abstract: Emerging in the late 1960s, the Free Clinic Movement represented an attempt to provide equitable, accessible, and free health care to all. Originally aimed at helping drug addicts, hippies, and runaways, free clinics were community-led organizations that ran solely on donations and volunteers, and were places where “free” meant more than just monetarily free - it meant free from judgment, moralizing, or bureaucratic red tape. This dissertation is an institutional history of the Los Angeles Free Clinic (LAFC), which, as a case study, serves to illustrate the challenges and cooperation inherent in the broader Free Clinic Movement. My project begins by investigating the links between the Free Clinic Movement and aspects of Progressive era reform, health care policy, and stigmatization of disease. By the 1960s, the community health centers formed under Lyndon Johnson, along with the growth of the New Left and Counterculture, set the stage for the emergence of the free clinics. In many ways, the LAFC was an anti-Establishment establishment, walking a fine line between appealing to members of the Counterculture, and forming a legitimate and structurally sound organization. The central question of this project is: how did the LAFC develop and then grow from a small anti-Establishment health care center to a respected part of the health care safety net system of Los Angeles County? Between 1967 and 1975, the LAFC evolved, developing strong ties to the Los Angeles County Department of Health, local politicians, and even the Los Angeles Police Department (LAPD). By 1975, as the LAFC moved into a new and larger building, it had become an accepted part of the community. / Dissertation/Thesis / Doctoral Dissertation History 2016

abstract: In the 1930s, with the rise of Nazism, many artists in Europe had to flee their homelands and sought refuge in the United States. Austrian composer Hanns Eisler who had risen to prominence as a significant composer during the Weimar era was among them. A Jew, an ardent Marxist and composer devoted to musical modernism, he had established himself as a writer of film music and Kampflieder, fighting songs, for the European workers' movement. After two visits of the United States in the mid-1930s, Eisler settled in America where he spent a decade (1938-1948), composed a considerable number of musical works, including important film scores, instrumental music and songs, and, in collaboration with Theodor W. Adorno, penned the influential treatise Composing for the Films. Yet despite his substantial contributions to American culture American scholarship on Eisler has remained sparse, perhaps due to his reputation as the "Karl Marx in Music." In this study I examine Eisler's American exile and argue that Eisler, through his roles as a musician and a teacher, actively sought to enrich American culture. I will present background for his exile years, a detailed overview of his American career as well as analyses and close readings of several of his American works, including three of his American film scores, Pete Roleum and His Cousins (1939), Hangmen Also Die (1943), and None But the Lonely Heart (1944), and the String Quartet (1940), Third Piano Sonata (1943), Woodbury Liederbüchlein (1941), and Hollywood Songbook (1942-7). This thesis builds upon unpublished correspondence and documents available only in special collections at the University of Southern California (USC), as well as film scores in archives at USC and the University of California, Los Angeles. It also draws on Eisler studies by such European scholars as Albrecht Betz, Jürgen Schebera, and Horst Weber, as well as on research of film music scholars Sally Bick and Claudia Gorbman. As there is little written on the particulars of Eisler's American years, this thesis presents new facts and new perspectives and aims at a better understanding of the artistic achievements of this composer. / Dissertation/Thesis / M.A. Music 2013

In film, the construction of Los Angeles as a character has been defined through a series of specific theories that have seemingly misrepresented the unique and diverse nature of the city. Broken into two discussions, my paper will attempt to address 1) the way in which urbanization has influenced the landscape of the city of Los Angeles and how the creation of a heavy materialist culture in Amy Heckerling’s Clueless, the illusionary nature of Hollywood in Billy Wilder’s Sunset Boulevard, and corruption and abuse of power within the LAPD in Curtis Hansen’s L.A. Confidential manifest themselves as products of the this process and 2) the dominant narratives and themes that have been used to construct Los Angeles as a character in film.

Les historiens de l’environnement s’attachent à déchiffrer les modes de relation entre l’homme et la nature aux Etats-Unis. La manière dont elle est définie conditionne les politiques environnementales, et donc contribue à la transformation matérielle du continent. Cinq traditions de la pensée environnementale américaine sont décrites : la nature comme ressource transformée par le travail ; le préservationnisme ; le conservationnisme ; l’écologie ; et la justice environnementale. Ces idées perdurent au XXIème siècle dans les discours construits au sujet de la nature : elles se juxtaposent ou se confrontent. L’objectif de ce travail est de savoir si elles se transforment, en évoluant vers une définition de la relation homme/nature comme hybride socionaturel. À cette fin, trois cas sont étudiés, tous situés dans la région de Los Angeles au début des années 2000. Le premier concerne le ranch Tejon, dont l’accord passé en 2008 entre associations de protection de la nature et propriétaires pose la question du sens donné à une préservation qui veut prendre en compte les aspects à la fois écologiques, mythiques et économiques de ce territoire, vestige du passé de l’Ouest. Le second se rapporte à la décision prise en 2007 par la ville de Los Angeles de revitaliser son fleuve et fournit un exemple de l’élargissement de la définition de la nature : celle-ci peut être urbaine. Enfin, troisième cas, la justice environnementale appliquée à la ferme communautaire de South Central Los Angeles, entretenue de 1994 à 2006, est signe de la transition de la pensée de la nature américaine d’un objet délimité dans l’espace vers une problématique mondiale. / Environmental historians have worked at redefining the modes of relationship between man and nature in the United States. The way this relation is defined conditions environmental politics, and therefore contributes to the material transformation of the continent. Five major trends of thought about nature are described: nature as a resource transformed by work ; preservationism ; conservationism ; ecology ; and environmental justice. Those ideas endure to this very day in the discourses constructed about nature: they either juxtapose or confront each other. The goal of this thesis is to understand whether they undergo a transformation, evolving towards a definition of the man/nature relationship as a socionatural hybrid. To this end, three cases are examined here, all of which are connected with the Los Angeles area in the early 2000s. The first concerns Tejon Ranch and the agreement passed in 2008 about Tejon Ranch between environmental associations and the owners : it poses the question of the meaning given to a preservation that would incorporate ecological, mythical and economic aspects of that territory, a remain of the Western past. The second deals with the decision that was made in 2007 by the City of Los Angeles to revitalize its river and offers a good example of the broadening of the definition of nature: it can also be urban. The ecological and cultural preoccupations about the river complicate the conservation problematic in Southern California. Finally, South Central Farm’s environmental justice case (1994-2006) is the sign of a transition in American environmental ideas from a clearly spatially limited object to a world issue.

No description available.

This senior thesis in Environmental Analysis compares critical infrastructure pieces in Tokyo and Los Angeles, on three discrete levels, with a particular focus on the pedestrian experience. As global population grows, with more people projected to live in urban cities more than ever, it is critical that we re-evaluate how we think about and “do” city-planning. Following Jane Jacobs’ theoretical framework, this thesis dissects what urban greenspaces, city neighborhoods, and sidewalks look like in LA and Tokyo. It analyzes, for each proxy, how two of the world’s most “developed” and largest cities have developed into the current landscape. Historical, cultural, economic, and political legacies matter, and a comprehensive evaluation of the three proxies in context of these legacies are recommended for more pedestrian-friendly city planning in rising metropolises.

Cette thèse s'intéresse à quatre projets non construits du groupe d'architectes angeleno Morphosis. Ces quatre projets n'existent que par les maquettes et les dessins qui les représentent, ainsi que par les artefacts conceptuels auxquels ils sont liés ; ils témoignent d'un paroxysme de complexité géométrique et d'un raffinement dans la production graphique, deux caractéristiques du travail des Californiens par lesquelles ils se feront connaître sur la scène internationale à la fin des années 1980. Ces quatre projets – les Malibu, 6th Street, Reno & Was Houses – sont devenus iconiques par la couverture médiatique dont ils ont bénéficié à l'époque, bien que Morphosis les ait présentés sans explications, ou presque. L'ambition de cette recherche est donc de décoder les mécanismes compositionnels et représentationnels à l'oeuvre dans ces projets et dans ces artefacts conceptuels souvent complexes et cryptiques, de façon à exposer les principes à l'oeuvre dans leur écriture architecturale sophistiquée. Pour ce faire, cette recherche dépossède temporairement Morphosis de son statut d'Auteur, et s'empare des objets du corpus afin d'en proposer une lecture interprétative, d'en extirper un propos architectural dont ces objets seraient porteurs, mais que Morphosis n'a jamais explicité comme tel. Les moyens que se donne cette recherche pour mener ces investigations sont principalement des procédés opérationnels basés sur les outils canoniques de la discipline architecturale : la manipulation des systèmes projectifs augmentée des techniques graphiques contemporaines. Il s'agira donc de décrire des objets architecturaux n'existant que dans la représentation graphique, en mobilisant précisément la représentation graphique. Les deux objectifs principaux de cette recherche sont monographiques et méthodologiques. En ce qui concerne les objectifs monographiques, il s'agit de rendre accessible et didactique des procédés de compositions basés sur la systémique et la complexité ostentatoire qui ont fait la marque de fabrique de Morphosis, et de comprendre notamment en quoi les objets du corpus, engendrés par les moyens traditionnels anticipent le courant architectural dit numérique de la décennie qui va suivre. En ce qui concerne les objectifs méthodologiques, il s'agit de mettre au point une méthode d'investigation procédant d'une transposition des outils opérationnels de la conception architecturale dans un contexte analytique ; une méthode faite d'itérations récurrentes empruntant les chemins parfois intuitifs de l'architecte-concepteur, mais dans une démarche d'observation a posteriori, rigoureuse et référencée, en vue de la construction d'un nouveau corpus de connaissances. / Doctorat en Art de bâtir et urbanisme (Architecture) / info:eu-repo/semantics/nonPublished

This quantitative study explored the impact of the Family Self-Sufficiency (FSS) program on welfare dependency over time, by evaluating participant income 5 years after completing the FSS program. The study was guided using the framework of the Personal Responsibility and Work Opportunity Reconciliation Act, which initiated welfare reform in an effort to decrease dependency on government assistance; and the Quality Housing and Work Responsibility Act, the law that initiated Public housing reform by reducing the high concentration of poverty. The research question examined whether the FSS Program in Los Angeles County reduced dependency on welfare overtime. The sample size for this study included 256 participants who received housing assistance payments from the Los Angeles County Housing Authority between 2010 and 2019. The results of this study demonstrate that Los Angeles County FSS program graduates are indeed, self-sufficient over time, thus reducing dependency on welfare. Implications for positive social change imply that cities across the nation could experience a decrease in poverty while benefiting from increased tax revenue resulting from higher employment rates. Working adults tend to be less prone to crime if they are making decent wages that can provide for their family.

Hypertension presents a significant health risk to both developed and developing countries, affecting approximately 78 million Americans of various ethnic backgrounds. Though a great deal of research about hypertension and minority groups has been published, few studies have examined hypertension in the Armenian American population in the Los Angeles area, one of the most concentrated Armenian American communities in the United States. The purpose of this study was to examine the differences in health promotion behavior between hypertensive and normotensive Armenian Americans. The theoretical basis for this study was Pender's health promotion model and the health promoting lifestyle profile (HPLP-II), which is used to measure 6 different subscales of health promotion behavior. A quantitative approach was used to examine the relationship between hypertensive status and health promotion behavior. With a sample size of 204, this study found that while there was no significant difference in overall HPLP-II scores, the normotensive group scored higher on physical activity (p = 0.001) and stress management (p = 0.004). These differences remained significant even when controlling for body mass index (BMI). Additionally, the study found high smoking rates and elevated BMI across both samples. These results suggest that interventions that target stress management and physical activity and use the cultural strengths of interpersonal relationships and spiritual growth may be the most effective. This information may be used as a foundation in future interventional studies and may create significant social change by decreasing hypertension among the Armenian American population and increasing awareness of risk factors and prevention.

"In From Eden to Dystopia: An Ecocritical Examination of Emergent Mythologies" "in Early Los Angeles Literary Texts, ecocriticism and critical regionalism were utilized" "alongside other American Studies practices to analyze nineteenth- and early-twentieth-" "century depictions of nature in Los Angeles. Specifically, these tools were applied to" "travel guides and narratives of the 1870s and 1880s, the turn-of-the-century magazine" "The Land of Sunshine, Upton Sinclair’s Oil! (1926) and Raymond Chandler’s The Big" "Sleep (1939), and other non-fiction publications of the 1920s and ’30s to track an" "evolving narrative of Los Angeles as a paradise and later as a place perched on the edge" "of ecological ruin. Key themes included nature as aesthetic or health-related amenity vs." "exploitable resource, along with both subtle and overt class- and race-based" "environmental exclusions. The chief aim of this thesis was to elucidate how Los Angeles" "went from a “new Eden for the Saxon home-seeker” to the place where its river was" "paved with cement and virtually forgotten for decades. This thesis concluded that with" "the Los Angeles River’s recent revitalization efforts, there could be future gains made for" "other aspects of the city’s environment, with the hope that uncovering past idea-shaping" "narratives of nature in Los Angeles may help illuminate how current ideas of Los" "Angeles as a place without nature came to be and how that city-versus-nature dichotomy" "can be both damaging and false."