This work explores the impact of Barry Harris' 6th diminished scale on my musical expression in jazz. Through repetition, transcription, and interviews with experts like Richard Clements, I delved into the theory and its application. It proved to be a journey ranging from the daunting to the inspiring and informative. I have reflected on how this concept changes my perspective and approach to creating music. The work also highlights the gap between traditional jazz theory and Harris' philosophy, and how I navigate between them in my musical exploration. / <p><strong>Framförd musik:</strong></p><p>Sweat as Bear Meat – Johnny Hodges </p><p>Dizzy Atmosphere – Dizzy Gillespie</p><p>The Big Sound - Isac Schillberg</p><p>First Song – Charlie Haden</p><p>Moment’s Notice – John Coltrane</p><p>Ruby My Dear – Thelonious Monk </p><p>Sing a Song of Song – Kenny Garrett </p><p><strong>Medverkande:</strong></p><p>Milos Lindegren</p><p>Felix Kling </p><p>Johannes Bäckström</p><p>Axel Lidgren</p><p>Olle Ekelind</p>