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Composing the sacred in Soviet and post-Soviet Russia : history and Christianity in Alfred Schnittke's Concerto for Choir /Turgeon, Melanie Edwardine, Grigor, January 1900 (has links)
Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 2007. / Source: Dissertation Abstracts International, Volume: 68-06, Section: A, page: 2239. Adviser: Donna Buchanan. Includes Grigory Gerenstein's English translation. Includes bibliographical references (leaves 217-231) Available on microfilm from Pro Quest Information and Learning.
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Selected baroque compositions with instrumental accompaniment for amateur choirBusarow, Linda Cressman. January 2007 (has links)
Thesis (D.M.A.)--Ohio State University, 2007. / Title from first page of PDF file. Includes bibliographical references (p. 126-129).
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Constancy and changes in Petr Eben's sacred choral works : an overview /Cho, Hyungmin, January 1900 (has links)
Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 2007. / Source: Dissertation Abstracts International, Volume: 68-07, Section: A, page: 2716. Adviser: Fred Stoltzfus. Includes bibliographical references (leaf 170) Available on microfilm from Pro Quest Information and Learning.
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Die Auftritte der Leipziger Singakademie(n): Anhang 12.5 zu: Die Leipziger Singakademie – Mitglieder, Repertoire und Geschichte. Studien zur Chormusik in Leipzig, besonders am GewandhausWünsche, Stephan 05 January 2015 (has links)
Die Tabelle bietet eine Übersicht aller bekannten Auftritte der Leipziger Singakademie(n). Zu jedem Auftritt sind Datum, Ort, Anlass, Mitwirkende, Werke und Quellen angegeben. Das Dokument ist ein Anhang zu folgendem Buch:
Stephan Wünsche: Die Leipziger Singakademie – Mitglieder, Repertoire und Geschichte. Studien zur Chormusik in Leipzig, besonders am Gewandhaus, Leipzig 2014 (ISBN 978-3-86583-906-0).
Wichtige Hinweise zum Zustandekommen des Verzeichnisses, den Darstellungsprinzipien und Grenzen dieser Übersicht sind dem gedruckten Buch zu entnehmen. Die verwendeten Abkürzungen sind ebenfalls dort aufgeschlüsselt.
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Portfolio of compositions and exegesis: composing for a choral spectrum.Wood, Callie January 2008 (has links)
This portfolio of compositions and exegesis submitted for the degree of Master of Music in Composition, at the Elder Conservatorium of Music, comprises original creative works supported by a detailed commentary. The creative investigation has focused on ‘Composing for a Choral Spectrum.’ This was investigated through practical experiments in choral composition, designed to test the compositional limitations of the choral spectrum, and resulted in a portfolio of choral works. The portfolio includes: simple choral works for young children in one part; choral works for children in two parts; choral works for children in three parts; a choral work for teenage treble voices; a multimedia choral work for boys with changing voices with a moving image DVD; a choral work for male voices; choral works for adult female voices; a complex choral work for adult choirs of a professional standard; and a larger scale choral and orchestral work. The exegesis provides a commentary on the genesis, composition processes, limitations and solutions, for each original work included in the portfolio. / http://proxy.library.adelaide.edu.au/login?url= http://library.adelaide.edu.au/cgi-bin/Pwebrecon.cgi?BBID=1345050 / Thesis (M.Mus.) -- University of Adelaide, Elder Conservatorium of Music, 2008
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