Thesis (Ph.D.)--University of Adelaide, Dept. of Applied Mathematics, 1998? / Errata pasted onto front end paper. Bibliography: leaves 131-136.

Thesis (Ph. D.)--University of Toronto, 2007. / Source: Dissertation Abstracts International, Volume: 68-06, Section: A, page: 2291. Includes bibliographical references (leaves 201-208).

Thesis (Ph. D.)--University of Chicago, 1933. / Photolithographed.

Inaug.-diss.--Halle. / Lebenslauf. Published also without thesis note as Katalog der bibliothek der Deutschen morgenländlischen gesellschaft.

Thesis (M.A. in Securities Studies (Middle East, South Asia, Sub-Saharan Africa))--Naval Postgraduate School, June 2010. / Thesis Advisor(s): Looney, Robert ; Second Reader: Kadhim, Abbas. "June 2010." Description based on title screen as viewed on July 14, 2010. Author(s) subject terms: Qatar, United Arab Emirates, UAE, branch campus, higher education, Arabian Gulf Includes bibliographical references (p. 113-121). Also available in print.

Thesis--Goldsmith's College, University of London, 1994. / Includes bibliographical references (p. 50-51).

Studies on gender in medieval and modern Sufism have tended to posit two extremes: Sufism as an oasis for women, away from the strictures of ‘orthodoxy,’ or Sufism as a haven for misogynistic views of women as temptations, distractions, and necessary evils. However, these simplistic characterisations cannot encompass the full range of the evidence, as we find many positive representations of women, and indeed female saints, alongside brutal anti-woman declarations. This study attempts to nuance these prevailing characterisations of medieval depictions of gender by providing further evidence of Sufi attitudes towards women and femininity. It does so via a comprehensive consideration of a prominent Persian Sufi poet, Farīd al-Dīn ‘Aṭṭār, in the context of select Persian and Arabic hagiographies, Qur’an commentaries, and qiṣaṣ al-anbiyā’. Analysis of the material reviewed suggests that gender representations are not fixed, even within the work of a single author. I argue that these texts exhibit a striking disconnect between their conceptions of ‘woman’ as a category and the depiction of narrative women, especially Sufi women. I suggest that this tendency reflects a Sufi philosophy of gender-egalitarianism and that philosophy’s inherent conflict with predominant social hierarchies of the medieval Islamicate context. This study shows the utility of engaging the classical Islamic tradition with contemporary theory surrounding gender and identity, including corporeality theory and intersectionality theory. It also employs more traditional formalist literary critiques using the lenses of defamiliarisation and paradox/apophasis. Ultimately, this research reveals the need for careful, critical studies of medieval views on gender, and contributes to the bodies of literature on Islamicate sexualities and the construction of sainthood in Islam.

No description available.

This thesis focuses on the development of the Iranian nation and state from 1811 to 1941. Both of these developments occurred in response to Iran's encounter with the European powers, specifically Russia and Great Britain. Government-led reforms opened the possibility for the development of Iranian nationalism, as Iranian students were in England and brought back the first printing press with them to Iran in 1815. The introduction of the printing press was significant to the development of the Iranian nation-state, as an increase in journals and periodicals introduced contemporary European political ideas to Iranians. This increased the calls to replicate the customs and norms of European society in Iran, ultimately leading to the Constitutional Revolution of 1906. The Constitutional Revolution established a Parliament in Iran that was politically weak and held little power in the provinces outside of Tehran. Tribal authority increased throughout Iran, and the Russians and British eventually occupied Iran from 1911 to 1917. The establishment of Reza Shah's rule in 1921 introduced a new centralized Iranian state that was legitimated by the nation and established its rule over the tribes. It is also during Reza Shah's rule that the conception of the Iranian nation begins to change. / Master of Arts

The Political Aesthetic of the Medieval Persian Prison Poem, 1100-1200 traces the dissemination of the medieval Persian prison poem (habsiyyat) from South Asia to the Caucasus in the context of the contemporaneous developments in literary and political theory that shaped this genre. Varying attitudes towards figuration in Persian literary criticism are examined in terms of an aesthetics of incarceration that, I argue, extended the political boundaries of medieval Persian literary culture. Drawing on the pioneering works of Zafari (1985) and Akimushkina (2006), I elucidate the prison poem's strategies for making the medieval experience of incarceration available to literary representation. In documenting the dialectic between the sultan's material power and the poet's discursive sovereignty, I show how medieval Persian prison poetry critically engaged with medieval punitive practices. Ultimately, this dissertation traces the relation between the increased use of incarceration as a mode of punishment by regional sultanates and the discursive elevation of poetry that is Persian literature's greatest contribution to world literature. Concomitantly with investigating the twelfth-century aesthetics of incarceration, this dissertation documents how twelfth-century Persian poetry was transformed by idioms of literary knowledge articulated through a Persianized Arabo-Islamic rhetoric. Exegeses of specific prison poems by Mas'ud Sa'd Salman of Lahore (d. 1121), Khaqani Shirwani (d. 1199), and of other prison poets from these regions, are offered alongside documentary explorations into the status of non-Muslim minorities in Saljuq domains, the transformation of a predominantly panegyric genre into an instrument of political critique, and demonstrate the political importance of the habsiyyat to the historiography of incarceration as well as of Persian literature. By examining the literary archive of incarceration from Lahore in South Asia to Shirwan in the Caucasus, this study aims to expand the scope of investigations into the aesthetics of power as registered by literary form, to extend the temporal dimensions of the historiography of incarceration, and to contribute to classical Persian literary theory's conceptualization of genre. Chapter one offers a synoptic and global history of incarceration in the medieval world. Chapter two considers what the prison poem as a genre has to offer global literary theory. Chapter three studies the complex modulation of the qasida form through the prison poem's emphasis on the poet's lyric subjectivity. Chapter four traces the appropriation of the motifs of prophecy by Persian prison poets who aspired for a sovereignty that exceeding the boundaries of material power. Chapter five offers detailed exegeses of the two most significant texts in the medieval Persian archive of incarceration: Khaqani's Christian qasida and his qasida on the ruins of Mada'in. Chapter six documents the devolution of authority onto prison poetry and the reconstitution of material power through discursive sovereignty. Collectively, these chapters show that, just as medieval Persian prison poets protested the terms of their social contracts and thus suffered imprisonment, so did the prison poem genre contest the distribution of sovereignty in the medieval world by transferring prophecy, and prophecy's concomitant authority, to the poet.