• Refine Query
  • Source
  • Publication year
  • to
  • Language
  • 17
  • 12
  • 3
  • 1
  • 1
  • Tagged with
  • 34
  • 34
  • 34
  • 12
  • 12
  • 6
  • 6
  • 6
  • 5
  • 4
  • 4
  • 4
  • 3
  • 3
  • 3
  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
31

Assimilation of Baroque and Classical Essence with Romantic Sentiment: a Structural Analysis of Felix Mendelssohn-Bartholdy's Sonata in C Minor for Organ, Opus 62, No. 2

Chou, Kwong-Yan Godwin 12 1900 (has links)
The purpose of this study is to examine Sonata No. 2 in detail from many analytical perspectives including melodies, rhythms, harmonic progressions, tonal plans, voice leading, and cadential patterns on macro- and micro-levels. It is believed that a more in-depth discussion of the composition from the perspective of harmony and voice leading may provide answer for the questions raised, and correct some misinterpretations in the works of certain writers. Furthermore, through analysis of Sonata No. 2. this study will show the relationship of the use of formal, stylistic, harmonic features between Mendelssohn and other composers of the eighteenth and nineteenth centuries.
32

Zum Ersten, zum Zweiten, zum Dritten: Mendelssohn-Autographe kehren nach Leipzig zurück

Sieblist, Kerstin, Wiermann, Barbara 05 October 2010 (has links)
Bei der Auktion „Music and continental books and manuscripts“ in London bei Sotheby’s wurden von der Leipziger Hochschule für Musik und Theater und dem Stadtgeschichtlichen Museum Leipzig zwei seltene Mendelssohn-Autographe erworben. Die Bibliothek der Hochschule für Musik und Theater Leipzig verfügt über eine Sondersammlung zur Geschichte des Hauses, die verschiedene Dokumente zu Mendelssohns Wirken umfasst. Daher passten die angebotenen Objekte in der Auktion in London in den Sammlungskontext der Leipziger Institution.
33

The Serpent and Ophicleide as Instruments of Romantic Color in Selected Works by Mendelssohn, Berlioz and Wagner

Morgan, Richard Sanborn 12 1900 (has links)
Traditional scholarship has stated that the serpent and ophicleide (as well as their successor, the tuba) were developed and added to the standard orchestra to add a bass voice to the brass, allowing a tonal compass to match a similar downward expansion in the strings and woodwinds. A closer reading of the earliest scores calling for these instruments reveals a more coloristic purpose, related to timbre as much as to compass. Indeed, the fact that composers rarely wrote for serpent and ophicleide makes two points: it proves them to be inadequate choices as a brass bass, and when they were called for, they had an expressive, often descriptive purpose. Despite his conservative musical education supervised by Carl Friedrich Zelter, the seventeen-year-old Mendelssohn, under the influence of A. B. Marx, used the Corno inglese di basso, an upright version of the serpent, in his Overture to A Midsummer Night's Dream to give a more rustic flavor to Bottom's ass-braying. Even when the English bass horn functioned as a bass voice, it was playing in contexts that were descriptive, where it often demonstrated its musical inadequacy. Berlioz's descriptive writing for the serpent and ophicleide are well known. A remarkable feature which Symphonie fantastique shares with works by the other composers is the confidence Berlioz showed in the ophicleide's functional independence by occasionally giving it an arpeggiated figure while the rest of the orchestra sustains the chord. Wagner's writing for the serpent and ophicleide in Rienzi follows the less imaginative conventions of French grand opera. In Der fliegende Holländer the ophicleide, while not used as descriptively as Mendelssohn and Berlioz, nevertheless contributes significantly to Wagner's emerging focus on the inner lives of his characters and expressive commentary on the stage action. Tubists should consider the expressive implications and the unique timbre of these instruments when performing works originally written for the forerunners of the tuba.
34

Die „Sammlung Elvers“ im Stadtgeschichtlichen Museum Leipzig: Glücksfall für die Musikstadt

Sieblist, Kerstin 15 June 2011 (has links)
Im März 2011 ist dem Stadtgeschichtlichen Museum Leipzig eine der wohl größten Privatsammlungen zu Felix Mendelssohn Bartholdy übergeben worden – die Sammlung des ehemaligen Leiters der Musikabteilung der Staatsbibliothek zu Berlin Dr. Rudolf Elvers. Der 1924 geborene und in Berlin lebende Musikwissenschaftler war ein leidenschaftlicher und talentierter Sammler; er hat über Jahrzehnte hinweg als Privatmensch rund 480 Bücher, 500 Notendrucke und etwa 380 Autographen von und zu Mendelssohn systematisch und mit großem Geschick zusammengetragen. Dass dieser Bestand nun in Leipzig ist, darf als Glücksfall für die Musikstadt gesehen werden.

Page generated in 0.0922 seconds