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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 6 of 6 (0.087 seconds)Spelling suggestions: "subject:"ghana"" "subject:"ohada""
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Formes et thèmes : essai sur les structures profondes du langage musical de Maurice Ohana /Prost, Christine, Bayer, Francis, January 1981 (has links)
Th. 3e cycle--Musicologie--Aix-en-Provence, 1981. / Tome 1 seulement. Les études sur "Sibylle" et "Office des Oracles" sont dans le tome 2.
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Du sourcier au trouveur : une étude de la musique vocale de Maurice Ohana /Charles, Agnès, January 2001 (has links)
Th. Etat--Musicologie--Tours--Univ. François-Rabelais, 2001. / Catalogue des oeuvres de M. Ohana f. 692-722. Bibliogr. et discogr. p. 725-778. Index.
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Du sourcier au trouveur : une étude de la musique vocale de Maurice Ohana /Charles, Agnès, January 2003 (has links)
Th. Etat--Musicologie--Tours--Univ. François-Rabelais, 2001. / Catalogue des oeuvres de M. Ohana p. 694-722. Bibliogr. et discogr. p. 725-778. Index.
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Organic Development in the Interval Etudes of Maurice Ohana's Etudes d'interpretationHoughton, Ian Daniel January 2014 (has links)
The study and contemplation of the natural world was a significant impetus for the stylistic development of Maurice Ohana's (1913-1992) music. More than any other source, it was the sounds, textures, and patterns of the natural world that served as his compositional model, inspiring a unique approach to form and sound. Using the metaphor of a coral reef, Ohana sought to imbue his compositions with a process of development that organically generated musical form. His mature musical style is defined by an organic development of traits inherent within the motivic beginning of a work to produce unique musical structures that are intrinsically connected with their musical substance. Ohana's final work for piano solo, the Études d'interprétation (1983/6), demonstrate the process of organic development. Complementing Claude Debussy's (1862-1918) Études, Ohana's interval etudes 'Secondes,' 'Quintes,' 'Septiemes,' and 'Neuvièmes' illustrate the stylistic variety generated by his unique, sound-driven approach to form. The following analyses address the thematic development of each work, connecting melodic, harmonic, and textural material to the opening, and developmentally central, `germ' each composition begins with. By examining the comprehensive process of organic development within Ohana's four interval etudes it may be possible to gain a greater understanding of his unique musical language
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The Protect Kaho'olawe 'Ohana: Cultural Revitalization in a Contemporary Hawaiian MovementTuggle, Myra Jean F. January 1982 (has links)
Thesis (M.A.)--University of Hawaii at Manoa, 1982 / Pacific Islands Studies
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Living Aloha: Portraits of Resilience, Renewal, Reclamation, and ResistanceVignoe, Camilla G. Wengler 27 May 2015 (has links)
No description available.
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