Thesis (PH. D)--Columbia University, 1914. / Biography. "Numenius of Apamea, extant works; text and English translation": p. [1]-93.

Thesis (PH. D)--Columbia university, 1914. / Biography. "Numenius of Apamea, extant works; text and English translation": p. [1]-93.

Thesis (Ph. D.)--Marquette University, 1939. / Bibliography: p. [241]-259.

Thesis (Ph. D.)--University of Chicago, Dept. of Philosophy, June 2003. / Includes bibliographical references. Also available on the Internet.

Thesis--Wisconsin. / Vita. Includes bibliographical references (leaves 159-168).

No description available.

The metaphysical poetry of the English Romantics is characterised by an interest in esoteric wisdom, and the exploration of Hinduism and Neoplatonism during the period formed a significant part of this 'abstruse research'. This thesis will investigate the role of two central strands of 'Romantic esotericism', Neoplatonism and Hinduism, in the work of Samuel Taylor Coleridge and Percy Bysshe Shelley, and examine how it is manifested in their poetry, philosophy and expression of visionary experience and spiritual transcendence. This study considers the way in which Coleridge and Shelley drew upon the ideas, symbols, mythology, theology and philosophy contained in the earliest English translations of Hindu sacred texts and Thomas Taylor's Neoplatonic translations, during their poetic explorations of transcendental experience. It will demonstrate how this material was a significant source of inspiration to both Coleridge and Shelley when formulating their own poetic vocabulary capable of expressing the ineffable divine. The first chapter deals with the early influence of Hinduism and Neoplatonism on Coleridge's poetic output from 1793-1802, and the second chapter considers his shifting response from this point onwards, which coincides with his poetic development and the apparent loss of his former visionary insight. His expression of visionary experience in his early work is evidently influenced by both Hindu and Neoplatonic texts and, despite his later criticism, Coleridge continues to make use of their 'symbolic potential' before dismissing them entirely in his later years. Shelley shares Coleridge's preoccupation with the esoteric unknown and the final chapter examines the influence of Hinduism and Taylor's Neoplatonic translations, as well as the symbolic legacy of Coleridge, on Shelley's poetical explorations of visionary pursuit and divine insight. Like Coleridge, Shelley synthesises Neoplatonic and Hindu influences to create his own divine symbolism, and both poets were greatly inspired by their engagement with these ancient traditions.

L.G. Westerink's Thesis (doctoral)--Nijmegen University, 1948. / Text in Greek; editorial matter in English. Includes bibliographical references and index.

L.G. Westerink's Thesis (doctoral)--Nijmegen University, 1948. / Text in Greek; editorial matter in English. Includes bibliographical references and index.

This thesis is a heuristic and argumentative study of the significance of Neoplatonism in the religious thought of the French Catholic revival of the seventeenth century. Taking the broad corpus of Neoplatonic thought - classical, patristic, mediaeval and, especially, that of the Florentine Renaissance - as its starting-point, it deals briefly with the reception and exploitation of Neoplatonic ideas by the French Humanists, before proceeding to consider the seminal influence of the <u>cercle Acarie</u> in the late sixteenth century. It is in this spiritual group of distinctly mystical bent that we discern the beginnings of a profound movement of religious thought greatly inspired by Neoplatonism, with its ultimate origins in the years predating the Reformation, and which continued to play an important part in seventeenth-century philosophy and theology. This Neoplatonic movement is exemplified by the Order of Capuchins and the Congregation de l'Oratoire, and the main part of the thesis concerns these two religious groups in which the continuity, consistency and, indeed, inescapability of the Neoplatonic tradition are readily apparent. Amongst the Capuchins, the development away from abstract mysticism towards more Humanistic apologetics directly influenced by the Florentines is charted. With regard to the Oratoire, we have attempted to illustrate and demonstrate its pervasive spirit established by its founder and the nature of the Neoplatonism of its members whose fundamental thought and spirituality were informed by Dionysian mysticism and Augustino-Platonic idealism; the problems raised by the thought of Descartes are also considered in our survey of later Oratorians. The final three chapters are devoted to Malebranche, Bossuet and Fenelon, respectively, three major thinkers of the seventeenth century who embody the philosophical, the Humanistic or apologetic and the mystical strains of Neoplatonism that we have identified and which we believe are essential to the Catholic reform of the late sixteenth and seventeenth centuries.