Global ETD Search

21	Dynamic holographic masks for adaptive optical lithography Bay, Christoph January 2012 (has links) No description available. 620
22	Rio Mayo Pascola masks: a study in style Griffith, James S. January 1967 (has links) No description available. Mayo Indians. Indian masks -- Mexico
23	Bimetallic thermal resists for photomask, micromachining and microfabrication / Tu, Richard Yuqiang. January 1900 (has links) Thesis (Ph.D.) - Simon Fraser University, 2004. / Theses (School of Engineering Science) / Simon Fraser University.
24	Masks and social organization among the Bakwele people of Western Equatorial Africa Siroto, Leon, January 1969 (has links) Thesis--Columbia University. / Photocopy of typescript. Ann Arbor, Mich. : University Microfilms International, 1979. -- 21 cm. Includes bibliographical references (leaves 315-326). Masks, African Kwiri (African people)
25	Generalized inverse lithography methods for phase-shifting mask design Ma, Xu. January 2007 (has links) Thesis (M.E.E.)--University of Delaware, 2007. / Principal faculty advisor: Gonzalo Arce, Dept. of Electrical and Computer Engineering. Includes bibliographical references.
26	Masks and Sartre's Imaginary: Masked Performance and the Imaging Consciousness Tims, William Keith 20 April 2007 (has links) The use of masks in performance and actor training is often linked to the imagination, but there is seldom discussion of the nature of this imaginary link. Using the philosophy of Jean-Paul Sartre (most especially his work The Imaginary) and the writings of modern mask theorists, this dissertation examines the relationship between masks and the imaging consciousness in both masked actors and the audiences who observe them. We discover that a mask is an analogon for an Other and that a mask authorizes games of identity which play out imaginatively in the performance milieu. In fact, generally speaking, a mask in performance is apprehended in a more imaginative way than a non-masked performance. Further than this, the mask illustrates the basic nature of the human consciousness and identity espoused by Sartre: that who we are is not a product of our psychology, but rather, the product of our imaginations and our choices. The dissertation concludes by suggesting that masks point to an alternative approach to character creation which likewise rejects psychology, and instead relies on physicality, abstraction, and ambiguity, all of which are essential to activating the imaging consciousness. Masks Performance Sartre Imaginary Movement Ambiguity Communication
27	Photoresist modeling for 365 nm and 257 nm laser photomask lithography and multi-analyte biosensors indexed through shape recognition Rathsack, Benjamen Michael. January 2001 (has links) Thesis (Ph. D.)--University of Texas at Austin, 2001. / Vita. Includes bibliographical references. Available also from UMI Company.
28	Development and characterization of advanced electron beam resists Agrawal, Ankur 08 1900 (has links) No description available. Lithography Integrated circuits masks Photoresists Electron beam
29	The use of edge gradient analysis on chrome and emulsion photomasks to determine modulation transfer functions / Levin, Marcy E. January 1985 (has links) Thesis (B.S.)--Rochester Institute of Technology, 1985. / Typescript. Includes bibliographical references (leaves 35-36).
30	The impact of a clear versus opaque personal protective face mask on pediatric dental patients Powers, Nancy A. January 1997 (has links) Thesis (Ph. D.)--Pacific Graduate School of Psychology, 1997. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

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