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Wu Wen-ying is not only an undoubtedly important figure in the history of ci poetry, but also a controversial ci poet. Since the late song dynasty, reviewers have been having different opinions about Wu Wen-ying's ci poetry, praising or criticizing. It is a special phenomenon in the history of ci criticism. This issue is worthy of further exploring both in the work itself, reader response, etc. Therefore, in this dissertation the author uses Wolfgang Iser¡¦s ¡§artistic¡¨ and ¡§aesthetic¡¨ concepts to discuss text and the reader response, researching in the art form of Wu Wen-ying's ci poetry and the reviewers¡¦ criticism. Since the latter involves the reader responses in different times, this dissertation further elaborates through Hans Robert Jauss¡¦ concepts of ¡§horizon of expectation¡¨ and ¡§reception history.¡¨ As for the art form, this dissertation discusses two parts in Wu Wen-ying's ci poetry, ¡§the organization of writing¡¨ and the ¡§diction,¡¨ in order to explore the nature of its art form. The structure and composition of ¡§the organization of writing¡¨ and the ¡§diction¡¨ are relevant to the overall organization and each word in the text; Therefore, in ¡§the organization of writing¡¨, it will research in the ¡§design of time and space¡¨ and the ¡§arrangement of fiction and reality.¡¨ As for the ¡§diction¡¨ is concerned, the creative approach is analyzed by the ¡§image,¡¨ ¡§allusion,¡¨ ¡§substitute word,¡¨ and so on, and their possible impacts on reading. Moreover, regarding the history of ci criticism, this dissertation shows the criticism of Wu Wen-ying's ci poetry by ci poetry schools and ci poet groups in different times, through ¡§synchronic¡¨ and ¡§diachronic¡¨ approach and Hans Robert Jauss¡¦ concept of ¡§reception history.¡¨ After discussing ci poets¡¦ criticism, the other chapter of this dissertation will further examine on why Wu Wen-ying's ci poetry is so controversial. Each ci poetry school has different aesthetic orientation and horizon of expectation which affect its criticism. Thus, in this chapter there is further discussion about the reasons through ¡§review standards¡¨ and ¡§reading mode.¡¨ Finally, the conclusion summarizes the preceding three parts, the art form, reviewers¡¦ criticism on Wu Wen-ying's ci poetry, and the reason why Wu Wen-ying's ci poetry is controversial.

Confuscious thoughts is one of the most important knowledge in the Chinese philosophy, and does certainly has a profound influence in the Chinese culture and its political thoughts. Kong Zi, Meng Zi and Xun Zi took turn in completing the courtier morality respectively. This thesis found out that virtue and ceremony is shared among the 3 philosophers as the common goal and mission in politics. However, due to the different era and environment that the 3 philosophers were in, each of the 3 philosophers had different concentration on the same issue, and therefore resulting in differences in their beliefs. Research allows us to have a deeper understanding of the core contents, and also shows us that in the same school of thoughts, there can be different perspectives in it. With this, it helps us to have a better understanding of Confuscious influence in the political area.

Thesis (M. Phil.)--Hong Kong University of Science and Technology, 2004. / Includes bibliographical references (leaves 141-148). Also available in electronic version. Access restricted to campus users.

Thesis (Ph.D.)--University of Michigan, 1982. / Includes bibliographical references.

University of Macau / Faculty of Social Sciences and Humanities / Department of English

This dissertation is focus¡qCuo Zhan CuiNing¡r¡mShuang Xiong Meng¡n¡qPoXiaoShief¡rThose three story¡¦s text are used¡uShi Wu Guan¡v for subject matter, differentiate narrate model, personage molding and idea of theme three parts for base to discuss.And use a method of ¡§conclusion to collect¡¨ compare to analyse. In the same time, By way of this theme¡¦s to compare, let us to clarify some question in tradition and evolve. In the narrate model,¡qCuo Zhan CuiNing¡r¡mShuang Xiong Meng¡nuse overtop for outside field of vision in this story, but¡qPoXiaoShief¡rjust use Lao San¡¦s observe for this point of view. Besides¡qCuo Zhan CuiNing¡ruse different to mess in a narrator, let this theme pervade dense deliver a sermon implication. But ¡mShuang Xiong Meng¡nand¡qPoXiaoShief¡rare use the same narrator give rise sympathetic emotions, let two texts full more sympathetic.¡qPoXiaoShief¡r use flashback statement technique let story copious. Unique statement and slow statement step is the characteristic of this story. In the main from ¡qCuo Zhan CuiNing¡rto¡qPoXiaoShief¡r,the narrate model also from single to various. In the personage model,¡qCuo Zhan CuiNing¡rin personage model is major match the story plot, belong E.M. Forster mean¡uflat character¡v. Zhu Su Chen form looks and character to describe, mold role to different style, but he ignore the personage character, let¡mShuang Xiong Meng¡nthis story¡¦s personage describe to perfection, can not call perfect¡uround character¡v. Zhu Xi Ning major inherent to describe personage character. From E.M. Forster theory to view, ¡qPoXiaoShief¡r we can say almost ¡uround character¡v. Make a comprehensive to those three stories we can found from exterior describe change to inherent describe. In the subject thinking, ¡qCuo Zhan CuiNing¡r most clear to see is¡uspeak and act cautiously life philosophy¡v and¡utradition of retribution for sin¡v. Except an official related topic are three texts highlight.¡qPoXiaoShief¡rexcept had ¡uShi Wu Guan¡vstory, and enter into Lao San¡¦s plot, open another topic for concerned humanity, and the same time confer center of gravity from people face on environment to people this topic. This series of¡qCuo Zhan CuiNing¡r is the prototype of statement works, in the change course the theme thinking from reflect live actual state to concerned humanity and people.

Thesis (M. Phil.)--Hong Kong University of Science and Technology, 2004. / Includes bibliographical references (leaves 132-137). Also available in electronic version. Access restricted to campus users.

Tse, Hiu Hin. / Thesis M.Phil. Chinese University of Hong Kong 2014. / Includes bibliographical references (leaves 162-169). / Abstracts also in Chinese. / Title from PDF title page (viewed on 15, September, 2016).

by Law Wun-sheng. / Title on added t.p.: UDHK and election in Hong Kong : the behavior, strategies and objectives of a political elite group. / Copy 3 contains chapter 6-7. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1992. / Includes bibliographical references (leaves 102-105). / ACKNOWLEDGMENT / INTRODUCTION --- p.1 / Problem and Hypothesis / Data and Methodology / The Setting / Crisis and Opportunity / Elections in1991 / Emergence of UDHK / Chapter CHAPTER 1: --- FOUNDATION OF UDHK --- p.20 / Liberal Groups / A Common Goal / Infrastructure of UDHK / Moral and Contractual Basis / A Party of Populism? / Chapter CHAPTER 2: --- HYBRID OF WESTERN AND CHINESE CULTURES --- p.31 / Descendants of Refugees and Sojourners / Esoteric Socialization of Elite / Christianity and Rationality / Impersonal Standard / Impact of ICAC / Political Fabians / Normative and Pragmatic Rules / Principle of Calculation / Chapter CHAPTER 3: --- ELECTORAL STRATEGIES OF UDHK --- p.51 / Constraints and Restraints / A Mobilization Meeting / Action-set and Quasi-group / Home-visit to Voters / Joint-ticket Strategy / Principle of Reciprocity / Denigration and Negative Campaign / Traditional Strategies / Chapter CHAPTER 4: --- OBJECTIVES OF UDHK --- p.73 / A Greater Democracy in Hong Kong / Legislative Restraints / Universalistic and Particularistic Interests / Prestigious and Pecuniary Goals / The Burden of Chinese Culture / From 'Rose Garden' to 'Rosy China' / Chapter CHAPTER 5: --- CONCLUSION --- p.92 / NOTES --- p.98 / BIBLIOGRAPHY --- p.102 / Chapter APPENDIX I - --- Interview Questionnaire --- p.106 / Chapter APPENDIX II - --- Home-visit Survey Questionnaire --- p.109 / CHRONOLOGY OF MAJOR EVENTS IN HONG KONG --- p.112 / POLITICAL HISTORY