<p>Rad se bavi istraživanjem poetike kamernih prostora u prozi Milo&scaron;a Crnjanskog, s većim naglaskom na romanima i pripovetkama, ali bez isključivanja putopisnog korpusa dela ovog autora, kao ni esejisitke i novinarskih tekstova u kojima se autor u većoj meri dotakao pomenute teme. Pod kamernim prostorima smo podrazumevali zatvorene prostore u doslovnom smislu &ndash; kuću i okućnicu, sobe, dvori&scaron;ta, zatvorena prevozna sredstva, prolazne prostore hotela i gostionica, zatvorene prostore kafana i institucija, čak i lične prostore grada, odnosno delove grada koji su obojeni intimnom poetikom svakodnevice izabranog pojedinca.<br />Rad je podeljen na dva dela i prvi kraći deo (na putu) opisuje poetiku prolaznih zatvorenih prostora koji imaju veze s putovanjem kao &scaron;to su tranzitni prostori stanica, zatvoreni prostori prevoznih sredstava (vozova, automobila, aviona).<br />Drugi deo rada (ka cilju) podeljen je na tri veća odeljka. Prvi deo istražuje moguće inverzije prostora doma kao &scaron;to su tranzitni prostori hotela i bolnica (kao privremenog doma) ili posebno markirani prostori groblja, vrtova i ogledala. Drugi deo je okrenut urbanim prostorima i ličnim mestima u gradu. Treći deo detaljno istražuje poetiku doma, odnosno kuće, i načine na koji je ona prikazana u prozi Milo&scaron;a Crnjanskog.<br />U radu smo poku&scaron;ali da pokažemo način na koji Crnjanski opisuje prostor i kako je zatvoreni prostor kvalifikovan u odnosu na otvoreni. Istraživali smo i načine na koji se prostor konstitui&scaron;e u samom pripovedanju, odnosno kako je on strukturiran i prikazan u tekstu.</p>

(in English): This diploma thesis deals with the coup of General Miguel Primo de Rivera and his subsequent government from the point of view of Czechoslovak diplomacy. The work is divided into five chapters and a conclusion. The main source of work was the telegrams of Czechoslovak diplomats working in Madrid at the time. The individual chapters deal with the reasons for the coup and other important events during the reign of Primo de Rivera. The aim of the work was to find out how Czechoslovak diplomats perceived the coup and other events in Spain. This reflection of Czechoslovak diplomatic dispatches was compared with historical research.

This thesis titled Analysis of Media Image of Milos Zeman as Portrayed by CTK during the First Year of Presidency focuses on news releases made by Czech News Agency CTK that within the time frame of 8. 3. 2013 - 8. 3. 2014 inform about the President of the Czech Republic Milos Zeman. The goal of this thesis was to aquire a complex media impression of President as presented by CTK's news production. Primarily this thesis inquires into the total number of news releases within particular time periods, their topics and tonality. Secondarily this thesis observes the trends of these phenomenons within a one-year time horizon and the connection and coherence among the aforementioned phenomenons. The basis of this thesis is theoretical context that deals with news releases and pursues media construction of reality in the news. For this research there was used quantitative content analysis with qualitative overlap in form of emotional impression of news releases. As a data resource there was used an aggregate of texts from CTK's infobank. Research proved certain hypothesis, as e.g. a long-term dropping tendency of media interest in President Zeman or a higher number of negatively rather than positively tinted news. The results of this analysis can serve as resources to employees of the press division of the...

The thesis deals with the author's personality and the novels of Miloš Urban. The aim was to map their existing reception, especially with regard to the development and reflection of author's style and appearance of the narrator. With respect that this is the current author and his work is not yet reflected in a separate monographic material consisted the thesis primarily of review works, both published in the literature review journals and those published by the daily press. Work focused on confrontation the perspective of the reviewers and my own critical reading of the author's novels.

ENGLISH SUMMARY In my diploma thesis called The Dramatization of Ivan Olbracht's novel The Bandit Nikolai Shuhai I have concentrated primarily on the adaptation most appreciated by readers as well as, in my opinion, the adaptation of the best quality. In chapter one I focused on Olbracht's novel, precisely on the theme genesis in The Bandit Nikolai Shuhai, which was based on a real-life event. The public responses on the book, which was awarded the state prize for a literary work of art in 1933, are reflected as well. We also deal with blending of the myth with reality, the language and stylistic processing of the novel, and with the main protagonists. Personally, I consider Olbracht's The Bandit Nikolai Shuhai one of the greatest pieces within the Czech literature of 20th century. There are two reasons for which the theme of the novel became a good-quality and favourite basis for further processing: it tells an engaging story of a real-life figure and it is situated in a place which impresses us, Europeans, with enchanting exoticism of its landscape and culture. Chapter two deals with the work of Petr Ulrych which was inspired by Olbracht's novel. Ulrych's first product based on this literary work was a monothematic LP The Bandit Nikolai Shuhai (released in 1974). A year later those thirteen songs were...

My thesis named "Attitude of Czech dailies Lidové noviny, Mladá fronta Dnes and Právo to the first direct Czech presidential election" should confirm or disprove the bias of the three Czech newspapers in the period between the first and the second round of the direct presidential election. The first part of thesis focuses on selected chapters of media, linguistic and semiotic theories regarding bias. It also discusses the process of direct elections and CVs of Karel Schwarzenberg and Miloš Zeman. At first, I used quantitative analysis to determine if the newspapers were balanced and provide comparable space to the both candidates. Then I applied the qualitative analysis to find out what language and semiotic components used the authors from newspapers to inform the public about the candidates of the second round of direct elections. Depending on the findings, I divide the articles into positive, neutral, negative categories for Karel Schwarzenberg and positive, neutral, negative for Miloš Zeman. After the victory of Miloš Zeman the bias was discussed. This thesis should answer the question of whether the three Czech newspapers were biased in favour of Karel Schwarzenberg or Miloš Zeman between the first and the second round of the first direct Czech presidential election.

Synopsis This diploma thesis describes an artistic cooperation of two czech actors Miroslav Horníček and Miloš Kopecký who had been acting together from their beginnings in the Avant-garde Větrník Theatre, the Satira Theatre, the National Theatre and even the ABC Theatre where they started to perform as a comic duo. They brought a humour of the Osvobozené Theatre back to the stage while they set the theatre poetics on, particularly in an improvisational revue called Tvrďák. Their short artistic cooperation finished in Karlín Musical Theatre where were presented both of the author's plays. One of them was standing on the top and the second one on the bottom of spectator's interest. The main focus of my master thesis is based on the analysis of their common productions and on the final appreciation of that artistic duo whose exceptionality mainly consisted of an outstanding acting, a brilliant intelligence and a quick volubility.

This master's thesis is devoted to the changes of Miloš Forman's media image, more precisely how period press noticed both his career and work. Miloš Forman is the most acknowledged and most famous czech film director. His story is connected with story of czech cinematography and story of its changes. The thesis wants to find out, why Forman wasn't destroyed even though he left the country, despite his emigration. It is trying to prove that his media image never been strictly negative and Forman itself never became taboo. Forman's person is beyond all standards. He is proof, that if the work is not strong crtitical against regime, it arouses respect despite all the ideology. He was reflected in the various stages, but still in relatively good light. The thesis examines the perception of the media in three life stages: work in Czechoslovakia before going to the United States, working abroad and finally after the Velvet Revolution. Although Forman has participated in many films, thesis focused only on his feature-length work. And because Miloš Forman is a person who transcends the borders of Czechoslovakia, or the Czech Republic, media abroad reflected his career as well, althought the view there was slightly different from the domestic one.

This diploma thesis is devoted to the changes of Miloš Forman's media image, more precisely how contemporary press perceived both his career and work. Miloš Forman is the most acknowledged and most famous czech film director. His story is connected with story of czech cinematography and story of its changes. The thesis wants to find out, why Forman wasn't defamed even though he left the country, despite his emigration. I am trying to prove that his media image has never been strictly negative and Forman itself never became a taboo. Forman's person is beyond all standards. He is proof, that if the work is not overly crtitical of the regime, it arouses respect despite all the ideology. He was reflected in the various life stages differently, but still in relatively good light. The thesis examines the perception of Miloš Forman by media in three life stages: work in Czechoslovakia before emigration to the United States, working abroad and finally the stage after the Velvet Revolution. Although Forman has participated in many films, this thesis is focused only on his feature-length work. And because Miloš Forman is a person who transcends the borders of Czechoslovakia, or the Czech Republic, media abroad reflected his career as well, although the view there was slightly different from the domestic one.

The presented diploma thesis on the topic Direct election of the President in the Czech media environment aims to clarify how the selected internet news portals (iDnes.cz, iRozhlas.cz, Novinky.cz, Blesk.cz) reported on the second rounds of the direct election of the head of state in years 2013 and 2018. The theoretical part of this work focuses on the definition of theoretical concepts, such as media image, media product or representation. It also deals with the factors of the enactment of the direct election of the president and the resulting impact on society. In the analytical part, articles from selected servers in a specific period will be examined with the help of quantitative content analysis, which should, among other things, clarify how the media decided to approach this new institution.