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Writing modernist and avant-garde music in Mexico performativity, transculturation, and identity after the revolution, 1920-1930 /Madrid-González, Alejandro L. January 2003 (has links)
Thesis (Ph. D.)--Ohio State University, 2003. / "Publisher's no.: UMI 3109131." Includes bibliographical references. Also issued online.
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Writing modernist and avant-garde music in Mexico : performativity, transculturation, and identity after the revolution, 1920-1930 /Madrid-González, Alejandro L. January 2003 (has links)
Thesis (Ph. D.)--Ohio State University, 2003. / Includes bibliographical references (leaves 218-238).
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A.F.C. Kollmann's theory of homophonic forms /Jenney, Charles Davis, January 1986 (has links)
Thesis (M.A.)--Ohio State University, 1986. / Includes vita. Includes bibliographical references (leaves 153-154). Available online via OhioLINK's ETD Center.
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Writing and publishing music theory in early seventeenth-century Italy : Adriano Banchieri and his contemporariesBallantyne, Abigail L. January 2014 (has links)
Why write music theory and publish it? In the thesis I investigate the reasons for a seeming over-abundance of practically oriented music treatises in early seventeenth-century Italy. Throughout I challenge our conventional assessment of the study of music theory: I suggest that we can define a music-theoretical text in terms of its material form in addition to its content. Adriano Banchieri (1568-1634) was the most prolific theorist in early seventeenth-century Italy. His music-theory books exemplify contemporary printing patterns, an overt practical focus, and a synthesis of contemporary theoretical innovations. In Chapter 1, after considering the meaning of 'music theory' and how it is typically classified, I discuss the process of and purposes for writing and publishing music theory. In Chapter 2 I explore Banchieri's practical and philosophical motives for writing music theory, and thus introduce the reader to his music-theoretical corpus. The focus of the thesis then broadens: in Chapter 3 I survey the typical authors, publishing houses, content, material form, function and readers of the various kinds of theoretical texts printed in Italy between 1600 and 1630. In Chapter 4 I examine the widespread practice of publishing second and revised editions of music-theory books in order to establish the extent to which a new edition corresponds to a seeming demand for a particular text. The case study of the paratext of Banchieri's Conclusiones de musica (Bologna, 1627) in Chapter 5 demonstrates the great extent to which the preliminary matter of an early Seicento music-theory book is embedded in its socio-cultural context and how a paratext projects ideas contained in the text proper. Lastly, in Chapter 6 I explore to whom and in which particular forums theoretical writings circulated. Here I focus principally on Banchieri's printed letters, which provide evidence of how an author circulated his music books.
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Harmonie und Perspektive : die Entstehung des neuzeitlichen abendländischen Kunstmusiksystems /Debbeler, Judith. January 2007 (has links)
Thesis (Ph. D.)--Universität Oldenburg, (2006?). / Includes bibliographical references (p. 311-315).
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Apolls musikalische Reisen : zum Verhältnis von System, Text und Narration in Johann Nicolaus Forkels Allgemeiner Geschichte der Musik (1788-1801) /Wiener, Oliver, January 2009 (has links)
Thesis (doctoral)--Universität Würzburg, 2004. / Includes bibliographical references.
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Apolls musikalische Reisen zum Verhältnis von System, Text und Narration in Johann Nicolaus Forkels Allgemeiner Geschichte der Musik (1788-1801) /Wiener, Oliver, January 2009 (has links)
Thesis (doctoral)--Universität Würzburg, 2004. / Includes bibliographical references.
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Musik und Bildung : die Verknüpfung musik- und bildungsphilosophischer Konzepte bei A. Augustinus, J. J. Rousseau und Th. W. Adorno /Steidl, Petra. January 2009 (has links)
Originally presented as author's thesis: Würzburg, Univ., 2009. / Includes bibliographical references.
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Małgorzata Grajter, Relacje słowno-muzyczne w twórczosci Ludwiga van Beethovena [The characteristics of music-text relationships in Ludwig van Beethoven’s output] (Dissertationes Lodzienses de Musicae Theoria 3), Łódz: Akademia Muzyczna im. Grazyny i Kiejstuta Bacewiczów [2015], 274 S., Abb., polnisch, ISBN 978-83-60929-46-9 [Zusammenfassung]Grajter, Małgorzata 30 August 2017 (has links)
The figure of the last Viennese classic is associated most of all—and not without reason—with instrumental music.
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Komponieren zeitgenössischer Kunstmusik im TonsatzunterrichtLang, Benjamin 22 October 2023 (has links)
No description available.
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