101 |
Reforming opera and its public in early modern Venice /Macklem, Mary Sue. January 1900 (has links)
Dissertation--Music--University of Pennsylvania, 2003. / Bibliogr. p. 409-426.
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102 |
Verdis Anschauung vom Wesen der Oper ein Beitrag zur Frage völkischen Musikgefühls /Engler, Günter, January 1938 (has links)
Inaug.-Diss.--Breslau. / Lebenslauf. "Notenbeispiele": fold. plate. "Literaturverzeichnis": p. 87-88.
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103 |
American video opera an introduction and guidebook to its production /Dwyer, Edward Joseph, January 1963 (has links)
Thesis (Ed. D.)--Columbia University, 1963. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 391-413).
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Nineteenth century opera adaptations of Shakespeare's Romeo and JulietHotaling, Edward Roy, January 1964 (has links)
Thesis--Northwestern University. / Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [254]-262).
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Taiwan bei guan yin yue yan jiuWang, Zhenyi. January 1900 (has links)
Thesis (M.A.)--Zhongguo wen hua xue yuan. / Cover title. Reproduced from typescript. Includes excerpts from Taiwan opera. Bibliography; p. [41-42] (24 group).
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The inheritance of modern Cantonese opera from traditional Chinese opera an examination of the different types of role in Tang Di-sheng's (1917-1959) scripts = Dang dai yue ju dui chuan tong xi qu zhi cheng chuan : cong Tang Disheng (1917-1959) ju ben kan xing dang yi shu de yi yi /Tse, Hue-ying. January 2009 (has links)
Thesis (M. Phil.)--University of Hong Kong, 2010. / Includes bibliographical references (leaves 100-109). Also available in print.
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107 |
An investigation and analysis of Ned Rorem's Fables : five very short Operas /Crabtree, Joseph Craig, January 2001 (has links)
Thesis (D.M.A.)--University of Texas at Austin, 2001. / Vita. Includes bibliographical references (leaves 102-103). Available also in a digital version from Dissertation Abstracts.
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Wu Opera : a 400 years old cultural heritage struggles to survive / 400 years old cultural heritage struggles to surviveJin, Shiyu 27 February 2012 (has links)
Wu Opera is an art form of traditional Chinese theater that combines music, vocal performance, mine, dance and martial arts. It is the second major theatrical genre in Zhejiang, with a history of over 400 years. It has a longer history than the world-famous Peking Opera. Since Wu Opera had a profound influence on the evolvement and development of Peking Opera, it was considered as the forefather of Peking Opera by the legendary opera artist Mei Langfang. The performing art was extremely popular in the Ming and Qing Dynasty court and has come to be regarded as one of the most important cultural treasures of China. It’s based in Jinhua City of Zhejiang Province, in southeastern China.
In recent years, following the rapid and dramatic changes in concepts and lifestyles of the Chinese people, the survival of Wu Opera is facing a big challenge. The art form is losing audiences especially among the younger generation. However, the city’s government and the bearers of Wu Opera are sparing no effort to ensure the form’s survival. / text
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Master's thesis recital (tenor)Kwon, Soonchan 28 February 2014 (has links)
Don Giovanni / Wolfgang Amadeus Mozart. / text
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Master's thesis recital (soprano)Lange, Stephanie 28 February 2014 (has links)
Don Giovanni / Wolfgang Amadeus Mozart. / text
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