This thesis is an exploration of the novella The Malady of Death by Marguerite Duras and my subsequent production of this book. It covers Duras' history and influences in writing this book while at the same time gives an account of all my directorial attempts with this piece. With regards to Duras, the influence of the nouveau roman writers in the mid twentieth century and her relationship at the time of her writing Malady is discussed. For my part, I divulge my initial exposure to the piece, the previous attempts to stage the work, my latest attempt with extensive research, and finally providing self analysis with regards to this latest production. It is my hope that after reading this thesis the reader will immerse themselves into the world of Duras while at the same time rethink their approach to theater.

The first animal-to-human blood transfusions performed in seventeenth-century England focused on patients suffering from mental diseases such as melancholy. Many physicians diagnosed melancholy as a disease of the body, mind, and soul in which blood played a key role. Philosophy, religion, and folklore helped formulate blood as an elusive yet powerful substance with access to immaterial mind and soul in addition to the body. English physician Richard Lower conducted these first transfusions yet recorded little about his personal theories regarding how melancholy and blood affected the body, mind, and soul. The philosophies of Lower’s colleagues, Thomas Willis and Robert Boyle, provide a new context and reasoning behind Lower’s experiments. Lower, Willis and Boyle’s combined work explains the theory of blood diseases and how blood transfusions could potentially treat mental diseases including melancholy.