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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
61

The German opera libretto since 1945

Bansbach, Karen Renée, January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1975. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 278-300).
62

The singers in the golden age of opera, 1880-1935

Sirkus, Linda, January 1969 (has links)
Thesis (M.M.)--University of Wisconsin--Madison, 1969. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
63

The development of Russian national opera

Streim, Francis John. January 1946 (has links)
Thesis (M.A.)--University of Wisconsin--Madison, 1946. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [101]-102).
64

A classic style in French opera (1750-1825)

Fox, Leland Stanford, January 1962 (has links)
Thesis--Florida State University. / Includes bibliographical references (leaves 268-274).
65

Transforming opera ... from high art to people's art ...

De Jager, Salomon van Niekerk 30 June 2010 (has links)
MA Faculty of Humanities, Univerasity of the Witwatersrand, 2009. / The aim of this research report will be to determine: The repositioning of opera as a genre in the Free State to ensure its survival; Intended and / or unintended consequences of The White Paper on Arts, Culture and Heritage, 4 June 1996, that sanctioned the survival of opera in the Free State.
66

She Had No Peer: A Chamber Opera

Whiteman, Lauren A. (Lauren Ann) 08 1900 (has links)
The work is a chamber opera in five movements. The vocal forces include soprano, mezzo-soprano and baritone solos and a small mixed chorus. The instrumental forces include flute, oboe, alto and tenor saxophone, bassoon, cello and percussion. The opera is a character study of Eve and the Virgin Mary that compares and contrasts their evolving emotions. Recurring motives and texts are used to help the characters portray their emotions . The English texts were chosen from poetry ranging primarily from the 16th to the 20th century.
67

Opera reviews as theatrical criticism /

Herrig, Robert Arthur January 1985 (has links)
No description available.
68

Captain: a chamber opera

Payne-Passmore, Susanna 06 September 2018 (has links)
This opera, for soprano, contralto, baritone, treble voice, and chamber orchestra, sets an original story, a meditation on gender and the effects of restrictive gender norms in a society. The narrative follows a young sailor who wishes nothing more than to work on the sea forever, but is derailed from that destiny by her forced betrothal to a captain. She escapes this fate through the discovery of a latent power, sailing away from her home into an uncertain future of her own making. The work is approximately one hour in duration.
69

Chicago Opera Theater Standard bearer for American opera, 1976--2001 (Illinois).

Ratner, Carl Joseph. Unknown Date (has links)
Thesis (D.M.)--Northwestern University, 2005. / Source: Dissertation Abstracts International, Volume: 66-05, Section: A, page: 1556. Adviser: Judith L. Schwartz.
70

Music for a Risorgimento myth : Joan of Arc 1789-1849 /

Rizzuti, Alberto. January 2001 (has links)
Thesis (Ph. D.)--University of Chicago, Department of Music, August 2001. / Includes bibliographical references. Also available on the Internet.

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