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El ingenioso hidalgo Don Quijote de la ManchaFlammer, Dorothy 01 January 1945 (has links)
No description available.
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The Simplistic Nature of Spanish Rural Society as Reflected in Some Child Characters of Miguel DelibesGentry, George M. 08 1900 (has links)
The major proposition is that the childhood point of view in two Delibes novels--El camino (1950) and Las ratas (1962)--aids the reader's comprehension of the basic values held by rural Spaniards. These values are stressed in both novels, giving the reader an insight into the nature of these simplistic people. Honest, accepting attitudes of the child protagonists aid the reader's understanding of the plight of the villagers.The superiority of the natural way of life is revealed in both novels. Nature became even more important to Delibes as his stature as novelist increased, The later work, therefore, is a social protest against effects of industrial progress on rural Castilians.
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El desarrollo de la creatividad y su relación con la metodología de enseñanza utilizada por la docente de un aula de 5 años en una I.E pública del distrito de San MiguelLuyo Pachas, Grace Maria 29 May 2023 (has links)
La presente investigación, en el contexto de la práctica pre profesional en la modalidad
de distancia, estudia la relación entre el desarrollo de la creatividad y la metodología de
enseñanza utilizada por la docente de un aula de 5 años en una I:E pública del distrito de
San Miguel. El desarrollo de este tema se basa en su importancia por estimular y
desarrollar las capacidades creativas de los infantes, con el objetivo de que desde
temprana edad despierten y generen cambios desde sus entornos. Como parte del
estudio, el objetivo general es determinar la relación que existe entre el desarrollo de la
creatividad y la metodología de enseñanza que utiliza la docente de un aula de 5 años
de una institución educativa pública del distrito de San Miguel. El enfoque de la tesis es
cualitativo y de tipo descriptivo. Por otro lado, las técnicas que se han empleado para la
recolección de información son la observación participante y la entrevista
semiestructurada. Los resultados del estudio muestran la relación entre la metodología
de enseñanza que utiliza la docente y el desarrollo de las capacidades creativas de estos.
Además, hace hincapié en la recomendación para que la docente fomente y aplique otras
estrategias pedagógicas para estimular las hipótesis y resoluciones de problemas en los
niños. / The present research, in the context of distance pre-professional practice, studies the
relationship between the development of creativity and the teaching methodology used by
the teacher of a 5-year-old classroom in a public I: E of the district of San Miguel. The
development of this topic is based on its importance to stimulate and develop the creative
capacities of infants, with the aim that from an early age they awaken and generate
changes from their environments. As part of the study, the general objective is to
determine the relationship between the development of creativity and the teaching
methodology used by the teacher of a 5-year-old classroom of a public educational
institution in the district of San Miguel. The thesis approach is qualitative and descriptive.
On the other hand, the techniques that have been used to collect information are
participant observation and the semi-structured interview. The results of the study show
the relationship between the teaching methodology used by the teacher and the
development of their creative abilities. In addition, it emphasizes the recommendation for
the teacher to promote and apply other pedagogical strategies to stimulate hypotheses
and problem solving in children.
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La Femineizacion de Dios en El Cristo de VelazquezVoyna, Shirley Marion January 1973 (has links)
No description available.
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Malena Tabay : la mujer revolucionaria integral en Los ojos de los enterradosHoward-Egré, Madeleine January 1976 (has links)
No description available.
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S-weakening in the Spanish of San Miguel, El SalvadorTaler, Vanessa. January 1997 (has links)
No description available.
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Displaced consciousness and historical imprisonment in Pirandello’s Enrico IV and Unamuno’s El hermano Juan o el mundo es teatroWadlington, Francesca Magario 09 August 2019 (has links)
The purpose of this work is to explore how Luigi Pirandello’s Enrico IV (1922) and Miguel de Unamuno’s El hermano Juan o el mundo es teatro (1929) utilize metatheatrical strategies to create plays that constantly question the juxtaposition, and yet the fluidity, of reality and fiction. Through a similar existential search, which is guided by a Sartrean psychoanalytic approach, the protagonists endure a transformation that reveals contrasting results: Enrico remains entrapped in his theatrical portrayal of Henry IV. Conversely, Don Juan frees himself from societal restraints that had portrayed him as a trickster through centuries of literary tradition. In these plays, authority becomes an ever-shifting device that persistently moves from the author, to the characters, and finally to the audience, affecting their own freedom, intended in the Sartrean sense, and being.
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The Tragic Sense of Life: The Philosophy of Miguel de UnamunoMorgan, John C. January 1966 (has links)
No description available.
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Las paremias en el Quijote de Cervantes y en el Quijote de AvellanedaCostarelli, Rafael Ernesto 24 May 2019 (has links)
El tema de esta tesis es la relación entre Cervantes y Avellaneda en el plano
paremiológico. El propósito del estudio es realizar un análisis contrastivo y diferencial
entre el Quijote de Cervantes y el de Avellaneda en lo atinente al uso de refranes y
sentencias. / The subjet of this thesis is the relationship betwen Cervantes and Avellaneda in the
paremiological plane. The aim of this book is to make a contrastive analysis with
proverbs and sentences used in the Quixote by Cervantes and by the other writer,
Avellaneda.
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Essai sur la perspective du texte littéraire comme figura : le cas de Miguel de Cervantes et de Gustave FlaubertCozea, Angela January 1990 (has links)
Thèse numérisée par la Direction des bibliothèques de l'Université de Montréal.
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