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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Heating the reeds : Just intonation and learning the shōHållsten, Mattias January 2022 (has links)
This text outlines recent developments in my artistic practice. The two underlying themes of this work are my intonation practice, with and emphasis on just intonation, as well as the Japanese mouth-organ shō, which I am currently learning to play. The text discusses these topics, along with four of my recent works: Hypothermia for bass drum (2020) for gran cassa and electronics; Stycke för cembalo och elektronik (2021) for harpsichord and electronics; Breathing, bowing (2022) for viola da gamba and electronics; and Solo #1 (2022) for shō and unfiltered sawtooth waves. In these four pieces, I have explored different ways for the electronics to relate to and interact with the respective acoustic instruments with regards to intonation, spectromorphology and timbre. Both the pieces and the two underlying themes have not only been ventures into new aesthetic and technological areas, but they have also shaped my outlook on composition and the relationship between composer and musician. / <p>The presentation refers to my graduation concert, where two of the pieces discussed in this text were presented: <em>Breathing, bowing</em> and <em>Solo #1</em>. Along with these pieces, during the concert a newly composed ensemble piece was presented with me playing the shō alongside Johan Arrias (soprano saxophone), Gard Nergaard (hardingfela) and Vilhelm Bromander (contrabass).</p>
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