Thesis--University of Wisconsin--Madison. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 519-522).

Tesis doctoral--Facultad de filología--Universidad de Salamanca, 1993. / Mention d'ISBN sur le livret d'accompagnement.

Thesis (M.A.)--Ohio State University, 1982. / Includes bibliographical references (leaves 113-118).

Thesis (Ph.D.)--Brown University, 2005. / Vita. Thesis advisor: Michael Vorenberg. Includes bibliographical references (leaves 482-531). Also available online.

This video offers some quick questions that might be considered when writing about Oates' short story. / https://dc.etsu.edu/lit-outlines-complete-oer/1011/thumbnail.jpg

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Architecture is the thoughtful making of spaces. Within the last decades of architectural history the role of the architect in society and therefore of architecture itself changed. Issues such as space and architectural language gain significance.Narrative architects such as Bernard Tschumi, Daniel Libeskind, and others are inspiration for a design-methodology which focuses on the development of an architectural language.The actual project will be the interpretation of the short-story Heat by Joyce Carol Oates. Its analysis serves as basis for the design of an architectural statement.Emphasis is put on the actual design-process rather than on the final design result. / Department of Architecture

I denna uppsats kommer jag analysera flickskildringen i två ungdomsromaner, Freaky green eyes och Two or three things I forgot to tell you av Joyce Carol Oates. Romanernas flickor bär på pendlande känslor av begär och avsky både inför sig själva och sina föräldrar. Därför har Julia Kristevas teorier kring abjektion som förklarar dessa motstridiga känslor som en del av subjektets tillblivelse varit fruktsamma för min analys. Flickorna söker tillgång till språket och makten genom en identifikation med sina pappor och manliga värden samt ett bortstötande av sina mammor och allt som representerar det kvinnliga. Men för att må bra och kunna uttrycka sin egen sanning krävs ett omfamnande av mammorna och den egna kvinnligheten vilket när de tillslut fullbordas får flickorna att hitta inre harmoni och sin egen röst.

Thesis (M.A.)--Oregon State University, 2010. / Printout. Includes bibliographical references (leaves 72-75). Also available on the World Wide Web.

French literary translators have traditionally translated in an ethnocentric fashion in such a way that the translated work did not seem translated. They tried to write their translations in the same way the author would have, had he been French. Readers of French translations seemed quite satisfied with that approach. Yet there are translators who do not feel comfortable with this ethnocentric approach. They have done a great deal of reflection on their work, and are introducing new ways of translating literature. One of these is Antoine Berman. We have dedicated the first half of our work to his theories and the second half to a possible application of these theories to a novel by Joyce Carol Oates, I Lock my Door upon Myself. This novel was translated in France by Marie-Lise Marliere and its French title is Un amour noir. We will quote examples from the translation where we feel we can apply Berman's theory of "distorting tendencies" and make practical suggestions of alternative French translations. Our conclusion leads us to explore ways to better serve the French readers of Joyce Carol Oates.