- About
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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Der Doppelgänger und sein Name / The doubleganger and its nameBremer, Donatella 20 August 2014 (has links) (PDF)
The motif of the doppelgänger has been present in literature and the visual arts, but also, more or less concealed, in music, from classical antiquity until today and may manifest itself in the most various forms, dependent on genre, epoch, and culture. This has led criticism to consider the motif of the doppelgänger as a genre in its own right and to propose, especially during the last years, numerous classifications of the ways in which this psychological and anthropological phenomenon is treated in the arts. In the present study I have concentrated my attention on creations in which the doppelgänger represents the disturbing aspects of the hero’s ego. This motif was especially prominent in German late romanticism and has considerably spread during the last decades in cinematography and in fantastic literature. Though there exists a large amount of criticism on the motif of the doppelgänger, what has hardly been analyzed up to now is the role of the characters’ and their doppelgängers’ names. Therefore the aim of my study was to exemplify by means of numerous examples from antiquity until present times the role the proper name has played in literature and other arts dedicated to the theme of the doppelgänger.
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Der Doppelgänger und sein NameBremer, Donatella January 2010 (has links)
The motif of the doppelgänger has been present in literature and the visual arts, but also, more or less concealed, in music, from classical antiquity until today and may manifest itself in the most various forms, dependent on genre, epoch, and culture. This has led criticism to consider the motif of the doppelgänger as a genre in its own right and to propose, especially during the last years, numerous classifications of the ways in which this psychological and anthropological phenomenon is treated in the arts. In the present study I have concentrated my attention on creations in which the doppelgänger represents the disturbing aspects of the hero’s ego. This motif was especially prominent in German late romanticism and has considerably spread during the last decades in cinematography and in fantastic literature. Though there exists a large amount of criticism on the motif of the doppelgänger, what has hardly been analyzed up to now is the role of the characters’ and their doppelgängers’ names. Therefore the aim of my study was to exemplify by means of numerous examples from antiquity until present times the role the proper name has played in literature and other arts dedicated to the theme of the doppelgänger.
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Eigennamen und Lyrik / Studien zur Verwendung von Eigennamen in Gedichten / Proper Names and Lyrics / Studies on the Usage of Proper Names in PoemsGottschalk, Jürn 14 July 2005 (has links)
No description available.
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