Orientador: Ana Luiza Silva Camarani / Banca: Glória Carneiro do Amaral / Banca: Adalberto Luis Vicente / Banca: Verônica Galíndez Jorge / Banca: Maria Dolores Aybar-Ramírez / Resumo: Inseridas no contexto da literatura francesa contemporânea, as obras de Jean-Marie Gustave Le Clézio transgridem as categorias de gênero: nem romances, nem poemas, nem ensaios ou tudo isso ao mesmo tempo. Dentre tais obras, Voyages de l'autre côté (1975), pode ser abordada como uma narrativa híbrida, em que a prosa e a poesia convivem simultaneamente, ora para exprimir a vida na sociedade moderna, ora o retorno a um paraíso perdido onde o homem encontra a paz e a inocência primitivas. Em Voyages de l'autre côté, o narrador viaja, guiado pela fada Naja Naja, em busca do 'outro lado', isto é, do absoluto sensível que se esconde em todos os elementos da realidade material diegética, representado por inúmeros países mágicos, onde atinge a totalidade e a liberdade. O texto lecléziano dialoga ainda com a tradição literária francesa e com a cultura popular e mítica, atualizandoas no contexto da literatura contemporânea. Partindo da proposta teórica feita por Jean-Yves Tadié, em Récit poétique (1978), a tese Viagens ao 'outro lado': o percurso poético lecléziano tem por objetivo a análise de Voyages de l'autre côté, como uma narrativa híbrida, em que cada um dos aspectos formais que a compõe - prosa e poesia - possui uma função específica na construção de um universo imaginário, que permite ao narrador recuperar o absoluto sensível. / Abstract: Gustave Le Clezio break the gender categories: they are not novels, not poems, nor essays or all of it at the same time. Among his works, Voyages de l'autre côté (1975), can be seen as an hybrid narrative, where prose and poem live together simultaneously, for express life in a actual society at one hand as for a return to a lost paradise where man could find the primitive peace and innocence. At Voyages de l'autre côté, the narrator travels in company of the fairy called Naja Naja in search of the "other side", or better, of the sensitive absolute that is hidden in every element of diegetic material reality, represented by for numberless magical countries, where reaches the his totality and freedom. The leclezian text dialogs with the French literary tradition and with the mythic popular culture either, updating them in the Contemporary Literature context. From the theoretic purpose made for Jean-Yves Tadié, in his Récit poétique (1978), the thesis Journeys to the 'other side': the Leclezian poetic way has as target the analysis of Voyages de l'autre côté, as an hybrid narrative, where each one of those elements that compose it - prose and poetry - has a specific function in the building of a imaginary universe, what would permit to narrator recover the sensitive absolute. / Doutor

Orientador: Maria Lídia Lichtscheidl Maretti / Co-orientador: Norma Domingos / Banca: Daniela Mantarro Callipo / Banca: Brigitte Monique Hervot / Banca: Guacira Marcondes Machado Leite / Banca: Margarida da Silveira Corsi / Resumo: A pesquisa aqui apresentada teve por objetivo analisar algumas obras de um dos maiores autores franceses do século XX: Antoine Jean-Baptiste Marie Roger de Saint-Exupéry (1900-1944), mais conhecido por Antoine de Saint- Exupéry. As obras que constituem o corpus do trabalho são fortemente marcadas pela Segunda Guerra Mundial e pela ocupação nazista da França. Para tanto, abordamos seu clássico Le Petit Prince (1943), com o qual se consagrou mundialmente, já que foi traduzido para mais de duzentos idiomas e dialetos, e Pilote de guerre (1942), ambos produzidos em solo estrangeiro, durante o tempo em que ficou exilado nos Estados Unidos da América. Além disso, mesmo tendo sido publicado posteriormente, Écrits de guerre (1982) também são alvo de nossa pesquisa, já que reúnem notas, artigos, depoimentos e cartas - principalmente Lettre à un otage -, os quais também tratam de assuntos relativos à guerra, como sugere o seu título. Desse modo, buscamos demonstrar de que maneira sua produção literária reflete as questões político-sociais do período em questão, apontando para as circunstâncias críticas da França da época, o que pode ser sugerido pela proibição de seus livros durante essa fase considerada como uma das mais cruéis da história da humanidade. Ainda, refletimos sobre alguns elementos característicos dessa fase da vida do autor, presentes em sua escritura, tais como infância, angústia, responsabilidade, exílio e engajamento / Résumé: La recherche présentée a eu le but d'analyser certaines oeuvres d'un des plus grands écrivains français du XXe siècle: Jean Baptiste Antoine Marie Roger de Saint-Exupéry (1900-1944), mieux connu comme Antoine de Saint-Exupéry. Les oeuvres qui composent le corpus du travail sont fortement marquées par la Seconde Guerre mondiale et l'occupation nazie de la France. Pour cela, nous avons abordé son classique Le Petit Prince (1943), avec lequel il a été consacré dans le monde entier, vu sa traduction dans plus de deux cents langues et dialectes, et Pilote de Guerre (1942), tous deux produits à l'étranger, pendant le temps qu'il a été exilé aux Etats-Unis d'Amérique. En outre, publié plus tard, Écrits de guerre (1982) est également la cible de notre recherche, car cet ouvrage rassemble des notes, des articles, des témoignages et des lettres - en particulier Lettre à un otage - qui traitent également des questions liées à la guerre, comme son titre l'indique. Ainsi, on a voulu démontrer comment sa production littéraire réfléchit les questions politiques et sociales de la période en question, soulignant la situation critique de la France à l'époque, ce qui suggère l'interdiction de ses livres au cours de cette phase, considérée comme l'une des plus cruelles de l'histoire de l'humanité. On a réfléchi encore sur les éléments caractéristiques de cette phase de guerre dans la vie de l'auteur, présents dans son écriture, tels quels l'enfance, la responsabilité, l'exil et l'engagement / Doutor

Orientador: Norma Wimmer / Banca: Giséle Manganelli Fernandes / Banca: Regina Maria Salgado Campos / Abstract: This thesis analyzes Book VI of L’ Île des pingouins (1908), by Anatole France (1884-1924). In the novel, French society is satirically represented by a group of penguins metamorphosed into men after having being mistakenly baptized by the old apostle Mael, who mistook the birds for short men. The novel is divided into eight sections called "books", in order to make them look like the sacred books. The sixth book is about the Dreyfus Case (1894-1906), a case of espionage known as one of the greatest judicial errors of modern history. Capitan Alfred Dreyfus, accused of having handed in military secrets belonging to the French artillery army to the German army, was arrested and deported to the Devil’s Island, where he stayed for five years, until his process was reviewed and the real spy was found out. In L’ Île des pingouins, the Dreyfus Case is represented in a parodical way by the "Pyrot Case", in which a penguin official is unfairly accused of having handed in eighty thousand bales of hay to the porpoise enemy army. Through laughter, the reader realizes the narrator’s disenchantment: the presentation of the characters as caricatures, the satire in relation to history and the positive method shows, however, a pessimistic view of the origin of the universe, of mankind and its history. Therefore, the objectives of this thesis are: i) to verify how the Dreyfus Case is recovered in Book VI of the novel, whose title is "Modern Times - The Case of the Eighty Thousand Bales of Hay", by studying the effects of the usage of parody, hyperbole, and caricature in order to satirize historical figures, social institutions (such as the Church, the army, the government) and even the end of the Case; ii) to analyze the means used by the novelist to give his critical rereading of history an aesthetic feature, by examining how the writer gives literariness to historical facts, transforming them into parts of his novel. / Mestre

Made available in DSpace on 2014-06-11T19:29:49Z (GMT). No. of bitstreams: 0 Previous issue date: 2007-02-27Bitstream added on 2014-06-13T20:20:11Z : No. of bitstreams: 1 fraga_d_me_sjrp.pdf: 2495044 bytes, checksum: a863d74cd7df7dec8496157ee14ed1b8 (MD5) / Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq) / This thesis analyzes Book VI of L Île des pingouins (1908), by Anatole France (1884-1924). In the novel, French society is satirically represented by a group of penguins metamorphosed into men after having being mistakenly baptized by the old apostle Mael, who mistook the birds for short men. The novel is divided into eight sections called books, in order to make them look like the sacred books. The sixth book is about the Dreyfus Case (1894-1906), a case of espionage known as one of the greatest judicial errors of modern history. Capitan Alfred Dreyfus, accused of having handed in military secrets belonging to the French artillery army to the German army, was arrested and deported to the Devil s Island, where he stayed for five years, until his process was reviewed and the real spy was found out. In L Île des pingouins, the Dreyfus Case is represented in a parodical way by the Pyrot Case, in which a penguin official is unfairly accused of having handed in eighty thousand bales of hay to the porpoise enemy army. Through laughter, the reader realizes the narrator s disenchantment: the presentation of the characters as caricatures, the satire in relation to history and the positive method shows, however, a pessimistic view of the origin of the universe, of mankind and its history. Therefore, the objectives of this thesis are: i) to verify how the Dreyfus Case is recovered in Book VI of the novel, whose title is Modern Times - The Case of the Eighty Thousand Bales of Hay, by studying the effects of the usage of parody, hyperbole, and caricature in order to satirize historical figures, social institutions (such as the Church, the army, the government) and even the end of the Case; ii) to analyze the means used by the novelist to give his critical rereading of history an aesthetic feature, by examining how the writer gives literariness to historical facts, transforming them into parts of his novel.