The imagistic language of Tang poetry can be defined as the language of Tang poetry that presents directly the immediate sensory/emotive experience, which is the early, unprocessed inner response of an external experience that involves what is previously unknown. The primary purpose of my thesis is to explore a theoretical definition of two characteristics: “now-ness” and “continuity” in the immediate sensory/emotive experience as well as to explore how the two characteristics are generally demonstrated in the imagistic language of Tang poems. Through the demonstration of seven individual analyses of Tang poems and their translations from the perspective of now-ness and continuity, this thesis also intends to foster now-ness and continuity as a particular perspective that assists us with the reading, understanding and translation of the imagistic language of Tang poetry.