研究著的：在馮夢龍的小說方面，有些人已經研究過，然而戲曲方面的研究仍相當欠 缺•馮夢龍在戲曲導演上的成就在當時劇壇頗為特出，他十分注重劇場上的實際搬演 ，對排場、音律、演員演技、舞台美術，乃至效果的利用等，投注莫大的苦心•本文 即研究他的戲曲理論並分析內容與技巧• 研究文獻：本文所採取之資絡來源，乃雙雄記、墨憨齋定本傳奇，南詞新譜，中原音 韻及其他馮夢龍之著作，以此為主要研究文獻． 研究方法：此可分為二點來說明．一、為從馮夢龍之傳奇及其他馮夢龍之著作，研究 他的戲劇理論．二、為分析雙雄記的內容及技巧；而且對照其分析內容與他的戲劇理 論． 研究內容及研究結果：第一章，緒論，本章記敘傳奇之名稱及形式，並介紹明代戲劇 搬演•第二章，討論馮夢龍之生平與著作•第三章，分析馮夢龍之戲劇理論•馮夢龍 很關心劇場上的實際情況．這是在當時劇壇上頗為特出的•此處分為創作論、聲律論 、演出論來說明他的戲劇理論•第四章，雙雄記在劇本文學上之成就，此處說明成劇 時代、劇情概要、劇情主題及劇中人物•他企圖利用戲劇的諷喻，以回復社會的正常 •郎雙記之主題為「義俠、忠節」•第五章，雙雄記在劇場藝術上的成就•此章分析 雙雄記之結構、音律、辭藻、雙雄記中之科介與砌末，而且說蒙劇本中之動作表情的 提示，歌舞雜伎的穿插•第六章，結論，透過上文之研討，討論雙雄記之評價及馮夢 龍在劇壇上之成就•

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Wu Wen-ying is not only an undoubtedly important figure in the history of ci poetry, but also a controversial ci poet. Since the late song dynasty, reviewers have been having different opinions about Wu Wen-ying's ci poetry, praising or criticizing. It is a special phenomenon in the history of ci criticism. This issue is worthy of further exploring both in the work itself, reader response, etc. Therefore, in this dissertation the author uses Wolfgang Iser¡¦s ¡§artistic¡¨ and ¡§aesthetic¡¨ concepts to discuss text and the reader response, researching in the art form of Wu Wen-ying's ci poetry and the reviewers¡¦ criticism. Since the latter involves the reader responses in different times, this dissertation further elaborates through Hans Robert Jauss¡¦ concepts of ¡§horizon of expectation¡¨ and ¡§reception history.¡¨ As for the art form, this dissertation discusses two parts in Wu Wen-ying's ci poetry, ¡§the organization of writing¡¨ and the ¡§diction,¡¨ in order to explore the nature of its art form. The structure and composition of ¡§the organization of writing¡¨ and the ¡§diction¡¨ are relevant to the overall organization and each word in the text; Therefore, in ¡§the organization of writing¡¨, it will research in the ¡§design of time and space¡¨ and the ¡§arrangement of fiction and reality.¡¨ As for the ¡§diction¡¨ is concerned, the creative approach is analyzed by the ¡§image,¡¨ ¡§allusion,¡¨ ¡§substitute word,¡¨ and so on, and their possible impacts on reading. Moreover, regarding the history of ci criticism, this dissertation shows the criticism of Wu Wen-ying's ci poetry by ci poetry schools and ci poet groups in different times, through ¡§synchronic¡¨ and ¡§diachronic¡¨ approach and Hans Robert Jauss¡¦ concept of ¡§reception history.¡¨ After discussing ci poets¡¦ criticism, the other chapter of this dissertation will further examine on why Wu Wen-ying's ci poetry is so controversial. Each ci poetry school has different aesthetic orientation and horizon of expectation which affect its criticism. Thus, in this chapter there is further discussion about the reasons through ¡§review standards¡¨ and ¡§reading mode.¡¨ Finally, the conclusion summarizes the preceding three parts, the art form, reviewers¡¦ criticism on Wu Wen-ying's ci poetry, and the reason why Wu Wen-ying's ci poetry is controversial.

Confuscious thoughts is one of the most important knowledge in the Chinese philosophy, and does certainly has a profound influence in the Chinese culture and its political thoughts. Kong Zi, Meng Zi and Xun Zi took turn in completing the courtier morality respectively. This thesis found out that virtue and ceremony is shared among the 3 philosophers as the common goal and mission in politics. However, due to the different era and environment that the 3 philosophers were in, each of the 3 philosophers had different concentration on the same issue, and therefore resulting in differences in their beliefs. Research allows us to have a deeper understanding of the core contents, and also shows us that in the same school of thoughts, there can be different perspectives in it. With this, it helps us to have a better understanding of Confuscious influence in the political area.

Thesis (M. Phil.)--Hong Kong University of Science and Technology, 2004. / Includes bibliographical references (leaves 141-148). Also available in electronic version. Access restricted to campus users.

Thesis (Ph.D.)--University of Michigan, 1982. / Includes bibliographical references.

University of Macau / Faculty of Social Sciences and Humanities / Department of English

This dissertation is focus¡qCuo Zhan CuiNing¡r¡mShuang Xiong Meng¡n¡qPoXiaoShief¡rThose three story¡¦s text are used¡uShi Wu Guan¡v for subject matter, differentiate narrate model, personage molding and idea of theme three parts for base to discuss.And use a method of ¡§conclusion to collect¡¨ compare to analyse. In the same time, By way of this theme¡¦s to compare, let us to clarify some question in tradition and evolve. In the narrate model,¡qCuo Zhan CuiNing¡r¡mShuang Xiong Meng¡nuse overtop for outside field of vision in this story, but¡qPoXiaoShief¡rjust use Lao San¡¦s observe for this point of view. Besides¡qCuo Zhan CuiNing¡ruse different to mess in a narrator, let this theme pervade dense deliver a sermon implication. But ¡mShuang Xiong Meng¡nand¡qPoXiaoShief¡rare use the same narrator give rise sympathetic emotions, let two texts full more sympathetic.¡qPoXiaoShief¡r use flashback statement technique let story copious. Unique statement and slow statement step is the characteristic of this story. In the main from ¡qCuo Zhan CuiNing¡rto¡qPoXiaoShief¡r,the narrate model also from single to various. In the personage model,¡qCuo Zhan CuiNing¡rin personage model is major match the story plot, belong E.M. Forster mean¡uflat character¡v. Zhu Su Chen form looks and character to describe, mold role to different style, but he ignore the personage character, let¡mShuang Xiong Meng¡nthis story¡¦s personage describe to perfection, can not call perfect¡uround character¡v. Zhu Xi Ning major inherent to describe personage character. From E.M. Forster theory to view, ¡qPoXiaoShief¡r we can say almost ¡uround character¡v. Make a comprehensive to those three stories we can found from exterior describe change to inherent describe. In the subject thinking, ¡qCuo Zhan CuiNing¡r most clear to see is¡uspeak and act cautiously life philosophy¡v and¡utradition of retribution for sin¡v. Except an official related topic are three texts highlight.¡qPoXiaoShief¡rexcept had ¡uShi Wu Guan¡vstory, and enter into Lao San¡¦s plot, open another topic for concerned humanity, and the same time confer center of gravity from people face on environment to people this topic. This series of¡qCuo Zhan CuiNing¡r is the prototype of statement works, in the change course the theme thinking from reflect live actual state to concerned humanity and people.

Thesis (M. Phil.)--Hong Kong University of Science and Technology, 2004. / Includes bibliographical references (leaves 132-137). Also available in electronic version. Access restricted to campus users.

Tse, Hiu Hin. / Thesis M.Phil. Chinese University of Hong Kong 2014. / Includes bibliographical references (leaves 162-169). / Abstracts also in Chinese. / Title from PDF title page (viewed on 15, September, 2016).