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The dramatic function of the chorus in English oratorio from 1880 to the presentFaugerstrom, Eugene Morris, January 1964 (has links)
Thesis--Northwestern University. / Vita. Includes bibliographical references (leaves 306-315).
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Roberto Sierra's Missa Latina Musical analysis and historical perspecitves /Rivera, Jose. Thomas, André J. Sierra, Roberto. January 2006 (has links)
Dissertation (PhD) Florida State University, 2006. / Advisor: André Thomas, Florida State University, College of Music. Title and description from dissertation home page (viewed 7-11-07). Document formatted into pages; contains 132 pages. Includes biographical sketch. Includes bibliographical references.
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An analysis of the compositional techniques employed in the Requiem by Randall ThompsonKummer, Randolph Frederick, January 1965 (has links)
Thesis (M.M.)--University of Wisconsin--Madison, 1966. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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Untersuchungen zur Magnificat-Komposition des 15. JahrhundertsMeinholz, Josef, January 1900 (has links)
Inaug.-Diss.--Cologne. / Vita. "Notenbeispiele": p. [227]-[264]. Bibliography: [221-225].
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Contemporary choral arrangements product /Hansen, Chris Robert. January 1987 (has links)
Thesis (M.C.M.)--Western Conservative Baptist Seminary, 1987. / Bound with accompanying tape of the arrangements recorded, by the mixed choral ensemble from Milwaukie First Baptist Church, Milwaukie, Oregon and the men's chorus from Western Seminary in Portland.
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Edmund Hooper a study of his style compared to Orlando Gibbons and prevailing Tudor polyphony /Allred, Edward January 1900 (has links)
Dissertation (D.M.A.)--The University of North Carolina at Greensboro, 2008. / Title from PDF t.p.(viewed May 27, 2009). Advisor: Welborn Young; submitted to the School of Music. Includes bibliographical references (p. 59-63).
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The compositions of Brett M. McKern to the greater glory of God /McKern, Brett M. January 2005 (has links)
Thesis (D.C.A.)--University of Wollongong, 2005. / Typescript. Includes bibliographical references.
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Hīmene Tahiti ethnoscientific and ethnohistorical perspectives on choral singing and Protestant hymnody in the Society Islands, French Polynesia /Stillman, Amy K. January 1991 (has links)
Thesis (Ph. D.)--Harvard University, 1991. / Includes choruses and hymns in Tahitian. Includes abstract. Discography: v. 1, p. 546-547. Includes bibliographical references.
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Folio of Compositions with Critical Commentary: An exploration of musical influences and composing techniques. Critical commentary.Joseph Twist Unknown Date (has links)
This Doctor of Philosophy submission consists of a folio of original compositions with an accompanying critical commentary. The compositions in the folio draw on the inspiration of a number of composers associated with the “Western Classical” tradition, as well as the influence of other musical styles and traditions such as Jazz. The commentary explores various aesthetic principles, musical influences and technical compositional approaches that stimulated the development towards an individual compositional output. A focus of the commentary is to draw attention to the unique synthesis of significant musical influences as evidenced in the folio, thereby elucidating a gradual development towards the attainment of a personal compositional style during candidature. The folio consists of an eclectic collection of works, including many vocal works, chamber works and orchestral pieces. A seminal chamber work in the folio, Le Tombeau de Monk, exhibits the synthesis of several influential composers and styles. Also included in the folio is an extended symphonic work for combined orchestral and choral forces, Symphony for a Busy World, which represents the culmination of many compositional features that were developed throughout candidature. To provide background and perspective to the folio of compositions, the commentary highlights a number of influential compositional techniques and idiosyncrasies with regard to thematic development and harmonic language, as well as specific features of rhythm, orchestration and vocal writing. Detail regarding these compositional processes is provided, discussing the influence of particular compositional approaches relevant to the body of works in the folio within a music history context, whilst also identifying the application of compositional processes and approaches encountered in the folio.
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Analysis and performance of the a cappella choral music for mixed voices of Arnold Schoenberg /Simpson, Dean Wesley, January 1968 (has links)
Thesis (Ed. D.)--Teachers College, Columbia University, 1968. / Typescript; issued also on microfilm. Sponsor: Frederick D. Mayer. Dissertation Committee: Charles Walton, Lawrence Taylor, . Appendix A: Musical Scores of the A Cappella Choral Music for mixed voices of Arnold Schoenberg. Includes bibliographical references.
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