Univ., Diss.-2005--Mannheim, 2004. / Literaturverz. S. [201] - 207.

Thesis--Freien Universität Berlin. / Includes bibliographical references (p. 6-16).

Inaug.-diss.--Leipzig. / Vita.

Thesis--University of Chicago. / Typescript (carbon copy). A Dissertation, submitted to the Faculty of the Graduate School of Arts and Literature, in candidacy for the Degree of Doctor of Philosophy, Department of Roamnce Languages and Literatures. Includes bibliographical references (leaves 283-316).

Thesis--Wisconsin. / Vita. Includes bibliographical references (leaves 221-225).

Zugl.: Köln, Univ., Diss., 2002

Thesis (M.A.)--Baylor University, 2007. / Includes bibliographical references (p. 106-107).

­^¤å´£­n¡G The compositional style of Franz Liszt was significant for its virtuosic feature, the use of thematic transformation technique, and transcriptions, which usually makes people ignore the importance of deep literature relationship in his music. In the Années de Pèlerinage: Deuxième Année written in 1838~1839, it has included compositions inspired from literature and arts. For the Three Sonetto of Petrarca from Années de Pèlerinage: Deuxième Année, Liszt had written five editions, which had never seen in other compositions. This research, based on the tenor edition published in 1846, focuses on the relationship of music and literature in the Three Sonetto of Petrarca piano edition published in 1858. Furthermore, Liszt¡¦s use of the technique of word painting, third relationship of harmonic language, and the unity between introduction and coda to build the construction of the poems is also explored.

Thesis (doctoral)--Stockholm University, 2004. / Includes bibliographical references (p. 247-255) and index.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1958. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 336-351).