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Reflejos ante la concepción de sí: leyendo Poesía a ciencia incierta de Magdalena Chocano y Morir es un arte de Mariela Dreyfus bajo la luz de “Narciso y Eco”Bruce Rheineck, Paula 12 July 2024 (has links)
Esta tesis estudia el mito “Narciso y Eco” para desentrañar el sentido de su reactualización en
esta época. En el mito, la bipartición (la incorrespondencia entre yo y sí-mismo, en el sentido
lacaniano) de ambos personajes es llevada a un extremo, a un punto cúspide, que será su
metamorfosis en objetos inanimados: la flor y el eco. Las condiciones “partidas” de Narciso y
de Eco se reflejan en la limitación del sentido de la visión y el sonido cuando son personajes de
la narración, y permanece en su cualidad posterior como objeto. La presente investigación se
propone armar analogías entre el proceso personaje-objeto del mito y las particulares
características de dos poemarios de la literatura peruana reciente: Morir es un arte de Mariela
Dreyfus y Poesía a ciencia incierta de Magdalena Chocano. Propongo que la metamorfosis de
“Narciso y Eco” a la flor y al eco es una regresión a “su pura funcionalidad biológica” (término
de Giorgio Agamben), lo cual apunta a un norte común con la concepción tradicional de las
mujeres como “sujetos menores” en el parámetro del capital simbólico de Deleuze. Desde esta
concepción teórico-crítica, propongo que las poéticas de ambos poemarios se producen sobre
un silencio sistematizado que se identifica como femenino y que se traduce en la visión y la
sonoridad propias de los poemas.
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'n Ontledende vergelykende studie van geselekteerde kitaarstudies van Fernando Sor (1778-1839) uit die Yepes- en Segovia-uitgawes aan die hand van die faksimilee-uitgaweRademeyer, Gerrit Johan 11 1900 (has links)
Text in Afrikaans / Die doel van die verhandeling is om vas te stel in hoe 'n mate vyftien geselekteerde studies van
Fernando Sor uit die Yepes- en Segovia-uitgawes van mekaar verskil deur die studies te vergelyk. Albei
uitgawes is ook met die faksimilee-uitgawe vergelyk om die korrektheid van die Yepes- en Segoviauitgawes
te bepaal.
Seide Yepes en Segovia het heelwat veranderings aangebring. Die kenmerkendste van hierdie verskille
word nie net uitgewys nie, maar daar word ook na moontlike redes gekyk waarom sulke verskille in die
twee uitgawes aangebring is.
Die gevolgtrekking is dat Yepes en Segovia duidelike redes gehad het waarom hulle verskil het van die
faksimilee-uitgawe. Yepes en Segovia het verskillende tegniese benaderings wat bydra tot die uniekheid
van die twee uitgawes wat vir die kitaarspeler 'n rykdom van moontlikhede bied in die uitvoering van
hierdie studies. / The aim of the dissertation is to determine the differences between the Yepes and Segovia editions by
comparing selected studies. In order to determine the correctness of the Yepes and Segovia editions both
are compared to the facsimile edition as well.
Yepes and Segovia both introduced a number of changes. The most typical of these are indicated and
possible reasons for their inclusion in the two editions are discussed.
The conclusion is that Yepes as well as Segovia had very definite reasons for including alterations to the
facsimile edition in their own editions. Both have in their own editions an individual and highly personal
approach which leaves us with the unique gifts of the two editions, and the guitar student with a variety
of possibilities in the performance of these studies. / Department of Musicology / M.Mus. (Department of Musicology)
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'n Ontledende vergelykende studie van geselekteerde kitaarstudies van Fernando Sor (1778-1839) uit die Yepes- en Segovia-uitgawes aan die hand van die faksimilee-uitgaweRademeyer, Gerrit Johan 11 1900 (has links)
Text in Afrikaans / Die doel van die verhandeling is om vas te stel in hoe 'n mate vyftien geselekteerde studies van
Fernando Sor uit die Yepes- en Segovia-uitgawes van mekaar verskil deur die studies te vergelyk. Albei
uitgawes is ook met die faksimilee-uitgawe vergelyk om die korrektheid van die Yepes- en Segoviauitgawes
te bepaal.
Seide Yepes en Segovia het heelwat veranderings aangebring. Die kenmerkendste van hierdie verskille
word nie net uitgewys nie, maar daar word ook na moontlike redes gekyk waarom sulke verskille in die
twee uitgawes aangebring is.
Die gevolgtrekking is dat Yepes en Segovia duidelike redes gehad het waarom hulle verskil het van die
faksimilee-uitgawe. Yepes en Segovia het verskillende tegniese benaderings wat bydra tot die uniekheid
van die twee uitgawes wat vir die kitaarspeler 'n rykdom van moontlikhede bied in die uitvoering van
hierdie studies. / The aim of the dissertation is to determine the differences between the Yepes and Segovia editions by
comparing selected studies. In order to determine the correctness of the Yepes and Segovia editions both
are compared to the facsimile edition as well.
Yepes and Segovia both introduced a number of changes. The most typical of these are indicated and
possible reasons for their inclusion in the two editions are discussed.
The conclusion is that Yepes as well as Segovia had very definite reasons for including alterations to the
facsimile edition in their own editions. Both have in their own editions an individual and highly personal
approach which leaves us with the unique gifts of the two editions, and the guitar student with a variety
of possibilities in the performance of these studies. / Department of Musicology / M.Mus. (Department of Musicology)
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Being successfully nasty: the United States, Cuba and state-sponsored terrorism, 1959-1976Douglas, Robert 11 August 2008 (has links)
Despite being the global leader in the “war on terror,” the United States has been accused of sponsoring terrorism against Cuba. The following study assesses these charges. After establishing a definition of terrorism, it examines U.S.-Cuban relations from 1808 to 1958, arguing that the United States has historically employed violence in its efforts to control Cuba. U.S. leaders maintained this approach even after the Cuban Revolution: months after Fidel Castro’s guerrilla army took power, Washington began organizing Cuban exiles to carry out terrorist attacks against the island, and continued to support and tolerate such activities until the 1970s, culminating in what was the hemisphere’s most lethal act of airline terrorism before 9/11. Since then, the United States has maintained contact with well-known anti-Castro terrorists, in many cases employing and harbouring them, despite its claims to be fighting an international campaign against terrorism.
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Being successfully nasty: the United States, Cuba and state-sponsored terrorism, 1959-1976Douglas, Robert 11 August 2008 (has links)
Despite being the global leader in the “war on terror,” the United States has been accused of sponsoring terrorism against Cuba. The following study assesses these charges. After establishing a definition of terrorism, it examines U.S.-Cuban relations from 1808 to 1958, arguing that the United States has historically employed violence in its efforts to control Cuba. U.S. leaders maintained this approach even after the Cuban Revolution: months after Fidel Castro’s guerrilla army took power, Washington began organizing Cuban exiles to carry out terrorist attacks against the island, and continued to support and tolerate such activities until the 1970s, culminating in what was the hemisphere’s most lethal act of airline terrorism before 9/11. Since then, the United States has maintained contact with well-known anti-Castro terrorists, in many cases employing and harbouring them, despite its claims to be fighting an international campaign against terrorism.
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