In New South Wales education, music is a mandated primary school subject incorporated in the key learning area of Creative Arts. In secondary education, music is typically a mandatory Stage 4 subject and an elective subject choice in Stages 5 and 6. School music syllabuses include singing as a performance experience. The methodology and appropriateness of teaching children and adolescents to sing are issues expressed in the literature. Research and scientific based understanding of the voice clearly indicate that care should be taken when teaching singing to developing voices. These reasons, together with the presumption that all students will sing at some stage during their schooling, invoke the primary research questions of “who teaches school singing?”, “what types of school singing are taught?”, “how is school singing taught?” and “why is school singing taught?”. Through an investigation and analysis of teacher perspectives, this study addresses these questions in relation to teaching singing in Sydney government schools. The research is comprised of two parts. Part 1 was a broad-based questionnaire approach that generated qualitative and quantitative data. By encompassing primary and secondary classroom and/or choir teachers (127 respondents), school singing within a continuum of learning was investigated. Part 2 extended the format and focus of Part 1 by undertaking qualitative in-depth interviews of teachers (10 participants) sampled to investigate a range of key issues and school singing cultures. The study found that school singing at primary level was predominantly taught by generalist classroom teachers. A range of primary specialist teachers - dedicated music and/or choir specialist teachers, designated music and/or singing specialist teachers and dedicated performing arts specialist teachers – was identified as also teaching school singing activities. Secondary classroom music teachers were those found to teach, either solely or in conjunction with singing tutors, secondary school singing. The study determined that school singing was an activity occurring in conjunction with music syllabuses (syllabus singing), in relation to other syllabuses (co-syllabus singing) and irrespective of syllabus connections (non-syllabus singing). In addition, ancillary syllabus singing linked singing activities occurring outside the music classroom to syllabus singing within the music classroom. Co-syllabus singing was identified as being either thematic (illustrating a topic area) or supplementary (reinforcing learning in a non-musical area). In addition to defining the types of school singing in relation to both primary and secondary syllabuses, there was evidence of a dichotomy in school singing between teaching singing (formal singing) and the teaching of, or inclusion of, singing activities (informal singing). Determining whether students were taught a song or taught how to sing (it) in Sydney government schools, formed one of the major areas of impetus and focus for the study. After identifying 19 components present in respondent data at elemental or proficient levels, comparison and inclusion rates of teaching components were used to determine five levels of respondent teaching approaches - sing-along, song, song dominant, functional and developmental. Descriptive statistics and univariate statistical analysis of components revealed that component inclusion increased as the level of teaching approach increased. Independent-sample t-tests showed that there were significant differences between approaches to teaching school singing and the types of teachers who teach school singing (for example between specialist/non-specialist teachers). Contributory factors of school singing were identified as support for school singing, objectives of school singing, aptitude for school singing and constraints that restricted school singing. The types of school singing found their origins in the purposes of the singing activities. In some cases, the school culture also determined the types and purposes of school singing. Where school singing was established within the school culture, singing activities were reported as being well supported and the school culture was such that it encouraged or even enabled singing activities to occur. Conclusions drawn from the research findings have implications for the pre-service and in-service training of teachers, for those responsible for school singing activities and for those writing curriculum, curriculum related documents and teaching resources. / Doctor of Philosophy (PhD)

The purpose of this study was to design and test multi-media, electronic-response programs which were intended to effect attitude change in non-science majors toward key biological concepts.The study was conducted at Ball State University and used the resources of the electronic response (ER) laboratory in the Department of Biology of that institution. Nine ER programs were developed to introduce each of the nine sequential programs. The purpose of the programs was to develop within the student a positive "attitude" toward the biological concepts introduced in the course each week. Desired affective outcomes as a result of participating in the programs were written in behavioral objective form. For each objective identified, a matching concept statement used "to measure" attainment of the objective was also written.Students interacted with each electronic response program by viewing 35 mm slides and listening to the narration accompanied by musical background and by responding to questions at intervals of from 10 to 45 seconds. The students used the circuitry of the ER system to respond to question slides.The effectiveness of the strategies involved in the programs was determined by measuring short-term attitude changes for a sampling of three objectives in each of the nine programs. Pre- and post-test forms of the semantic differential were utilized in determining the effectiveness of each program in eliciting attitude change for each objective identified. The t-test for dependent variables was utilized in determining the significance of change for each scale position for each concept measured.Significant attitude changes as measured by shifts on all or some of the S.D. scales used in the pre, post-test evaluation occurred for 24 (93 percent) of the 27 objectives tested. The following conclusions were determined as a result of the study:1) Behaviorally specified short-term affective objectives can be accomplished in a short, twenty-minute electronic response classroom presentation that incorporated effective strategiesfounded in educational theory.2) Mediated ER programs, when used with appropriate program material, can be an effective means of illiciting attitude change in the learner.3) There appears to be a correlation between the degree of cognitive emphasis in the programs and the degree of scale movement indicated.4) For those objectives receiving emphasis in only 10% or less of the program, no significant change in scale position was noted. 5) Post-test scale shifts for those concepts with overall quite(strong) pre-test scale position were generally significantly enhanced and strengthened by the ER programs.6) Subjective feedback indicates that a more positive approach tendency toward the concepts presented for the course was realized as a result of student participation in the ER programs.

The thesis consists of two parts. One is directed towards municipal music schools, and one deals with music teacher education at university level. The purpose was to investigate the recruitment to these two educations, and to describe and explain how different student groups perceived and used their education. Five empirical studies have been accomplished, and central questions were: which deliberate and non-deliberate choices of musical activities are made by children and music students, and how are these choices affected by socio-economical, geographical and gender prerequisites.Theoretically, the first part of the thesis was based on the educational sociology of Pierre Bourdieu and on previous empirical studies in music pedagogy. The first empirical study was directed towards the recruitment of pupils to the municipal music school in Piteå (n=1085). The study showed that two out of three pupils are girls. Furthermore, it was twice as common among children of higher employees and university graduates to study at the music school than among children with working class backgrounds. The second empirical study was an interview with children, 12-13 years of age (n=369). The results indicated that boys and girls understand and use music and music education in significantly different ways. Furthermore, differences related to socioeconomic background, musical background and residential area were also shown.The second part of the thesis begins with a summary of the origin and scientific basis of Swedish music pedagogy, followed by an investigation regarding recruitment to the music teacher education at the School of Music in Piteå (n=177). The investigation indicated that recruitment is socially biased, similar to that of the municipal music school. One third of the music teacher students were recruited from families where one of the parents worked as a teacher. One out of three students came from homes where religion was an important part of family life. In an interview-study with 60 music teacher students, differences related to gender and educational orientation arose in how students looked upon and used their education. The study showed two attitudes to music and music education, which were linked to the following concepts: musician code and teacher code. In connection with these concepts, three action strategies could be identified: navigation, revolt, and adjustment. These strategies were interpreted as an expression of the tension between the demands of the education and the individuals' wish to have his or her interests and needs met. The dissertation concludes with a project called "Self-formulated goals and self-evaluation in music education" and a short forward-looking discussion pertaining to questions that have been generated throughout the entire research process. / digitalisering@umu

随着中国经济的发展，国家地位不断崛起，“汉语热”也在世界各地逐渐兴起，对外汉语教学开始成为语言教育中一个新的关注点。无论是内地还是香港，大量的国际学校开始开设中文课，家长们都希望自己的孩子可以从小就学习中文。由于学生母语并非中文，背景也参差不同，因此，使用什么方式，既可以提高学生学习的兴趣，也可以帮助学生学习汉语成为了教师关注的焦点。 本文将通过实际的汉语教学实践，介绍音乐教学法在小学对外汉语教学中的应用，并详细解释音乐教学法的使用方式，旨在把音乐作为一种载体，用更加朗朗上口的方式教学中文，以求达到更好的教学效果。 本文共分为五个章节。 第一章为引言，介绍当前对外汉语教学的大背景，提出问题。 第二章为文献综述，搜集音乐教学法的理论基础，并且联系音乐与汉语间的密切关系。 第三章将介绍音乐在教学中的应用，包括音乐的优点、教学功能和其他功能。 第四章将详细分析笔者在香港九龙小学做的一系列音乐教学实验。 第五章为总结，阐述音乐教学法的优势和认知上的误区，以及文章在写作上的限制和对音乐教学法的展望。 With the economic development, China’s position continues to rise. "Chinese fever" is also gradually on the rise around the world, teaching Chinese as a second language (TCSL) in language education became a new focus. Both the mainland and Hong Kong, a large number of international schools begin to offer Chinese language classes. Parents hope their children to learn Chinese from an early age. As the student's native language is not Chinese and the background also varies, thus, using which method, not only can enhance students' interest in learning but also can help students to learn Chinese, has become a spotlight in teaching. This article will introduce using music pedagogy in primary school TCSL class and explain in detail through the teaching practice. The purpose is that using the music as a carrier, with more catchy way to teach Chinese in order to achieve better teaching results. This paper is composed of the following five chapters. The first chapter introduces the current foreign language teaching background and asks questions. The second chapter is literature review, collecting theoretical basis of music teaching, contacts the close relationship between Chinese and music. The third chapter describes the application of music in teaching, including the advantages of music, teaching and other features. The fourth chapter will analyze a series of music teaching experiment in detail of author in Hong Kong Kowloon primary school. The fifth chapter is Summary. It describes the advantages and knowledge errors of music pedagogy, limitations on article writing and the prospect of music pedagogy. / published_or_final_version / Education / Master / Master of Education

M. Tech. Drama / This study aims to investigate how the implementation of the Arts and Culture Learning Area adheres to the government policy as contained in the Revised National Curriculum Statement; to establish the challenges militating against the effective delivery of the Arts and Culture Learning Area; to interrogate the implementation process and the opportunities offered by the existing policy; and to establish the extent to which dance, drama and music are utilised as assets in the development of children's cognitive processes.

Gerald Anthony Petersen Jr., Ph.D.The University of Arizona, 2005Director: Brian D. Ebie The purpose of this study was to provide specific data regarding the level of multiculturalism of Arizona elementary general music teachers and their utilization of multicultural music education in curriculum and activities. Data gathered was used to investigate the relationship between a teacher's life experience, personal attitudes, personal behavior, and professional behavior with their developing and employing multicultural music education. Subjects included Arizona elementary general music teachers (N=280) during the 2004-05 school year. The Personal Multicultural Assessment and the Music Specialist's Multicultural Music Education Survey were sent to the teachers along with a demographic report sheet. Data analysis included descriptive statistics, correlational analysis (Pearson-Product Moment Correlation), analysis of variance (ANOVA), and a multiple regression. The results of the survey indicated that Arizona elementary general music teachers are functioning at varying levels of multiculturalism. The teachers' Personal Multicultural Assessment mean scores ranked at the third level of the Multicultural Personae in the areas of Personal Behavior, Professional Behavior, and on the Composite score. The areas of Life Experience and Personal Attitude ranked at the second level of the Multicultural Personae. Statistically significant relationships were found between the population of the teachers' hometown and the Life Experience subscale score and the Composite score. The undergraduate institution from which the teacher graduated was positively related to the Personal Behavior subscale score and the Composite score. Though the majority of Arizona elementary general music teachers felt inadequately prepared for teaching multicultural music education or have ethnic instruments, they reported utilizing the majority of regional-specific world music. Life experience was a significant factor in determining music teachers' utilization of multicultural music education. This study demonstrated that Arizona elementary general music teachers' personal attitudes, personal behavior, and professional behavior regarding multiculturalism may not have effected their utilization of multicultural music education.

This study examines educators’ perceptions of the environmental impact of Holly Ar[n]tzen’s Artist Response musicians’ program for schools. In this case study, Ar[n]tzen and five educators were interviewed about their perceptions of the program’s impact on students at five B.C. elementary schools. The researcher’s “observational narratives” also convey experiential examples of the program in action. Educators perceive that the program provides students and their families with a memorable, nature-focused musical experience that also enhances their understanding of, and concern for, the environment. Based on the six participants’ interviews, the researcher argues that programs like this offer role models for children, enhance community, provide opportunities for crosscurricular learning, and involve multiple intelligences. The study concludes that, despite obstacles, the program engages emotions, raises awareness that enhances students’ decision-making skills, and influences the adults in their lives. Participants also perceived the need for a formal environmental curriculum to be integrated into elementary schools.

This study investigated the nature and extent of implementation of music education in Lesotho primary schools in Maseru district. A case study conducted focused on Mohokare LEC Primary School and Hoohlo ACL Primary School. The findings from the study suggest that teachers at both schools had a relatively positive attitude towards music education and that they think the subject area should be taught in their schools. However, they suggest that effective implementation of the subject is hampered by several structural, contextual and curricular factors in the education system and the schools themselves. For example, preparations for implementation of music education were not sufficient (e.g., human and other resources were not in place). Teachers were not adequately trained in the subject itself as well as in its pedagogy. This has implications for the Ministry of Education and Training (MoET) to strengthen pre-service and in-service music education. In addition, a clear music education policy should be drawn up to guide schools and district offices in the implementation of music education. This should be followed by a provision of adequate and appropriate resources needed for the process. / Thesis (M.Ed.)-University of KwaZulu-Natal, Durban, 2004.

This study presents results describing the impact on acquisition of teaching basic spatial concepts through both music and play. Testing involved preschool aged children from a local Head Start facility and the speech-language clinic of a local university. The study followed a pre-/post-test design. Interventions occurred in two days over the span of one week. After the post-test, it was determined that there was no statistical significance differentiating learning between the two presentation modes. Concept pairs targeted through both contexts improved in almost the same ratio. It was discovered, however, that through only a short period of intervention (two sessions of 15 minutes each), almost all children developed statistically significant growth on concepts taught through both modes. The results indicate that in a short period of time gains can be made when a lesson focuses entirely on concept pairs using either music or play. / Department of Speech Pathology & Audiology

The quality of teaching occurring in schools is directly linked to the quality of preservice preparation that teachers receive (Darling-Hammond, 2000). This is particularly important in the area of music teacher education, given the unique challenges that classroom music teachers commonly face (Ballantyne, 2001). This thesis explores early-career music teachers' perceptions of the effectiveness of their preservice teacher education programs in Queensland. It also explores influences impacting upon early-career music teachers' perceptions of effectiveness and early-career music teachers' perceived needs in relation to their preservice preparation. The study addresses the research questions through the use of questionnaires and semi-structured interviews. In Stage 1 of the research, questionnaires were completed by 76 secondary classroom music teachers in their first four years of teaching in Queensland, Australia. In Stage 2 of the research, 15 of these teachers were interviewed to explore findings from the questionnaire in depth. Findings suggest that preservice teachers perceive a need for teacher education courses to be contextualised, integrated and allow for the continual development of knowledge and skills throughout their early years in schools. This research provides an empirical basis for reconceptualising music teacher education courses and raises important issues that music teacher educators need to address in order to ensure that graduates are adequately prepared for classroom music teaching.