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Kvinnohistoriskt museum i Umeå : Och varför det behövs / Women’s History Museum in Umeå : And why it is neededLoord, Elin January 2014 (has links)
No description available.
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Awareness, Inclusivity, and Action in Western Historical MuseumsBrown, Sonia Renee 05 1900 (has links)
Dominant narratives in western historical museums often evoke a nostalgia for a Western Frontier that did not actually exist in the United States. Many Western historical museums, in particular, preserve nostalgia of an imagined Western Frontier through narratives of white masculine heroism, by featuring objects and artifacts symbolizing American exceptionalism and conquest, and by developing a sensory experience in exhibits to recreate an idealized time in history. As our understandings of history evolve, it is increasingly more evident that there is a significant need for Western historical museums as knowledge producers to shift narratives in exhibits from the dominant white-settler perspective. An integration of different value systems, cultures, practices, and beliefs in exhibits is possible by incorporating a diversity of thought in the frameworks used to interpret history, through the inclusion of diverse stories, and through creating accessible exhibits to reach a broader public audience.
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Kino im Museum eine Programmplanungsanalyse ausgewählter Museumskinos im deutschsprachigen Raum /Wille, Petra. January 2008 (has links)
Zugl.: Potsdam, Hochsch. für Film und Fernsehen Konrad Wolf, Diplomarbeit, 2008.
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The curator's room visceral reflections from within the museum : exegesis [thesis] submitted to Auckland University of Technology in partial fulfillment of the degree of Master of Art and Design, 2004.Osborne, Michelle. January 2004 (has links) (PDF)
Thesis (MA--Art and Design) -- Auckland University of Technology, 2004. / Also held in print (45 leaves, col. ill., 30 cm.) in Wellesley Theses Collection. (T 709.93 OSB)
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The old stock company school of acting a study of the Boston Museum,Mammen, Edward William, January 1945 (has links)
Thesis (Ph. D.)--Columbia University, 1945. / "Reprinted, with additions, from the January, February, March, April, and May 1944 issues of More books, the bulletin of the Boston Public Library." Bibliography: p. 80-89.
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Can museums save video installation art at the moment of accession? /Arase, Jacqueline Morton. Arase, Jacqueline Morton. January 1900 (has links) (PDF)
Final Project (M.A.)--John F. Kennedy University, 2004. / "August 30, 2004"--T.p. In pocket: A resource guide to accessioning & preserving video installation art, by Jacqueline Morton Arase. Includes bibliographical references (p. 160-166).
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Storage recommendations for three-dimensional rod puppet collections /Gonzalez, Tessa Gunawan. January 2004 (has links)
Final Project (M.A.)--John F. Kennedy University, 2004. / "August 30, 2004"--T.p. Includes bibliographical references (p. 124-127).
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Towards a visitor-friendly guard experience in U.S. art museums /Bruemmer, Lisa M. January 2005 (has links) (PDF)
Final Project (M.A.)--John F. Kennedy University, 2005. / "August 29, 2005"--T.p. Includes bibliographical references (p. 125-133).
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New media art matters : artist perspectives on preservation in museums /Crane, Jennifer E. January 2007 (has links) (PDF)
Final Project (M.A.)--John F. Kennedy University, 2007. / "June 15, 2007"--T.p. Includes bibliographical references (p. 63-67).
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Echt. Unecht. Lebensecht : Menschenbilder im UmlaufLange, Britta January 2006 (has links)
Zugl.: Berlin, Humboldt-Univ., Diss., 2005
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