual nexus and the composition of self : Franz Liszt's Trois odes funèbres : a case study in intertextuality /Plylar, David. January 2008 (has links)
Thesis (Ph. D)--University of Rochester, 2008. / Includes abstract and vita. Accompanies: Reliquary : for piano and orchestra / by David Plylar. Includes bibliographical references. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/7670
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An analytical study of Liszt's "Grandes études de Paganini", nos. 3 and 6 /Kim, Younshin, January 1999 (has links)
Thesis (D. Mus. Arts)--University of Washington, 1999. / Vita. Includes bibliographical references (leaves 119-122).
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Cellular construction in the piano Concerti of Franz Liszt /Sasaki, Yuka. January 1995 (has links)
Thesis (D. Mus. Arts)--University of Washington, 1995. / Vita. Includes bibliographical references (leaves [52]-54).
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F.Liszt:Three sonetto of Petrarca from Annees de Pelerinage: Deuxieme AnneeShih, Pin-Ju 28 August 2003 (has links)
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The compositional style of Franz Liszt was significant for its virtuosic feature, the use of thematic transformation technique, and transcriptions, which usually makes people ignore the importance of deep literature relationship in his music. In the Années de Pèlerinage: Deuxième Année written in 1838~1839, it has included compositions inspired from literature and arts. For the Three Sonetto of Petrarca from Années de Pèlerinage: Deuxième Année, Liszt had written five editions, which had never seen in other compositions. This research, based on the tenor edition published in 1846, focuses on the relationship of music and literature in the Three Sonetto of Petrarca piano edition published in 1858. Furthermore, Liszt¡¦s use of the technique of word painting, third relationship of harmonic language, and the unity between introduction and coda to build the construction of the poems is also explored.
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The Liszt transcriptions for piano of songs by Beethoven, Chopin, and Mendelssohn : inspiration, process and intention /Lin, Chia-Yin. January 2003 (has links)
Thesis (D. Mus. Arts)--University of Washington, 2003. / Vita. Includes bibliographical references (leaves 175-180).
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The songs of Franz Liszt /Baron, Michael David, January 1993 (has links)
Thesis (D.M.A.)--Ohio State University, 1993. / Includes vita. Includes bibliographical references (leaves 204-209). Available online via OhioLINK's ETD Center.
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Motiv, Thema und Kompositionsaufbau bei Franz LisztHaug-Freienstein, Wiltrud, January 1987 (has links)
Thesis (doctoral)--Ludwig-Maximilians-Universität, München. / Includes bibliographical references (p. 213-227).
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Aspects of compositional technique in the late original solo piano pieces by Franz Liszt /Lym, Sang-hee. January 1999 (has links)
Thesis (D.M.A.)--University of Texas at Austin, 1999. / Vita. Includes bibliographical references (leaves 295-299). Available also in a digital version from Dissertation Abstracts.
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study of the personality of Franz Liszt with special reference to the contradictions in his natureEnsor-Smith, Beryl Eileen January 1984 (has links)
No description available.
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Franz Liszt and his Verdi opera transcriptions /Dorgan, Peter Paul January 1982 (has links)
No description available.
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