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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Myco-scapes: Multispecies Entanglements in Artmaking

Thornton, Eva Marie 25 June 2024 (has links)
Myco-scapes: Multispecies Entanglements in Artmaking is a body of ephemeral fiber sculptures. These weavings and digital fabrications are the result of collaborations with dynamic materials and other species, primarily fungi. The artworks (or artifacts) of the artist's material intra-actions explore the possibilities, challenges, and ethics of multispecies collaboration. Furthermore, in its ephemerality, Myco-scapes responds to the preventative conservation practices employed by art museums. Not only do these sculptures embody the fleeting nature of material entanglements, but they also challenge the capitalist structure of art collecting through their impermanence. The written thesis describes the artist's studio practice by exploring three primary influences: mycelium (the root-like structures of mushrooms), entanglements (the complex interwoven structures in which we exist), and preventative conservation (art-handling protocol designed to preserve artifacts). / Master of Fine Arts / Myco-scapes: Multispecies Entanglements in Artmaking is a body of ephemeral fiber sculptures. These weavings and digital fabrications are the result of collaborations with dynamic materials and other species, primarily fungi. The artworks (or artifacts) of the artist's material intra-actions explore the possibilities, challenges, and ethics of multispecies collaboration. Furthermore, in its ephemerality, Myco-scapes responds to the preventative conservation practices employed by art museums. Not only do these sculptures embody the fleeting nature of material entanglements, but they also challenge the capitalist structure of art collecting through their impermanence. The written thesis describes the artist's studio practice by exploring three primary influences: mycelium (the root-like structures of mushrooms), entanglements (the complex interwoven structures in which we exist), and preventative conservation (art-handling protocol designed to preserve artifacts).

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